Raven Theatre's

Review: Sketchbook Reverb (Collaboraction)

| February 19, 2011 | 0 Comments
  
  

High-energy company serves up so-so sample platter

  
  

Dan Krall, James Zoccoli, Kim Lyle, Saverio Truglia, Collaboraction, Sketchbook Reverb

   
Collaboraction presents
   
Sketchbook Reverb
  
Directed by Anthony Moseley
at
Flat Iron Arts Building, 1575 N. Milwaukee (map)
thru March 27  | 
tickets: $25  |  more info

Reviewed by Keith Ecker 

Collaboraction has to be one of the most energetic theatre companies on the planet. If you’ve ever seen a past Sketchbook, the company’s signature showcase for new avant-garde works, you understand what I’m talking about. Anthony Moseley and his band of merry artists are like a bunch of teenagers who have forgotten to take their Adderall. The creativity bubbles forth, frequently with a lack of clear direction and focus, making the final product a sight to see but not always a comprehensible sight.

Saverio Truglia, Sketchbook Reverb, Amy Speckien, CollaboractionSketchbook REVERB certainly delivers on whimsy and inventiveness. And just like the eponymous annual series from which its one acts have been borrowed, its inconsistent. Some of the pieces are absolutely brilliant, reaching intense levels of poignancy through bare-knuckled honest comedy. Other times, the wackiness of the plays feels put on in a desperate attempt to appear cutting edge and quirky. When it works, it works. And when it doesn’t, you eye the program seeing what’s next on the menu.

Let’s first discuss some of the winners. “My Yeti Dreams”, written by Lisa Dillman, is a soliloquy delivered by a woman (Laura Shatkus) who falls in love with a grunting, half-naked Yeti (HB Ward). It’s an absurd premise with honest and relatable underpinnings. This woman finds freedom in her love for something so free of social mores. Shatkus delivers a breathy, heartfelt monologue as Ward jumps and grunts with gusto.

Another highlight of the night was “I’ll Never Tell You”, written by Stephen Cone. In this short, a man (HB Ward) is mourning privately over his wife’s corpse (Laura Shatkus). The man reveals to his wife things he regrets not telling her, specifically his many infidelities. Despite the fact that he’s a chronic cheater, the man’s awkwardness and sadness overshadow any judgment we may reserve for him. Instead, we are compelled to sympathize. This time, Ward delivers the monologue, and he does it with great patience and passion. It’s a beautiful performance.

The last high point of the night was “The Lurker Radio Hour”, written by Drew Dir. The short takes the form of an old radio show, which is always a fun format to see staged. The show’s host Steve Larker (James Zoccoli) dawns a sinister-sounding voice while his assistant Alice (Amy Speckien) creates the sound effects. Steve’s wife has left him, and so he uses the radio show as a platform to beg her to return. Meanwhile, Steve is blind to the fact that Alice pines for him. It’s a tale of unrequited love, played out with comedic sincerity by the talented Zoccoli. Speckien does a great job with amplifying the laughs as the timid sidekick.

Cast of "The Untimely Death of Adolf Hitler," part of "Sketchbook REVERB." Photo by Saverio Truglia.

The show’s five other plays range from mildly amusing to aggravating. “The Deep Blue Sea”, by Keith Huff, is bloated with stale, overwrought dialogue. “Tuning in El Paso”, by Ellen Fairey, tries too hard to appeal to our emotions. “Dating: A Cautionary Tale for Facebook Users”, by Ira Gamerman, is like a stand-up routine that doesn’t know when to stop. “A Domestic Disturbance at Little Fat Charlie’s Seventh Birthday Party”, by Andrew Hobgood, is a poor man’s Who’s Afraid of Virginia Woolf?. And “The Untimely Death of Adolph Hitler”, by Andy Grigg, is a decent sketch that quickly wears out its premise.

If you’re a fan of past Sketchbook shows, you’ll definitely enjoy Reverb. If you’ve always wanted to see a Collaboraction performance, Reverb is a great introduction. If you enjoy consistently good, grounded theatre, then Reverb probably isn’t for you. Personally, I applaud Collaboraction for taking risks and not always succeeding, and I appreciate the opportunities they give to new playwrights. They serve to remind other companies that artistic vision should always come before critical recognition.

  
  
Rating: ★★½
   
  

Pictured: HB Ward (Yeti) and Laura Shatkus (Christine) in "My Yeti Dreams," part of "Sketchbook REVERB" presented by Collaboraction. Photo by Saverio Truglia.


Pictured (left to right): Alice Wedoff in "The Deep Blue Sea" written by Keith Huff gets close and personal with audience member Kim Lyle in "Sketchbook REVERB." Pictured: Dan Krall (Guy) in Dated: A Cautionary Tale For Facebook Users, part of "Sketchbook REVERB" presented by Collaboraction. Photo by Saverio Truglia.
Pictured: Laura Shatkus (left) and Kieran Kredell (far right) feeding lines to audience member Molly Topper in “A Domestic Disturbance at Fat Little Charlie’s 7th Birthday Party,” an audience-interactive piece, part of "Sketchbook REVERB". Photo by Saverio Truglia. Pictured: HB Ward (Man) and Laura Shatkus (Woman) in "I'll Never Tell You," part of "Sketchbook REVERB". Photo by Saverio Truglia
Pictured (left to right): HB Ward (Yeti) and Laura Shatkus (Christine) in "My Yeti Dreams," part of "Sketchbook REVERB" presented by Collaboraction. Photo by Saverio Truglia. Pictured (left to right): James Zoccoli (Steve Larker) and Amy Speckien (Alice Cohen) in "The Lurker Radio Hour," part of "Sketchbook REVERB." Photo by Saverio Truglia.
Pictured (left to right): Alice Wedoff (Claire) and Kieran Kredell (Hitler) in "The Untimely Death of Adolf Hitler" in "Sketchbook REVERB." Photo by Saverio Truglia. Collaboraction's new theater venue on the 3rd floor of the Flat Iron Arts Building, 1575 N. Milwaukee Ave.
   

All photos by Saverio Truglia

     
     

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Category: 2011 Reviews, Collaboraction, Keith Ecker

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