Archive for February, 2009

Boho Theatre’s "More Than Skin Deep" fundraiser

 

»» Don’t miss the Boho Benefit!!   I’m told that there are only a few tickets left for Boho’s big fundraiser, “More Than Skin Deep”, which is being held February 16th in Bohemian Theatre‘s performance space, the Heartland Studio in Rogers Park.  Knowing this incredibly gifted theatre company, I’m betting that there will be lots of great food, great booze, and definitely great performances.  Tickets are only $25 (2 for $40).  Even if you can’t make it to the shindig, you can still participate in the raffle for rooftop Cubs tickets, Boho subscriptions, artwork, and much more.  Don’t miss out!  Click here for more info.  Click here to buy raffle tickets!

 BohoFundraiser

   
February 7, 2009 | 0 Comments More

Senate Cuts Arts from stimulus bill… :-(

Americans for the Arts sent out this news, which is even more disappointing considering the list of senators who voted to cut arts funding (I have bolded those names):

Yesterday afternoon the U.S. Senate, during their consideration of the economic recovery bill, approved an egregious amendment offered by Sen. Tom Coburn (R-OK) that stated “None of the amounts appropriated or otherwise made available by this Act may be used for any casino or other gambling establishment, aquarium, zoo, golf course, swimming pool, stadium, community park, museum, theater, art center, and highway beautification project.”  Unfortunately, the amendment passed by a wide vote margin of 73-24, and surprisingly included support from many high profile Senators including Chuck Schumer of New York, Dianne Feinstein of California, Barbara Mikulski of Maryland, Bob Casey of Pennsylvania, Amy Klobuchar of Minnesota, Russ Feingold of Wisconsin, and several other Democratic and Republican Senators.

If the Coburn amendment language is included in the final conference version of this legislation, many arts groups – including some in Chicago -  will be prevented from receiving economic recovery funds from any portion of this specific stimulus bill.  It is clear that there is still much work to be done in the Senate and in the media about the role that nonprofit arts organizations and artists play in the nation’s economy and workforce.

Americans for the Arts has offered a few plans of action:

  1. Easily contact your senator, telling them of your opposition to the Coburn Amendment, using this customized message .
  2. Click here to customize an opinion editorial to your local media, which supplies you with easy-to-use talking points.

To my readers – I strongly recommend that you join the Arts Action Fund today — it’s free and simple.

February 7, 2009 | 0 Comments More

Chicago Theater: "Xanadu" Reviews

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The hit Broadway-musical Xanadu joyously roller-skated its way onto Michigan Avenue last night at Drury Lane Water Tower

Here’s a collection of Xanadu theater reviews:

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* UPDATED * UPDATED * UPDATED * UPDATED * UPDATED * UPDATED * UPDATED *

 

Christopher Piatt  (TimeOut Chicago)

You don’t have to be gay to dig Xanadu; you need to be gay enough.  …(Book writer Douglas Carter) Beane‘s challenge was to stitch the virile, throbbing unapologetically awesome space-pop of Electric Light Orchestra into a credible evening.  The resulting airheaded, upbeat rock follies…has a deliriously screwball quality that channels the lush, berserk American entertainment of the 1930s.

Of the cast, haunted slumlord Larry Marshall adds an appealing noir quality.  Meanwhile, Elizabeth Stanley, the pop-princess chorine who skates and tells jokes, is the star of the goddamn universe. (Entire review here)

Rating: ««««« out of 6

 

Chris Jones (Tribune)

…A shrewdly good time, if you have a few pre-show drinks…

Yes, “Xanadu” knows it’s based on one of the worst movies ever made. It makes fun of jukebox musicals even as it takes its place among them. And with a comparable chutzpah to that which once catapulted Olivia Newton-John to incomprehensible global stardom, “Xanadu” manages to poke fun at the creative bankruptcy of the endless recycling of movies and nostalgia while doing precisely that itself. No armor is more protective than self-awareness.

Rating: ★★★                                                            Read entire review.

Hedy Weiss (Sun-Times)

Talent and fluff clash, but goofy grins prevail.

Let it never be said that playwright Douglas Carter Beane doesn’t possess a gleefully self-mocking sense of his own work. During the course of “Xanadu,” which received its high-energy, high-volume, post-Broadway debut here Wednesday at the winningly intimate Drury Lane Theatre Water Tower Place, he offers a fine assessment of the show. As one character exclaims: “This is like children’s theater for 40-year-old gay people.”    

Rating: Somewhat Recommended                         Read entire review.

Tom Williams (ChicagoCritic.com)

Let me start my stating that I hate disco music from the 1980’s and I think the Xanadu film may be the worst film of all-time or high on that list. Those biases have colored my take on Xanadu, the musical now at Drury Lane Water Tower Place produced by Broadway in Chicago. To me, there was nothing very cute or funny in this show. It tries too hard to be campy and satirical with dated 80’s referenced jokes. Filled with ELO tunes, leg warmers, roller skating, and a fake Australian accent, Xanadu came off as crass exploitive fluff that I found derivative.

As a consumer advocate, however, let me state that the audience at the opening night performance found the show to be a hilarious romp filed with bouncy, had-clapping songs filled with 80’s nostalgia. It is a feel-good show long on escapist entertainment and short on plot.

Rating: Somewhat Recommended                         Read entire review.

