Category: Season

Neo-Futurists announces 2008/09 Season

The Neo-Futurists begin their 20th-Anniversary Season with a special presentation of their long-running, flagship show, Too Much Light Makes The Baby Go Blind at Theater on the Lake.  The Neos are pleased and proud to be invited back to Theater on the Lake for the ninth time.  

Neo-Futurists 2008-09 Season

 

The Neo-Futurists, performers of Too Much Light Makes The Baby Go Blind and creators of over 60 other original, full-length productions, are a collective of wildly productive writer/director/performers who create immediate, non-illusory, interactive and head-slappingly affordable performances. 

Neofuturists ensemble 

Primetime Season

Prime-Time shows run Thursdays through Saturdays at 8:00 p.m. at The Neo-Futurarium, 5153 N. Ashland (at Foster) in Andersonville.  Tickets are $15, $10 for students/seniors with ID, or pay-what-you-can during previews and on Thursdays.  For tickets or information, visit www.neofuturists.org or call The Neo-Futurist Hotline at 773-275-5255.  Any exceptions to this information are noted below.

 

Fake Lake
by Sharon Greene
directed by Halena Kayes
performances take place in and around Welles Park Swimming Pool, 2333 W. Sunnyside in Lincoln Square (see interactive map below)

In 1998 a young woman was invited to go camping with a group of people she had known for only a few days.  This is not the premise of a horror movie, but the story of a stunningly beautiful yet environmentally devastating man-made lake that serves as the context for a coming-of-age story about youth, sex, and the end of invincibility.

Bio: Sharon Greene joined The Neo-Futurists in 2003, writing and performing in TML, A 60-Minute History of Humankind, Inside My Mouth, and Windmilled.  She also has worked as a Teaching Artist with About Face Youth Theater. 

August 14 – September 20, 2008

 

“Fake Lake” will be performed in and around the Welles Park Pool in the Lincoln Square neighborhood.  (click on map to make it interactive)

 

 

A Very Neo-Futurists Christmas Carol
Conceived by Kristie Koehler Vuocolo

An alternative holiday show and environmental experience taking place throughout The Neo-Futurarium, A Very Neo-Futurist Christmas Carol is a re-telling of Dickens’ famous tale, with various chapters and themes represented as short vignettes.  Created by the performing ensemble and hosted by the Grim Reaper, this show is equal parts deconstruction of the Dickens story, new and political takes on the original, and gripping personal tales relating to its themes.  

Bio: Kristie Koehler Vuocolo has been a member of The Neo-Futurists since 2003, performing in TML, Patriots, and co-directing the hit Roustabouts.  She also is a member of Barrel of Monkeys and the Big Apple Circus Clown Care Unit.

November 20 – December 23, 2008

 

Beer
Written and directed by Sean Benjamin and Steve Mosqueda

10 year old Boon sneaks into a brewery.  Out of curiosity he samples various ales and lagers and soon finds himself in the land of BEER.  The brewery comes alive.  Through puppetry, song and stories, the story of the land of BEER is told.

Bio: Sean Benjamin and Steve Mosqueda have been Neo-Futurists for over ten years, working on multiple prime-time shows including The Santa Abductions, SEX!, Devolution, Missing Parts, Drinking & Writing, and othersThe duo also co-created The Drinking & Writing Brewery, Radio Show and Festival.

January 29 – March 7, 2009

 

TML 20
Conceived and curated by Jonathan Mastro
(Too Much Light… originally created by Greg Allen)
Written and performed by current and alumni Neo-Futurists

To celebrate The Neo-Futurists’ 20th-Anniversary Season, past and present Neos participate in a special run of Too Much Light Makes The Baby Go Blind, bringing the late-night hit to prime-time and even accepting reservations!  The cast and menu of 30 shorts plays change each week of the run, just as with the flagship TML, with offerings including a combination of ‘best-of’ favorites and new material.  

Too Much Light Makes The Baby Go Blind has been performed since 1988, now celebrating its 20th- anniversary, is the longest-running production in Chicago history.  Too Much Light is an ever-changing attempt to perform 30 plays in 60 minutes.  Each week the ensemble adds between two and twelve new plays to the menu.  Every performance creates an unreproducible, living-newspaper collage of the comic and tragic, the political and personal, the visceral and experimental. 

