Review: The Hot L Baltimore (Steppenwolf Theatre)

| April 6, 2011
     
     

Grit and sass can’t carry a play

     
     

Molly Regan, Yasen Peyankov, Allison Torem, Namir Smallwood

  
Steppenwolf Theatre presents
  
The Hot L Baltimore
 
Written by Lanford Wilson
Directed by Tina Landau
at Steppenwolf Theatre, 1650 N. Halsted (map)
through May 29  |  tickets: $20-$73  |  more info

Reviewed by Keith Ecker

For the most part, there are two types of plays: character-based and plot-based. But the Steppenwolf Theatre Company’s new production, The Hot L Baltimore, exemplifies a third category—the thematic play. Rather than focus on fleshing out characters or exciting the audience with a compelling story, this third category aims to meditate on a concept. What plays out is a dramatic allegory that is rooted more in poetry than prose.

Kate Arrignton and Namir SmallwoodAnd although there certainly is beauty to be found in such an ethereal script, there’s not a lot of meat. The Hot L Baltimore, which was written by recently deceased playwright Lanford Wilson, features a cast of more than a dozen characters. With so many personalities and such surface level characterization, it’s difficult to develop a fondness for anyone in particular. And the story, which revolves around the impending demolition of an old hotel, is definitely existential in nature. But rather than having the absurd charm of a Waiting for Godot, The Hot L Baltimore is a slice-of-life. So we’re stuck in this realistic drama, left to watch the hotel’s inhabitants wait. And watching a bunch of people wait doesn’t really fuel a play forward.

The Hot L Baltimore centers around a once grand hotel that has become old and dilapidated. It has been announced that it will be demolished, which riles up its eclectic cast of inhabitants, including a number of prostitutes, a sickly kvetching old man and a brother-sister duo with big dreams. The motley crew interact in the hotel’s lobby, their sad pasts and unfortunate presents always undulating beneath each conversation.

Not much really happens throughout the course of the play. A few incidents arise that register a slight uptick on the EKG meter of entertainment. For instance, a young man (Samuel Taylor) arrives looking for information on his missing grandfather. Suzy (Kate Arrington), one of the hotel’s hookers, gets into a fight with a client. Meanwhile, Jackie (Alana Arenas) and her brother Jamie (Namir Smallwood) discover, to their chagrin, that the farmland they purchased is as fertile as the Sahara.

Don’t get me wrong. These are interesting people. And the parallel between the tarnished glitz of the hotel and the residents’ destitute lives is an interesting metaphor. But that’s just not enough steam to power this locomotive. And so by the end of the very long first act, I hoped that what I just saw was lengthy exposition and that the pay off would come in act two. But the pay off never came. The play just ends, as eventfully as it started.

    
Ensemble member James Vincent Meredith and Jacqueline Williams Ensemble member Kate Arrignton, De'Adre Aziza and Allison Torem
Ensemble member Kate Arrington and De'Adre Aziza Namir Smallwood, ensemble member Alana Arenas and ensemble member James Vincent Meredith Ensemble member Molly Regan, Jacqueline Williams and Samuel Taylor

As esteemed as Wilson may be, I fail to see how this is a good script. It’s got a lot of potential. Attitude, sass, grit and humor. But these things are intangibles. Without a character or a story to ground us, all the sass in the world can’t save a play.

Director Tina Landau, who is also incredibly accomplished, faced a challenge with bringing this work to life. I enjoy the simultaneous action she injects into the production. Characters meander around the two-story set, exemplifying the vibrancy that inhabits this dying hotel. But there is something lost here that not even Landau can find, and that’s providing an explanation for why we should care. Landau tries to address this by spotlighting characters and underscoring monologues with sappy music. But these devices come off as awkward and contrived.

If there is any reason to see this play, it’s because of the acting. The entire cast delivers fantastic performances. Standouts include de’Adre Aziza as the feisty smart-talking call girl April, and Namir Smallwood as the feeble young man who is in the custody of his hotheaded sister.

The Hot L Baltimore is one of those plays that has lost its relevance with time. The grit of yesterday is today’s old news. And the concept of a dying America has been portrayed more artfully. Meanwhile, Landau’s heavy-handed treatment isn’t much of a help. At least some redemption can be found in the cast.

  
  
Rating: ★★½
  
  

Ensemble member Jon Michael Hill, Allison Torem and Jacqueline Williams. Photo by Michael Brosilow

The Hot L Baltimore continues at Steppenwolf Theatre through May 29th, with performances Tuesdays through Sundays at 7:30 pm, and Saturday and Sunday matinees at 3 pm.  Wednesday matinees on May 11, 18 & 25 at 2 pm. Tickets are $20-$73, and can be purchased online or by calling (312) 335-1650.

 

Artists

Cast

Ensemble members Alana Arenas (Jackie); Kate Arrington (Suzy); Jon Michael Hill (Bill Lewis); James Vincent Meredith (Mr. Katz); Yasen Peyankov (Mr. Morse) and Molly Regan (Millie); with de’Adre Aziza (April); Jeremy Glickstein (John/Taxi Driver/Delivery Boy); Sean Allan Krill (The Man); TaRon Patton (Mrs. Oxenham); Namir Smallwood (Jamie); Samuel Taylor (Paul Granger III); Allison Torem (The Girl) and Jacqueline Williams (Mrs. Bellotti).

Productions and Creative

Lanford Wilson (playwright); Tina Landau (director); James Schuette (scenic design); Ana Kuzmanic (costume design); Scott Zielinski (lighting design); Michael Bodeen and Rob Milburn (sound design); Mike Tutaj (video designer); Erica Daniels (casting); Nick Sandys (Fight Choreographer); Deb Styer (stage manager) and Rose Marie Packer (assistant stage manager).

     
Ensemble member Kate Arrington Ensemble member Jon Michael Hill in Steppenwolf Theatre's 'The Hot L Baltimore'.
Sean Allan Krill and Allison Torem - Hot L Baltimore Namir Smallwood, Allison Torem, ensemble member Molly Regan and ensemble member Alana Arenas

Ensemble member Jon Michael Hill, Allison Torem, ensemble member Kate Arrington, Samuel Taylor, De'Adre Aziza and Namir Smallwood

All photos by Michael Brosilow 

     
     

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Category: 2011 Reviews, Keith Ecker, Lanford Wilson, Steppenwolf

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