Fabrizio Almeida (NewCity)

I don’t know that the stage show offers any experience, let alone anything that might even qualify this as a fun and fabulous guilty pleasure. Clearly, the biggest problem is with Christopher Ashley’s direction. You can’t force camp, and yet every half-assed joke and lame visual pun has been overly telegraphed and repeated to the point of ineffectiveness. I did laugh a few times: Elizabeth Stanley’s breathy delivery of some stupid lines; the thick Australian accent. But overall I found the ninety-minute intermission-less stage experience tedious, dull and uninspired…………

…….clearly, this is a big misstep for Broadway in Chicago, and I don’t see ”Xanadu” running long or appealing to many theatergoers. Because if this camp-loving, ELO-listening, gay roller-skating lover of “Starlight Express” thought it was crap, what hope is there for you to like it?

Rating: Not Recommended                                        Read entire review.

Xanadu is fun for 5-year kids to 95-year old disco queens!

February 6, 2009 | 1 Comment More

Chicago theater openings this week!!

per League of Chicago Theatres

AbundanceChicago a cappella

An Adult Evening with Shel SilversteinThe Shadowmen

Batsheva Dance Company - Auditorium Theatre

Bob the Builder Live! - The Chicago Theatre

Dancing at Lughnasa - The Theatre School at DePaul University

The Debussy Trio - Lyon and Healy Hall

Dirty Scoundrels - Gorilla Tango Theatre

Dying City - Next Theatre

Frindle - Metropolis Performing Arts Centre

The Full Monty - Beverly Theatre Guild

Hamlet Hamlet - Gorilla Tango Theatre

High School Production 4Gorilla Tango Theatre

It’s Good For You - Gorilla Tango Theatre

Japan Dance Now - Dance Center of Columbia College

MachinalTimeLine Theatre

Mark Twain in Person - Prop Thtr

Mileep Saves Tuesday - Corn Productions

The Night Show - Gorilla Tango Theatre

Rod Blagojevich Superstar - The Second City etc

Sweet William - Chicago Shakespeare Theater

Sylvia - Village Players Performing Arts Center

Twice Told - Northwestern University Theatre

February 4, 2009 | 0 Comments More

Theater tidbits: Village Players and Beverly Theatre Guild

 

»» Staff change – Liz Johnson has replaced Marketing Manager Christopher Pazdernik at Village Players.  “I have very much enjoyed my 14 months working at Village Players — it is a time I cherish highly and will always remember fondly”, says Pazderik, who added “I am very excited to turn this position over to Liz….  “
   
»» Opening this Friday (Friday, Feb. 6th), the Beverly Theatre Guild presents “The Full Monty”, by Terrance McNally (book) and David Yazbek (music/lyrics).  Directed by Glenn Hering, Full Monty runs through February 8th, performed at Morgan Park Academy’s Baer Theatre.  Call 773-BIG-TIXS for info. Click here for tickets.

 'The Full Monty', presented by the Beverly Arts Guild

February 3, 2009 | 0 Comments More

Theatre Thursday – "Fires in the Mirror" at 16th Street Theater

Thursday, February 5

Fires in the Mirror by Anna Deavere Smith

16th Street Theater

6420 16th Street, Berwyn

229 Come to 16th Street before the show to enjoy dinner catered by the popular Wishbone Restaurant featuring their healthy, southern-style comfort food. Then stay for the provocative Pulitzer Prize-nominated Fires in the Mirror, followed by a post-show dialogue with members of the cast and director.
Crown Heights, Brooklyn. Blacks vs. Jews. Four actresses embody 26 different perspectives in this stunning exploration of the events and emotions surrounding the 1991 racially-charged riots. “The most compelling and sophisticated view of urban racial and class conflict that one could hope to encounter.” –New York Times.

wishbone

Dinner begins at 6:30 p.m.
Show begins at 7:30 p.m.
Tickets: $25
For reservations call 708.795.6704 x105 and mention “Theater Thursdays.” 

February 2, 2009 | 0 Comments More

Sunday Night Sondheim: Audra McDonald medley

One of my all-time favorite Broadway singers, Audra McDonald, performs a medley of the Stephen Sondheim songs: “What Can You Lose?” (from the movie Dick Tracy) and “Not A Day Goes By” (from Merrily We Roll Along)

Performed in honor of Stephen Sondheim’s 75th Birthday on July 8, 2005 at the Hollywood Bowl, Los Angeles, the concert – entitled Children Will Listen – benefited the ASCAP Foundation.

 

February 1, 2009 | 0 Comments More

Olivia Newton-John: "Xanadu" interview

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This past Friday, the Sun-Times featured Misha Davenport’s interview with pop culture’s film icon Olivia Newton-John.  I really loved hearing her take on reasons why Xanadu the movie could be so god-awfully bad while Xanadu the musical could be so successful.  The entire interview is here, but here’s a few out-takes to pique your interest:

 

 

Misha: You spent so much of the film on roller skates.  Still roller skating?
Olivia: Let’s just say I haven’t been on roller skates since the ’80s.
   
Misha: The film had a great soundtrack and terrific cast, including Gene Kelly, Michael Beck and yourself.  What went wrong?
Olivia: I think the big problem was the script.  It just kept changing with constant rewrites, which is not a good sign in hindsight.  More of the answer here.
   
Misha: What does it feel like to have been part of “Grease” and “Xanadu,” two iconic film musicals?
Olivia: I am blessed to have been part of both projects.  Obviosly “Grease” changed my life and that film seems to find a new audience every year. ….. And having the chance to dance with both John Travolta and Gene Kelly, what more could a girl ask for??  (more here)

 

Fun stuff, right?   I remember owning the album with “Have You Never Been Mellow”, and played it over and over.  Though not in the original movie, they’ve inserted this same song into the stage version, which is a great idea.  Read the entire interview!

 

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Olivia5 Olivia with the Chippendales.  Looks like she's having a good time!

February 1, 2009 | 0 Comments More