REVIEW: Abigail’s Party (A Red Orchid Theatre)

| February 26, 2010

“Let’s get pissed!”

abigail

A Red Orchid Theatre presents:

Abigail’s Party

by Mike Liegh
directed by Shade Murray
through March 28th (more info)

reviewed by Oliver Sava

Suburban popularity hinges on repressed emotions. Irritating neighbors are tolerated and marital woes are hidden all in the name of keeping up appearances, but what happens when the inhibitions that keep these feelings in check are removed? Hilarity ensues.

abigail_home The year is 1977 and Beverly (Kirsten Fitzgerald) is waiting for her husband Laurence (Larry Graham) to arrive with lagers before guests arrive for a cocktail party. Cheesy pineapple bites have been set, the fiber light has been switched on, and the hostess is grooving to Donna Summer’s “Love To Love You Baby” while sipping a gin and tonic. A few houses down, punk rock teenager Abigail is throwing a party of her own, but the real action is about to begin in the Moss’s living room, the setting of Mike Leigh’s hilarious Abigail’s Party at A Red Orchid Theatre, exquisitely directed by Shade Murray.

Angela (Mierka Girten ) and Tony (Danny McCarthy), newcomers to the neighborhood, arrive first, followed by Susan (Natalie West), the title character’s divorced mother. Drinks are poured as small talk begins, the men discuss cars, the women furniture, and all is pleasant and respectable. This picturesque gathering quickly develops cracks in its facade as drinks are topped up and people become looser with their tongues, revealing the problems that lie under the surface.

Leigh’s script was largely developed through actor improvisations, and the evidence is apparent in the dialogue. Characters check in with their listeners to make sure they are paying attention, and at one point two completely different conversations are happening at the same time, a rare occurrence on stage but something that can be heard at any party. The rhythm of the dialogue moves at a clipped pace that intensifies as drinks are poured, but the actors never become caricatures of inebriation.

Alcohol is the medium through which awkwardness flows in the play, and Fitzgerald’s Beverly is the main instigator. She jumps at the chance to criticize Angela’s makeup once the men are away, openly mocks her husband, and in the play’s most uncomfortable moment gets a little too intimate with Tony. “A little row adds sparkle to a relationship,” isn’t just something she says, but something she lives by, and her abhorrent behavior is a way to garner an emotional response from the lifeless Laurence. Beverly mirrors Abigail’s party, becoming more invasive in the lives of those around her as her neighbor’s punk rock grows louder, disrupting her perfect evening.

Fitzgerald may be the life of the party, but her supporting cast doesn’t play second fiddle. Graham’s Laurence may be a square, but he matches his wife’s aggression when threatened, and his intellectual nature serves as a great foil to Beverly’s vivacity. Girten is hilarious as wide-eyed doormat Angela and McCarthy is appropriately brutish in his mostly silent role. West essentially reprises her role of Crystal from Roseanne but with a British accent, and while primarily serving to drive the plot forward, Susan becomes the play’s most relatable character. Watching in horror as suburban drama unfolds before her eyes, she is an audience member on the other side of the curtain: sober, shocked, and completely in awe.

Rating: ★★★½

CREATIVE TEAM: Mike Leigh (Director), Shade Murray (Director), Joe Court and S.G. Heller (Sound Design), Samantha Szigeti (Light Design), Daniel Stratton (Set Design), Melissa Torchia (Costume Design)

CAST: Kirsten Fitzgerald, Mierka Girten, Larry Grimm, Danny McCarthy, Natalie West

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Category: 2010 Reviews, A Red Orchid, Oliver Sava

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