An expressive train ride full of colorful humanity
|16th Street Theater presents|
|Written and performed by Tony Fitzpatrick
Directed by Ann Filmer
at Steppenwolf’s Merle Reskin Garage Theatre (map)
through August 1st | tickets: $22 | more info
reviewed by Katy Walsh
Imagine riding the Red Line with Michael Moore, John Goodman and Mother Theresa to the Morse Stop to decipher the graffiti, enjoy the art and give money to the poor while a street musician serenaded. 16th Street Theater presents THIS TRAIN at Steppenwolf’s Merle Reskin Garage Theatre. It’s a multi-media experience written and performed by artist, poet, actor Tony Fitzpatrick. The show is a collection of expression; projected images of art accompanied by sung verse intermingled with real life tales of vagabonds through history and on Damen Avenue. This decoupage of the plight of the hobo uses political rants and amusing side stories to get at the core illustration: ‘the greatest crime in this country is to be poor.’ With the current economic climate, THIS TRAIN is a timely ride connecting beyond people’s stations in life.
THIS TRAIN is Tony Fitzpatrick’s one hobo show. A musician trio and a Paul Shaffer-look-a-like sidekick are present but they are more props in ‘Tony’s World.’ Fitzpatrick shares personal stories of his journey as an artistic drifter. Channeling a new age hobo confidence, he likes to be paid first and in cash. Mimicking his Ukraine neighbor, Studs Terkel, or a plethora of homeless visitors to his studio, Fitzpatrick is a masterful storyteller creating visuals from his word choices. What keeps the show from being a vanity showcase is Fitzpatrick’s vulnerability, compassion and genuine fondness for the poor. He knows the impoverished by name. ‘I’m two paychecks away from being Tony and one drink away from being Wayne.’ Along with his stories, the audience gets glimpses of his art. Pictures of his art are projected with music accompaniment and Fitzpatrick’s recorded poetry. The art is folksy abstract with the fusion graphics of skeletons, words and the hobo alphabet. Fitzpatrick’s proclamations of ‘language comes from art’ and ‘art is a labor of desire’ are represented in this auto-biographical ‘wonder’ choice where he fully loves and participates.
Under the direction of Ann Filmer, ‘voiceover Tony’ and ‘real life Tony’ segments transition without a hitch. The show has an unrehearsed, authentic, stopover in ‘Tony’s World’ feel. The style seems gritty and spontaneous to match the content. For the projection segments, Kristin Reeves has created a video that uses movement, people, paintings and the written word as a vehicle synced perfectly with a pre-recorded Fitzpatrick narration or Kat Eggleston’s soulful singing. The effect is breaking up the commute watching YouTube videos on an I-pod.
Public transportation is not for everyone. But for those who appreciate the colorful humanity that makes any transit ride more entertaining, Fitzpatrick drives THIS TRAIN up close and personal. Catch THIS TRAIN off the Red Line Clybourn stop or hop the Blue Line to Big Cat Press, 2124 N. Damen, for daily encore presentations.
Running Time: 100 minutes included a fifteen minute intermission
3 WORDS: Getting on the Brown Line, James describes the show with “Next Stop: Chicago.”
Playwright: Tony Fitzpatrick
Director: Ann Filmer
Ensemble: Tony Fitzpatrick, Kat Eggleston, John Rice, Stan Klein, Buzz Kilman
Video Artist/Projections: Kristin Reeves
Set Design: Kurt Sharp
Lighting: Mac Vaughey
Stage Manager: Jennifer Aparicio
Asst. Director: Adam Seidel
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