Category: Broadway in Chicago

The Addams Family: Lawry’s Spooky-themed dinner special

The perfect Chicago-themed holiday stocking stuffer?

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Acclaimed Chicago restaurant Lawry’s Prime Rib, located in the historic McCormick Mansion, has created, just for Addams Family the Musical, a Creepy and Kooky, Mysterious and Spooky themed dinner.

What does this Addams Family Dinner/Theatre package include?

  • Starters: Eye of Newt Shooter, Green Pimento Olive Suspended in Citrus Jello, Served with a small wedge of Munsters’ Cheese; The Aristotle Salad, Hearts of Romaine Salad, Cucumbers, Green Onions, Lemon Vinaigrette topped with Grilled Octopus; Mon Cherie, Cara Mia Intermezzo, Cherry Sorbetto.
  • The entrée includes Lawry’s Prime Ribs of Beef (8 oz. cut), Au Jus, Yorkshire Pudding, Creamed Spinach a la “Cleopatra,” Mashed Potatoes. Optional entrees include Fresh Grilled Salmon, Vegetarian Pasta.
  • Finish with Thing’s Dessert, Lady Finger Trifle.

A perfect holiday stocking stuffer, the dinner-theatre package includes a “snappy” 2 p.m. matinee performance at the theatre, followed by a 5 p.m. dinner at Lawry’s and is priced at $165 for adults, $140 for children ages 11 and under (plus tax and gratuity). 

 

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For more information, and to order the Addams Family Dinner-Theatre Package, call Lawry’s at  (312) 787-5000 ext. 25.

December 21, 2009 | 2 Comments More

REVIEW: “The Addams Family – The Musical”

Sizzling Cast – Lukewarm Story

(l-r) Adam Riegler, Jackie Hoffman, Krysta Rodriguez, Nathan Lane, Bebe Neuwirth, Zachary James and Kevin Chamberlin. Photo: Joan Marcus

The Addams Family

Book by Marshall Brickman & Rick Elice
Music & Lyrics by Andrew Lippa
Directed by Phelim McDermott & Julian Crouch
thru January 10th (ticket information)

Reviewed by Catey Sullivan

Fair to snappy score, piffling to predictable story and characters of cartoon depth. That about sums up the much-anticipated new musical based on the mordantly brilliant cartoons of Charles Addams. And oh yes, multi-million dollar whiz bang production values and a cast comprised of some of the biggest stars known to the biz of show. Minus Nathan Lane and Bebe Neuwirth – talents as brilliant in their fields as Addams Bebe Neuwirth and Nathan Lane.  Photo by Joan Marcuswas in his – would The Addams Family musical be worthy of its pre-Broadway hype? We’d argue ‘no,’ but that argument’s probably beside the point.

With Lane and Neuwirth as Gomez and Morticia Addams, the score and the book could be a creation of cringing mediocrity and nobody’d much notice. Lane can – and here, does – wrest belly laughs from jokes that would fall flatter than a week-old, lead-lined pancake if delivered by lesser lights. Neuwirth is his match as the slinky, femme-fatale mistress of the ooky-spooky mansion. With legs and hair that go from here ‘til eternity and a whiskey-and-velvet alto voice that screams “come hither” even when it says something completely different, she simply kills it as Morticia.

As for the story that contains these luminaries, think “You Can’t Take It With You” with ghosts and monsters. Marshall Brickman and Rick Elice’s book focuses on Wednesday Addams (Krysta Rodriguez, instilling Wednesday with a definite S & M flair) and her romance with the comparatively normal Lucas Beineke (Wesley Taylor, the clean-cut ‘M’ to Rodriguez’ domineering ‘S’). As in Kaufman and Hart’s depression-era classic, the romance is complicated by clashing parents. Lucas’s folks are prim, proper and repressed. The Addamses? Not so much.

Wackiness ensues when the buttoned-up Beinekes are confronted with the questionably alive Lurch (Zachary James, a literally towering presence whose basso profundo steals the show in the finale) upon entering the Addams’ Central Park manse. It ensues further as the Beinekes contend with lovesick sea-monsters, chairs that double as castration devices, saber-rattling ghosts and hosts and the shamelessly demonstrative lustful affection between Morticia and Gomez.

