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Review: Moonstone (Lifeline Theatre)

| February 14, 2011 | 0 Comments
  
  

Lifeline’s world-premiere adaption bedazzles

  
  

Godfrey Ablewhite (C. Sean Piereman, left) proposes to Rachel Verinder (Ann Sonneville, right), while Drusilla Clack (Kaitlin Byrd, center) spies from the next room; in Lifeline Theatre’s world premiere production of “The Moonstone,” adapted by Robert Kauzlaric, directed by Paul S. Holmquist, based on the classic mystery by Wilkie Collins. Photo by Suzanne Plunkett.

   
Lifeline Theatre presents
  
The Moonstone
  
Adapted by Robert Kauzlaric
Based on book by Wilkie Collins
Directed by Paul S. Holmquist
at Lifeline Theatre, 6912 N. Glenwood (map)
through March 27  |  tickets: $32-$35  |  more info

Reviewed by Katy Walsh

Disease, suicide, addiction, murder: can a stolen piece of jewelry inflict pain and destruction on a family? Lifeline Theatre presents the world premiere of The Moonstone. Set in the 19th-century, a disreputable army officer steals a diamond during his service in India. He wills the cursed sacred stone to Rachel, his niece for her eighteenth birthday. Overnight, the adornment is missing. Who took it? The juggling party crashers from India? The maid just out of prison? One of the cousins? Or Rachel herself?

Rachel Verinder (Ann Sonneville, right) and Franklin Blake (Cody Proctor, left) admire the legendary Moonstone, an Indian diamond with a dark history; in Lifeline Theatre’s world premiere production of “The Moonstone,” adapted by Robert Kauzlaric, directed by Paul S. Holmquist and based on the classic mystery by Wilkie Collins. Photo by Suzanne Plunkett.Within 24-hours, the moonstone changes the shiny, happy home to a dark, suspicious lair. Curses? Or just pure greed? Rachel knows something but refuses to speak. It’s a mystery! The intricate story unfolds from the perspectives of the various characters. It’s like playing a virtual reality game of CLUE except Miss Scarlett’s not talking, Professor Plum is addicted to opium and Mrs. Peacock is a crazy evangelizing Christian. The Moonstone unravels the mystery by pulling hanging strings from everywhere and knitting them together for a warm wrap around.

Playwright Robert Kauzlaric penned the script based on the 19th century epistolary novel by Wilkie Collins. Epistolary refers to a collection of letters. The Moonstone originally ran as a series in Charles Dickens’ magazine. Kauzlaric’s challenge was to take episodic based material and condense it down to one solid play. Although a few details could be eliminated to shorten it, Kauzlaric writes witty narrations that cleverly connect the intrigue together. Scenes are entangled with characters reading from letters. Under the direction of Paul S. Holmquist, the audience is fishing for red herrings. The expedition leads to a theatre under detective-fever quarantine. Who did it?

The cast did do it… marvelously. Keeping the audience engaged and enthralled for a three hour period is a mystery… they solved. The entire ensemble bonds together like a shiny, happy functional family. Sonja Field (Penelope) looks amusingly and adoringly at her father during his charming but lengthy narration. He, Sean Sinitski (Gabriel), affectionately scolds her and greets characters with a warm I-haven’t-seen-you-since-Act-1 hug. The cast is enjoying telling the story! Cody Proctor (Franklin) and Ann Sonneville (Rachel) play out perfectly like a Victorian-era couple trying to get it together. Proctor is the zealous hero-wannabe. Sonneville goes delightfully from morose resignation to boyfriend obsession with one letter. With well-Colonel John Herncastle (Dave Skvarla) steals the legendary Moonstone from its hidden vault; in Lifeline Theatre’s world premiere production of “The Moonstone,” adapted by Robert Kauzlaric, directed by Paul S. Holmquist, based on the classic mystery by Wilkie Collins. Photo by Suzanne Plunkett.placed hilarity, Kaitlin Byrd (Drusilla Clack) hides religious propaganda while delivering judgmental snipes. Byrd is willfully obtuse to comic heights. She responds to being shunned with an ‘I made a private memorandum to pray for her.’ Big nod out to Byrd also for her trust walk with her cast mates. Shivering sands, indeed!

Lifeline Theatre’s tagline is Big Stories, Up Close. With a stage that actually looks like a ‘Gosford Park’ pop-up book (Scenic designer Ian Zywica), The Moonstone is a perfect winter read. The mystery entices with playful ruse. The story is told from intimate perspectives. And at the end, it’s just a nice, cozy fit.

   
  
Rating: ★★★
   
    

Godfrey Ablewhite (C. Sean Piereman, left) proposes to Rachel Verinder (Ann Sonneville, right), while Drusilla Clack (Kaitlin Byrd, center) spies from the next room; in Lifeline Theatre’s world premiere production of “The Moonstone,” adapted by Robert Kauzlaric, directed by Paul S. Holmquist, based on the classic mystery by Wilkie Collins. Photo by Suzanne Plunkett.

The Moonstone continues through March 27th, with performances on Thursdays and Fridays at 7:30pm, Saturdays at 4pm and 8pm, and Sundays at 4pm  Running Time: Two hours and fifty minutes includes two intermissions

All photos by Suzanne Plunkett.

  
  

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Category: 2011 Reviews, Adaptation, Katy Walsh, Lifeline Theatre, World Premier

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