Category: Lerner and Loewe

Review: My Fair Lady (Lyric Opera of Chicago)

Donald Maxwell and Lisa O'Hare in My Fair Lady -Andrew Cioffi           
      
  

My Fair Lady

By Alan Jay Lerner (lyrics)
   and Frederick Loewe (music)
Civic Opera House, 20 N. Wacker (map)
thru May 21  |  tix: $22-$199  |  more info
       
Check for half-price tickets   
     

May 2, 2017 | 0 Comments More

Review: Brigadoon (Goodman Theatre)

Olivia Renteria, Roger Mueller and Jordan Brown star in Goodman Theatre's triumphant "Brigadoon" by Lerner and Loewe, directed by Rachel Rockwell. (photo credit: Liz Lauren)        
      
Brigadoon

Written by Alan Jay Lerner and Frederick Loewe 
Revised book by Brian Hill
Directed by Rachel Rockwell
at Goodman Theatre, 170 N. Dearborn (map)
thru Aug 17  |  tickets: $25-$97   |  more info
       
Check for half-price tickets 
    
        
                   Read review
     

July 10, 2014 | 0 Comments More

Review: Camelot (Light Opera Works)

Nick Sandys as Arthur in "Camelot" at Light Opera Works.       
      
Camelot 

By Alan Jay Lerner (book and lyrics)
       and Frederick Loewe (music) 
Directed by Rudy Hogenmiller  
at Cahn Auditorium, Evanston (map)
thru June 10  |  tickets: $32-$92   |  more info
       
Check for half-price tickets 
    
        
           Read entire review
     

June 5, 2012 | 0 Comments More

Review: My Fair Lady (Paramount Theatre)

     
Andrea Prestinario and Nathan M. Hosner - My Fair Lady Paramount Theatre
My Fair Lady
 

Written by Alan Jay Lerner & Frederick Loewe 
Directed by Jim Corti
at Paramount Theatre, Aurora (map)
thru Oct 2  |  tickets: $35-$47  |  more info

Check for half-price tickets

    Read entire review

     
September 18, 2011 | 0 Comments More

Review: Brigadoon (Light Opera Works)

      
     

Is ‘Brigadoon’ really that good? You bet your bagpipes!

  
  

Emily Rogers, Brandon Moorhead in "Brigadoon" - Light Opera Works

  
Light Opera Works presents
   
  
Brigadoon
  
Book and Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Directed by Rudy Hogenmiller
at Cahn Auditorium, 600 Emerson, Evanston (map)
through June 12  |  tickets: $32-$92  |  more info

Reviewed by Lawrence Bommer

The plaid kilts are in full swirl, the tamoshanters twirling, the “rs” rolling, and the heather in full bloom in Rudy Hogenmiller’s ravishing revival of Lerner and Loewe’s early and evergreen hit. A justified hit in 1947, Brigadoon artfully confronted post-war doubts about whether progress was possible: The legend of Brigadoon–a miraculous Scottish village that escapes the contagion of any century by skipping 100 years with each "day"–remains a powerful fantasy. Will jaded Gothamite Tommy Allbright escape an overwrought era by renouncing New York and his manipulative fiancée for the lovely lassie Fiona who dallies in the merry meadows beyond the heath? You bet your bagpipes.

Emily Rogers, Brandon Moorhead - BrigadoonIf the dream isn’t potent enough, Frederick Loewe provides his soft-focus persuasion–the buoyant "Almost Like Being in Love," the almost folkloric "Come to Me, Bend to Me," the enchanting “Heather on the Hill,” and the melting melody of "Waitin’ For My Dearie." As the cross-century lovers, Robert Hunt and Jennie Sophia really do make beautiful music together. (The singing overall creates two of Light Opera Works’ finest hours.) Given Lowe’s score as much as Lerner’s deft dialogue, their cross-century courtship seems equally factual and fairy tale.

Playing the village Romeo who goes home with Bonnie Jean, eager Brandon Moorhead gamely tears into the Highland flings, Scottish reels and sword dances that embellish Agnes DeMille’s original dances (crisply preserved by director Hogenmiller with zealous accuracy). Indeed, this could be Light Opera Works’ most danced production, with everything but a dream ballet discharging all the energy the townsfolk must release after a century of unintended slumber). Roger L. Bingaman’s superb orchestra capture every nuance of one of Broadway’s unsurpassable scores, a particular blessing when a company like Court Theatre thinks it can reduce Gershwin’s Porgy and Bess to a 5-piece band.

Jennie Sophia as Fiona MacLaren and Robert Hunt as Tommy Albright - BrigadoonBringing a rhapsodic myth down to earth are two ribald characters: As Tommy’s cynical companion, a deliciously dry Clay Sanderson delivers a cutting running commentary on the mushier events around him: His deadpan deflations helpfully undercut the tremendous sentimentality of the story and songs. Playing Brigadoon’s official bad girl, Maggie Portman has contagious fun with Meg’s patter songs "The Love of My Life" and "My Mother’s Weddin’ Day." Portman’s superb diction delivers every hilarious line of Lerner’s always sprightly, inventive lyrics. Most remarkable, the Scottish accents convince or, at least, don’t confuse.

Kudos also to Ricky Lurie’s completely convincing Scottish/folk/18th century costumes, accurate to the occasion and even to the clan. Nick Mozak’s simple set, a glen with a mountain backdrop that efficiently allows the town to materialize from the mists, is playfully lit by Charles Jolls – the village fair or the girls’ dance to “Come to Me” resemble one of Watteau’s fetes champetres. You can’t wait another 100 years to see this too-transient “Brigadoon,” a dream musical to utterly entrance the summer of 2011.

  
  
Rating: ★★★★
  
  

Light Opera WorksBrigadoon continues at Cahn Auditorium (600 Emerson, Evanston – map) through June 12th, with performances Wednesday and Sunday at 2pm, Fridays and Saturdays at 8pm. Tickets are $32-$92 (half-off for ages 21 and younger), and can be purchased by phone (847-869-6300), or order 24 hours a day at www.lightoperaworks.com.

  
  
June 5, 2011 | 0 Comments More