"The Addams Family" continues through Jan. 10 at the Oriental Theatre, 24 W. Randolph St. Tickets are $28 - $105. For more information, go to www.broadwayinchicago.comAndrew Lippa’s score is colored throughout by Gomez’ Spanish ancestry. Its flamenco/tango stylings are serviceable, but in all, the music is more flash than depth. Curiously, the best songs don’t go to Lane or Neuwirth. The latter’s big number comes with “Second Banana”, an utterly forgettable lament about aging. Lane gets “Happy/Sad,” a second act crooner that is sweet but generic. It is Mrs. Bieneke (Carolee Carmello, a belter of deceptively mousy demeanor) who gets the Act I showstopper (“Waiting”) and Mr. Bieneke (Terrence Mann, in fine voice) who raises the roof and brings down the house in Act II with “In the Arms,” a hilarious ode to cephalopod love.

As for the big 11 O’Clock penultimate finale, that has more to do with swashbuckling spectacle and an all-hands-on-deck sword fight than with musical virtuosity. (Choreographer Sergio Trujillo draws a page from “Thriller” for much of the rest of the show, as a chorus of the dead engages in lively dances with gravestones. ) If you’re waiting for a star turn (a la The Producers “Betrayed”) that puts Lane’s incandescent leading man capabilities in the white-hot light they deserve, it never arrives. As far as the score is concerned, Lane’s role is oddly underwritten.

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Director/designers Phelim McDermott and Julian Crouch have crafted a show that looks thrilling and moves at a spirited clip. That’s all well and good – but hardly the stuff of a deserving Broadway blockbuster.

Fans of the 1960s “Addams Family” television series will find all the show’s deliciously macabre eccentricities in place. Cousin Itt makes an appearance. “Thing” is featured prominently. Fester (an infectiously gleeful Kevin Chamberlin) serves as both narrator and odd-man Greek chorus of sorts. Ukulele in hand, he gets some of the evening’s most creative special effects (and amusing choreography) in a free-floating love song to the moon. And as Grandma, Jackie Hoffman makes the mighty most of a small part, delivering the show’s best lines with a pitch-perfect irreverence that stops the show with every punchline.

For boomers who loved the finger-snapping show, The Addams Family is a must. Ditto for those who treasure any chance to see Lane and Neuwirth perform live. For the rest, there’s just not much there.

Rating: ★★★

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The Addams Family” continues through Jan. 10 at the Oriental Theatre, 24 W. Randolph Street. Tickets are $28 – $105. For more information, go to www.broadwayinchicago.com

View Addams Family - the Musical
December 10, 2009 | 6 Comments More

This week’s Openings and Closings

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show openings

The Addams Family Broadway In Chicago

American Buffalo Steppenwolf Theatre 

Christmas Follies Chicago Gay Men’s Chorus

The Nutcracker Center for the Performing Arts at Governors State University

The Nutcracker North Shore Center for the Performing Arts

In the Heights Broadway In Chicago

It’s a Wonderful Life Improv Playhouse Radio Theatre

It’s a Wonderful Life AFTRA/SAG Senior Radio Players

Rent, School Edition Studio BE

Salsa Sketch Gorilla Tango Theatre

chicagoatnight

 

show closings

CUBA and his Teddy Bear UrbanTheater / PEOPLE’S Theater of Chicago

The Dreamers Theatre Building Chicago 

How to Act Around Cops The Artistic Home

The Mercy Seat Profiles Theatre

The Mystery of Irma Vep Court Theatre

The Nutcracker Sings Jedlicka Performing Arts Center

Patchwork U.S.A. Raven Theatre

Peter Gallagher, Don’t Give Up on Me Drury Lane Theatre Water Tower Place

Stars in the Attic Gorilla Tango Theatre

Summer People The Gift Theatre

Time Traveling Mom-Dad Gorilla Tango Theatre

Towards the Sun! Gorilla Tango Theatre

Young Frankenstein Broadway In Chicago

December 9, 2009 | 0 Comments More

“Addams Family – the Musical” opens this weekend!!

