Review: Venus in Fur (Circle Theatre)

| March 2, 2017

Arti Ishak and Zach Livingston star as Vanda and Thomas in Venus in Fur at Circle Theatre          
      
  
Venus in Fur

Written by David Ives
The Heartland Studio, 7016 N. Glenwood (map)
thru March 19  |  tix: $28  |  more info
       
Check for half-price tickets   
    


    
  

In the right hands: twisted, dark comedy is intelligent, sexy

  

Zach Livingston and Arti Ishak star as Thomas and Vanda in Venus in Fur at Circle Theatre

    
Circle Theatre presents
    
Venus in Fur

  
Review by Lauren Whalen

In the wrong hands, Venus in Fur could be a dangerous production. I’m not talking about dangerous for the audience. I’m referring to the actors and production crew. David Ives’ searing exploration of BDSM, gender and the theater is twisted, darkly funny and full to bursting with potential triggers. What’s refreshing about Circle Theatre’s production, even before the curtain goes up, is the company’s obvious care to ensure a safe space for staff, cast and to a certain extent, audience. Take a look at the program and you’ll see consultants on BDSM and gender listed among the typical production team positions such as set and costume designers. The letter-perfect lobby display features not only a history of Venus/Aphrodite, but a thorough explanation of BDSM, a tutorial on rope play and a paragraph on the Not in Our House organization for safety and fairness in Chicago theater. Aside from a few minor hiccups, the production itself is also a successful one. The small but mighty Circle Theatre does a bang-up job with its Venus in Fur, presenting a stellar interpretation of a most difficult play.

Arti Ishak and Zach Livingston star as Vanda and Thomas in Venus in Fur, Circle Theatre ChicagoVenus in Fur has only two characters: playwright and first-time director Thomas (Zach Livingston) and wannabe actress Vanda (Arti Ishak). For Thomas, it’s the end of a very long day. He’s trying to find just the right leading lady for his latest play (also titled Venus in Fur), a literary adaptation that for Thomas, also digs deep personally. Thomas has seen no actress who will remotely suit, he’s late for dinner with his fiancée, and on top of all this, there’s a storm brewing outside. Enter Vanda, who blows in late, talks like a 1980’s Valley Girl and, in an interesting twist, bears the same name as Thomas’ lead character. She begs for a chance to read – after all, she’s made it through the rain and she’s brought a costume! Thomas reluctantly acquiesces, but has no idea what he’s in for, as Vanda reveals little by little that she’s not at all what she seems.

I saw Goodman Theatre’s Chicago premiere of Venus in Fur in 2014, and found the play hilarious, sexy and deeply disturbing. Ives has created two characters who thoroughly challenge themselves and each other physically, verbally and sexually. Venus in Fur isn’t for the faint of heart: it’s a 90-minute journey through an intellectual, dark oblivion. Both the play and the play-within-a-play are provocative, sensual and frightening. I eagerly accepted the assignment to review Circle Theatre’s production, but was very curious to see if they were up to the task.

As it happens, I didn’t need to worry. Besides taking the utmost care with the play – I shudder to think how the now-defunct Profiles Theatre could have potentially damaged an actress playing Vanda – director Charlotte Drover also highlights Ives’ dark comedy. Everything from the lightning storm to the sexual subjugation, aside from a few minor moments, feels incredibly authentic. Maya Michele Fein’s lighting and Domonic McDaye’s sound design both greatly contribute to the piece’s environment and mood, and Elsa Hiltner’s costumes are simple but beautiful. Sasha Smith designs both the production’s violence and intimacy, and the choreography is so skillful, it’s almost balletic. (One note to director Drover and scenic designer Emily Boyd: Venus in Fur is set in New York, not Chicago, as references to locations such as Screaming Mimi’s thrift store indicate.)

Zach Livingston and Arti Ishak star as Thomas and Vanda in Venus in Fur, Circle TheatreArti Ishak and Zach Livingston star as Vanda and Thomas in Venus in Fur at Circle Theatre Arti Ishak stars as Vanda in Venus in Fur, Circle Theatre

The two-person cast of Venus in Fur face some incredible obstacles. The script is incredibly difficult, both dark comedy and psychological thriller, with hefty doses of gender play and sadomasochism. Guided by Drover’s sure hand, both Livingston and Ishak do an incredible job navigating extraordinarily difficult material. Livingston makes a credible journey from blustery mansplainer (we all know at least one) to willingly helpless victim. And Ishak’s Vanda is nothing less than a tour de force, a babbling ditz who slowly but surely reveals her true colors – or does she?

Obviously, a lot of work went into this Venus in Fur. Sometimes showing one’s work precludes audience enjoyment of the production, but that’s not the case here. Aside from a few small flaws, I thoroughly enjoyed Circle Theatre’s provocative and stunning Venus in Fur and its themes of domination, submission and performance are still with me in the days after the premiere. What could have been disastrous in the wrong hands, is instead intelligent, artistic and sexy in the right ones.

  
Rating: ★★★½
  

Venus in Fur continues through March 19 at The Heartland Studio, 7016 N. Glenwood (map), with performances Thursdays-Saturdays at 8 pm and Sundays at 2:30 pm.  Tickets are $28, and are available online through BrownPaperTickets.com (check for half-price tickets at Goldstar.com). More information at CircleTheatreChicago.org(Running time: 90 minutes, no intermission)

Arti Ishak and Zach Livingston star as Vanda and Thomas in Venus in Fur, Circle Theatre

Photos by Cody Jolly Photography


  

artists

cast

Arti Ishak  (Vanda), Zach Livingston (Thomas), Sahar Dika, Zachary Schley (understudies)

behind the scenes

Charlotte Drover (director), Emily Boyd  (scenic design), Maya Michele Fein (lighting design), Elsa Hiltner (costume design), Domonic McDaye (sound design), Shannon Melick (properties design), Sasha Smith (violence & intimacy design), Kelsey McGrath (dramaturg), Kyle Blair (dialect coach), Melanie Kulas (production stage manager), Bobby Arnold (rehearsal stage manager), Margi Hazlett (costume assistant), Trang Nguyen (lighting assistant), Mistress Jasmine (BDSM consultation), Parker Guidry (gender consultation), Alan Weusthoff (technical director), Kelsey McGrath, Nicholas Reinhart (lobby design), Bobby Arnold, Nicholas Reinhart (producers), Cody Jolly Photography (photographer)

Arti Ishak stars as Vanda in Venus in Fur at Circle Theatre

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Category: 2017 Reviews, Circle Theatre, Heartland Studio Theatre, Lauren Whalen, Now Playing

Comments (3)

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  1. Gregory W. Knapp says:

    Why, as a practice, do your site review plays SO LATE IN THEIR RUNS????!!!!

    This “Venus”, I now see, opened on Feb 22, and you give it a rave with ONLY FIVE PERFORMANCES LEFT — two of which will be Understudied. (No offense to Understudies. They can be Amazing. But you review, and rave about, the regular leads).

    YOU DO THIS HABITUALLY, i.e., giving rave review to plays that have been running for weeks but are about to close.

    Most people need MORE NOTICE in order to make plans.

    Your reviews are GREAT.

    But you undercut their usefulness by habitually reviewing raves at the very end of their runs.

  2. Gregory W. Knapp says:

    *does your site

    • Gregory W. Knapp says:

      Continued: Upon closer inspection I note your review is dated March 2.

      However, it only showed up as an email in my inbox this afternoon, Sunday, March 12.

      Perhaps the issue is with your email server. There is no point to subscribing to your email notification service if the reviews are in fact coming to your subscribers ten days after they appear on your Web site.