Hurry! Only 4 more chances to see “After the Fall”!!
Cutting Close to the Bone:
A conversation about Arthur Miller’s After the Fall
by Paige Listerud
After the Fall is Arthur Miller’s most personal play. He exposes the implosion of his marriage to Marilyn Monroe, set off by addiction, driven by the demons of childhood sexual abuse and Hollywood exploitation. It’s a play in which Miller acknowledges his own failed attempts to save her from any of it. In the play, Miller’s persona, Quentin (Nat Swift), marvels at and abhors the sexual fascination that Maggie (Nora Fiffer), Monroe’s persona, casts over men—a power that makes her vulnerable to all sorts of exploitation. But even as he attempts to protect her, he acknowledges his own culpability and morally compromised state in succumbing to her bombshell beauty and erotic, childlike nature.
After the first production of After the Fall, taking place one year after Monroe’s death, Arthur Miller was savaged in the press for exploiting his wife. But the play really is a purge and cathartic release of all sorts for Miller. Of all his works, After the Fall cuts closest to the bone. Furthermore it’s a play that covers other purges and other morally compromised states—such as America’s purge of communists, fellow travelers, and other leftist thinkers during the McCarthy Era. It was an era in which the outrageous accusations of the House Un-American Activities Committee (HUAC) met with collusion by some fearful Americans, ready to surrender names in order to save their careers, while other fearful Americans maintained their silence about McCarthy’s witch hunt under the peer pressure of Loyalty Oaths.
It was an era for all sorts of moral compromise—not something that Miller’s intelligent and incredibly moral protagonist Quentin can live with very well. If you want to know how Eclipse Theatre has done one of Miller’s most cinematic and impressionistic works, you can now read an array of critical acclaim from the Chicago theater press. (You can also see our in-depth review here ★★★½). As for diving even deeper into the challenges of rendering this difficult play so well, enjoy our video interview below. Then get thee to Eclipse Theatre before the production closes.
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