 

UPDATE: Read our review3 stars!!   click here

 

After months of anticipation, The Addams Family (with music/lyrics by Andrew Lippa), finally begins previews this weekend, starting November 13, 2009 at the Ford Center for the Performing Arts, Oriental Theatre. Starring two-time Tony Award winners Nathan Lane and Bebe Neuwirth as Gomez and Morticia, The Addams Family  will make its world premiere on Wednesday, December 9.  Official website.

Some of the Addams Family famous cast:

  Nathan Lane as “Gomez”

  Bebe Neuwirth as “Mortisha”

Nathan Lane  

Bebe Neuwirth  

   
  Adam Riegler as “Pugsley”

  Terrence Mann as “Mal Beineke”

Adam Riegler  

Terrence Mann  

   
  Krysta Rodriguez as “Wednesday”

Kevin Chamberlain as “Uncle Fester”
Krysta Rodriguez  

Kevin Chamberlin 
   
  Wesley Taylor as Lucas Beineke

  Zachary James as “Lurch”

Wesley Taylor  

Zachary James  

November 13, 2009 | 3 Comments More

David Pittsinger wows the crowd at Gibson’s Steakhouse

Big talent represents “South Pacific” at Gibson’s

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By: Timothy McGuire

I recently had the opportunity to attend a media luncheon for the upcoming touring performance of Lincoln Center Theater’s production of South Pacific. Broadway’s successful tony award winning musical will be playing at the Rosemont Theatre for a limited one-week engagement November 24 – 29, 2009. (ticket info)

The passion and excitement for this specific production was evident in the enthusiasm expressed by the people involved in bringing this production from New York to Chicago. They sincerely believe that this is an extraordinary show offering the audience the rare opportunity to experience a performance done in the spectacular old Broadway fashion, featuring a huge full orchestra unlike anything seen in current Broadway productions today. The touring show of South Pacific promises to be a near replica of the prize-winning musical that started in New York.

The most impressive endorsement for this production was the opportunity to hear the astonishingly powerful and elegant voice of David Pittsinger, who will be playing Emile. The impact of Pittsinger’s romantically forceful bass-baritone voice just a few feet away brought the small audience at Gibson’s Steakhouse to emotional heights, and one can only imagine the magnificence of hearing the full production of his songs produced on Rosemont Theatre’s spacious stage.

southpacific_iconDavid Pittsinger also was a terrific speaker, appearing genuine in his belief in the significance and relevance of South Pacific to today’s audience. Pittsinger is the living embodiment of his character Emile. His wife is born of minority decent and he has interracial children (who he is bursting with pride to talk about.) His belief in love, unification and racial equality is evident in his actions and his loved ones around him.

The original role of Emile de Becque was written for an opera singer, and David Pittsinger is a talented, internationally acclaimed opera performer working with the Metropolitan Opera in New York City (most recently portrayed Angelotti in “Tosca”at the Metropolitan Opera) and living and working most of the year in France. The advantage that Pittsinger is also a world-class actor increases the quality of his role and greatly supports the well-written book that goes along with the classically entertaining music in South Pacific. With themes of war and racial conflict, along with the joyous uplifting story and cleverly catchy songs, this year is a fantastic time to enjoy Rodgers & Hammerstein’s South Pacific.

November 6, 2009 | 2 Comments More

Chicago theater openings/closings this week

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show openings

A You Like It Loyola University

Burlesque Is More Annoyance Theatre 

Gossamer Adventure Stage Chicago

High Holidays Goodman Theatre

Horrible Apollo Theatre

Murder in Green Meadows Citadel Theatre

The Music Man Rising Stars Theatre

Phedra New World Repertory Theater

The Shape of Things University of Chicago

Shootin’ the Shit with EJ and TJ Annoyance Theatre

The Spectacular Comedy Spectacle Theatre Building Chicago

When She Danced TimeLine Theatre

Young Frankenstein Cadillac Palace Theatre

 

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show closings

An Apology for the Course and Outcome of Certain Events Delivered by Dr. John Faustus on His Final Evening Theater Oobleck 

