REVIEW: Kiss Me, Kate (Circle Theatre)

| November 18, 2010
          
     

The Taming of Cole Porter

 

 

Jonathan Altman, Jake Autizen, Rachel Quinn, Wes Drummond - Kiss Me Kate - Circle Theatre

   
Circle Theatre presents
   
Kiss Me, Kate
  
Written by Cole Porter and Bella Spewack
Directed by
Bob Knuth
at
Circle Theatre, 1010 W. Madison, Oak Park (map)
through Jan 30  |  tickets: $22-$26  |  more info

Reviewed by Lawrence Bommer

What you want with this musical revival is to hear a giant click, the sound of everything going right in Circle Theatre’s hoped-for perfect revival of Cole Porter’s musical-within-a-musical. For director and set designer Bob Knuth what’s already perfect is a sparkling script depicting the behind-the-scenes shenanigans of temperamental thespians. Modeled on the ever-excitable thespian duo of Alfred Lunt and Lynne Fontanne (a fairy tale marriage in every way), hellion Lili and egomaniac Fred enact a Jonathan Altman, Jake Autizen, Rachel Quinn, Wes Drummond - Kiss Me Kate - Circle Theatrelife-imitates-art parallel to the quarreling lovers they croon in a Baltimore performance of “The Taming of the Shrew.” More than before, relocated to Oak Park, Circle Theatre now has a stage wide enough to embrace all of Kevin Bellie’s cinemascopic dance routines, which in their previous Forest Park digs five blocks west on Madison Street threatened to burst at the seams.

If a spinoff can improve on its source, this toxically witty 1948 gem, which restored Cole Porter to Broadway glory after a disappointing ten-year dry spell, betters the Bard. Both a hymn to the neuroses that nurture showbiz eccentricities and extremes, it’s also a witty sendup of the perils that follow when narcissistic Broadway stars perform in private as much as under the lights. For these stagestruck souls the sound of no one applauding during their domestic quarrels must be maddening. Never has a show, backstage and centerstage, had more reason to go on.

Crafting many moments to the max, Knuth transforms Porter’s gift into a promising assemblage of perfectly timed verbal and physical comedy, sometimes superior singing, contagious dancing, dazzling costumes, period-perfect wigs, and serviceable sets. But the hard work of the 23 eager-beaver performers is critically undermined by Carolyn Brady Riley’s heavy-handed musical direction: The culprit here is the (minimal for Cole Porter) four-person band who perversely seem to make up for their small number by playing too loud throughout (a vice that’s also afflicted past Circle Theatre shows). Accompaniment does not mean overkill. No one wants these singers to use mikes but on opening night they were more than challenged to sing and speak out these brilliant Porter lyrics and, because the orchestra wouldn’t let them, a lot of laughs died along with the words. Adding mikes would only escalate the screamfest. The solution is the taming of this band.

 

John Roeder, Andy Baldeschweiler, Tommy Bullington - Kiss Me Kate - Circle Theatre Andy Baldeschweiler and Jenny Sophia 3 - Kiss Me Kate -

Everything hinges on the chemistry between the tamer and the shrew: Jennie Sophia’s Lili (who reminds us of the young Patti Lupone) isn’t just the spitfire diva who craves to be domesticated; she delivers the dreamer (“So in Love”), desperate for the right excuse to stop fighting love. Equally commanding as Petruchio or his hammy self, Andy Baldeschwiler’s Fred never drops a joke in his patter numbers (“Where Is The Life That Late I Led?”), except when the orchestra drowns him out. At least he gets to register the sheer joy of singing “Wunderbar” every night. But, given a hostile accompaniment, he strains more than he should to unevenly deliver songs that should sound as effortless as they were composed 62 years ago.

Rachel Quinn and Wes Drummond couldn’t be sweeter second bananas, as venal Lois Lane and trusting Bill Calhoun wonder “Why Can’t You Behave?” A crowd-pleasing, vaudevillian sensation, John Roeder and Tommy Bullington are the vaudevillian gangsters whose “Brush Up Your Shakespeare” is as funny as you can get without asphyxiating an audience on their own laughs.

But the signature triumph belongs to the hard-hoofing, all-crooning chorus, whose Lindy-hopping, jitterbugging dances look totally authentic and still seem improvised on the spot. If only the orchestra could have brought out all the sensuous sounds that Porter intended for songs that can be treasured and never bettered.

   
   
Rating: ★★
   
   

Cast of Kiss Me Kate - Circle Theatre

 

 

Cast

Jonathan Altman * Jake  Autizen * Andy Baldeschwiler * Julia Beck * Jen Bludgen * Christopher Boyd * Tommy Bullington  * Rachel Burt * Audrey Layne Crocker * Wes Drummond * Jon Landvick * Merrill Matheson * Elizabeth Morgan * Andriana Pachella * Gregory Payne * Joshua A. Peterson * Rachel Quinn * John Roeder  * Christine Ronna * Jennie Sophia * Gina Sparacino * Noah Sullivan * Kirk Swenk

Artistic Staff

Bob Knuth, Director & Scenic Design * Carolyn Brady Riley, Music Director * Kevin Bellie, Choreographer * Gary Echelmeyer, Lighting Design * Peter J. Storms, Sound Design * Rebecca Miles-Steiner, Stage Manager * Patti Roeder, Costume Design & Construction* Mary Redmon, Assistant Director * Patricia Austin, Assistant Director/Dramaturg

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Category: 2010 Reviews, Circle Theatre, Lawrence Bommer

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