Right Brain offers up a 2 hour sanity break
|The Right Brain Project presents|
Review by Katy Walsh
What do you need for a successful revolution? Oppression, passion and a bunch of insane people willing to do anything for the cause.
The Right Brain Project presents The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade. It’s France in 1808. The Charenton Asylum is a new theatre hot spot. The inmates are the actors. Tonight’s performance is controversial. It’s the story of the 1793 murder of famous revolutionist Jean-Paul Marat. The asylum director has decided to allow it with some modifications. He wants to prove to the public forcible suppression is no longer fashionable. The Charenton is about freedom of artistic expression… kind of. When the lunatics start acting… out, the uprising is one crazy revolt! Marat/Sade is truly an epic revolution!
Right Brain Project is always a unique experience. I never know what awaits me upon arrival. This time, three nuns greet me with goblets of water and woven fans. Amused, I take my supplies into the small space. There are 24 seats in the theatre and it’s already warm. Behind black curtains, I hear commotion. It sounds like a bunch of third graders getting ready for the Christmas pageant. There is shushing, giggling and ever so often a nun scolds. When the production starts, the curtains pull back to reveal a very diorama-like stage. Twenty-nine performers mostly clad in deranged attire (Costume Designer David Wesley Mitchell) are positioned throughout this deep space. The initial visual is flabbergasting. Throughout the show, characters vie for my attention. The ever-present cast is just fascinatingly wacko.
Under the masterful direction of Nathan Robbel, this play within a play is organized chaos. Playwright Peter Weiss penned an intriguing tale of the real life revolutionary, Marat and the legendary sadist, Marquis, who *did* stage asylum productions. And this committed cast magnificently sings, gropes and acts like loonies playing actors playing revolutionaries. The entire enterprise is mind boggling. There is so much, literally, in-your-face stuff going on in a fairly small area. It’s certainly close quarters like being in a locked down psycho ward. And that’s what drove me a little bonkers.
I loved the almost interactive piece of the production. But I got warm and uncomfortable in this loony bin. And the night I went, it was cool out. When you get 53 people together in close quarters, they are going to generate some heat. And even with all the singing about copulation, it’s the stuffy kind of heat. I recommend seeing Marat/Sade, but plan for it. Take the water. Take the fan. And consider wearing a hospital gown. It’s light, flimsy and you’ll fit right in with the other nuts.
Marat/Sade continues through July 7th at RBP Rorschach, 4001 N. Ravenswood (map), with performances Thursdays, Fridays, and Saturdays at 8:00pm, Sundays 7pm. Tickets are $15-$25 (suggested donation), and can be reserved via phone (773.750.2033) or e-mail (email@example.com). More info at TheRBP.org. (Running time: 2 hours 15 minutes, includes one intermission)
(All actor bios here) Adam Betz, Mary Jo Bolduc, Dave Boren, Jamie Bragg, Dan Caffrey, Natalie DiCristofano, Patrick Doolin, Brittany Ellis, Stephen Gawrit, Liz Goodson, Meghan Hartmann, Stacie Hauenstein, Ryan Heindl, Paul Krick, Gaby Lobatka, Vincent Lonergan, Jared McDaris, David Mitchell, Susan Myburgh, Dennis Newport, Tyler Pistorius, Alex Potanos, Joe Ramski, Denise Smolarek, Chad Spear, Megan Storti, Sarah Thompson, Greg Wenz, Zev Valancy
behind the scenes
Nathan Robbel (director); Trevor Watkin (music director); Emma Peterson (asst. director); Kathleen Dickinson (stage manager); Anthony Ingram (set); Michael C. Smith (lighting); David Mitchell (costumes design); Jessica Heffernan (props); Orion Couling (choreography); Zev Valancy (dramaturg)