Arsenic and Old Lace Northwestern University 

Bastards of Young Tympanic Theatre

Calls to Blood The New Colony

Cotton Patch Gospel Provision Theater

Everyone’s Favorite Lobster Gorilla Tango Theatre

Fake Steppenwolf Theatre

The Flowers About Face Theatre

The House on Mango Street Steppenwolf Theatre

Kill the Old Torture Their Young Steep Theatre

The Legend of Sleepy Hollow Filament Theatre

Lettice and Lovage Redtwist Theatre

Lucinda’s Bed Chicago Dramatists

Night Watch Jedlicka Performing Arts Center

Rhymes with Evil InFusion Theatre

A Streetcar Named Desire Polarity Ensemble Theatre

Yeast Nation (The Triumph of Life) American Theater Company

 

List courtesy of The League of Chicago Theatres 

November 3, 2009 | 0 Comments More

Addams Family – an interview with Lurch (Zachary James)

Lurch interview (Zachary James)

Talking With Lurch (Zachary James)

by Timothy McGuire

One could easily make the assumption that Zachary James will be playing quite possibly the most intriguing Lurch ever written, with a musical surprise coming from the man Charles Addams described as a “towering mute.”

This extremely tall (possibly 12 feet?) handsome, bald man has his character Lurch’s physical demeanor down pat – when he demonstrated how Lurch stands hunched over with his arms locked straight holding a serving tray at his knees, he had me sold. In addition to this, James just happens to be a talented and accomplished opera singer as well as proven acting ability to go along with his powerful voice

James gave credit to producer Stuart Oken saying,

“Stuart took the time to look at each individual.”

James said that the talent in all aspects of this production, on stage and off stage, is what will make Addams Family a great musical.

Admitting to being nervous at first knowing he’d be working with Bebe Neuwirth (Morticia) and Nathan Lane (Gomez), James’ admission that, as a kid, he had watched the movie “Bird On a Wire” over a dozen times proved how he could be slightly intimidated to work with Lane.

 

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But Zachary James is a rising star on his own right. After his role in Broadway’s South Pacific he had a desire to sing more and perform the kind of songs that he wanted to sing. In South Pacific he felt that he was out there singing for five minutes and spent the rest of the time in the dressing room while others performed. He wanted to be on stage singing! With a recent break up motivating his personal story line, Zachary James has created and self-directs his own small New York opera company, which strives to make opera more available and affordable to the public, providing a uniquely powerful experience by performing in smaller intimate settings.

Even with his grueling rehearsal schedule he found time to hold a one night performance of his latest one man opera (Imbecil D’Amour) last Saturday at Gorilla Tango Theatre, giving people a chance to hear a renowned opera singer perform just a couple feet away from them for just $10. His passion drives his performances, and his talent backs him up.

If you see a tall, lean and lanky, bald giant walking on the streets of Chicago, don’t be alarmed, it’s just Lurch in the new Addams Family – The Musical.

 

November 2, 2009 | 1 Comment More

Chicago theater openings/closings this week

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show openings

Anna, in the Darkness: The Basement

Dream Theatre

Bastards of Young Tympanic Theatre

Calls to Blood The New Colony

Cats Cadillac Palace Theatre

Dooby Dooby Moo Lifeline Theatre

Everyone’s Favorite Lobster Gorilla Tango Theatre

The Flaming Dames in Vamp II New Millenium Theatre

Heroes Remy Bumppo Theatre

The House on Mango Street Steppenwolf Theatre

The Last Unicorn Promethean Theatre

The Legend of Sleepy Hollow Filament Theatre Ensemble

The Man Who Was Thursday New Leaf Theatre

Mrs. Gruber’s Ding Song School Gorilla Tango Theatre

Plans 1 Through 8 from Outer Space New Millenium Theatre

Rachel Corn and the Secret Society Corn Productions

You Can’t Take It with You Village Players Performing Arts Center

 

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show closings

Ah, Wilderness! Loyola University Chicago Theatre

Bad Touch and the Deep End Annoyance Theatre 

Dirty Talking Amish Gorilla Tango Theatre

Dracula Oak Park Festival Theatre

The History Boys – Timeline Theatre 

Ma Rainey’s Black Bottom Court Theatre

The Night SeasonVitalist Theatre

Rent Big Noise Theatre

Sleeping Beauty Big Noise Theatre

Stripped: An Unplugged Evening with Marilyn’s Dress Gorilla Tango Theatre

October 14, 2009 | 0 Comments More