Bio: Jonathan Mastro has been a Neo-Futurist since 2004, performing in TML and It Came From The Neo-Futurarium.  He also is an ensemble member of Barrel of Monkeys and the Musical Director for Columbia College’s Theater Department. 

Tickets are $7 plus the roll of a die, i.e. $8-13 (advance reservations subject to additional convenience fee)

April 16 – May 30, 2009
June 6, 2008 | 1 Comment More

Strawdog Theatre announces 2008/09 Season

Strawdog Theatre Company of Chicago announces their 21st anniversary season of presenting “the whole wide world in a little black box,” with the three mainstage plays. These productions, plus on-going late night offerings, will be held at Strawdog’s space in the heart of Chicago’s Lakeview neighborhood at 3829 N. Broadway Street (for more info, go to www.strawdog.org)

 

Strawdog Theatre 2008-09 Season

“Coping With Disaster”

 

Strawdog Artistic Director Nic Dimond elaborates:

“These Season 21 selections all center on a catastrophic event.  There is the robot rebellion and inevitable obsolescence of humanity in ‘R.U.R.;’ a wartime suicide which heralds the total destruction of an important family in ‘All My Sons;’ and the horrors of the Black Plague in ‘Red Noses.’  Other than providing instant dramatic appeal, this concentration reflects the growing idea that the numbers of natural and man-made disasters we are exposed to every day are becoming numbing, and these explorations are meant to rip the scab off our coping skills.  With our signature blend of brains and brawn, Strawdog continues to emphasize a true ensemble-based acting attack, as well as a design approach that immerses our audiences into the worlds where each of these stories live.”

 

R.U.R – Rossum’s Universal Robots
by Karel Capek
directed by Shade Murray
Originally debuted in 1921, Czech playwright Capek dramatizes the rise of robots over the human race. Strawdog welcomes back company member Shade Murray, director of Strawdog’s “Detective Story” (Jeff Award-winning Best Production, Director and Ensemble in 2003) and “Marathon ’33” (Best Ensemble 2006). Murray was recently assistant director for Steppenwolf’s smash production “August: Osage County.” He also won a 2006 Jeff Award for “The Chosen” at Writer’s Theatre.
September 18 – October 25, 2008

 

All My Sons
by Arthur Miller
directed by Kimberly Senior
The second production of Strawdog’s 2008-2009 season is Arthur Miller’s “All My Sons,” directed by Strawdog company member Kimberly Senior. One of the most celebrated classics of American drama, this play tells the story of the Keller family, reunited after the war only to uncover the secrets that will tear them apart. Senior returns to Strawdog after directing their critically acclaimed “Three Sistersin 2005 (remounted at Theatre on the Lake in 2006), who has also directed “The Busy World is Hushed” for Next , and TimeLine’s “Dolly West’s Kitchen.”
February 19 – March 28, 2009

 

Red Noses
by Peter Barnes
directed by Matthew Hawkins
The season will close with British playwright Peter Barnes’ “Red Noses,” directed by House Theatre’s Matthew Hawkins in his Strawdog directing debut. It’s the 1300s, and a quarter of Europe is dead from the plague, pestilence is everywhere, and humanity is convinced this is Armageddon.  A priest receives a command from God to gather a group of believers, teach them and send them off into the world to be clowns among men. A frequent Strawdog collaborator, Hawkins’ directing credits include House’s “Hatfield and McCoy,” and “On My Parent’s One Hundredth Wedding Anniversary” for The Side Project.
April 16 – May 23, 2009

 

Strawdog Late Night
Stawdog Late Night features a variety of programming (“The Game Show Show and Stuff,” live music, comedy, improv, roasts) in the newly-renovated Hugen Hall Cabaret space within the theatre, following each Friday and Saturday night mainstage performance at 11 p.m. Admission for Late Night is free with paid mainstage ticket (or $5 for just the Late Night), and there is a cash bar available. Visit the Web site at www.strawdog.org for performance schedule.
June 4, 2008 | 0 Comments More

Steppenwolf announces 2008/09 Season

Steppenwolf Theatre has just announced its upcoming season; the common theme being the exploration of imagination:

Kafka on the Shore
September 18 – November 16, 2008
Adapted for the stage and directed by ensemble member Frank Galati
Based on the work by Haruki Murakami

A young boy’s coming of age parallels an old man’s search for destiny in a modern day Japan where the borders between everyday reality, dreams and imagination are constantly crossed. In this world premiere adaptation of the popular novel, encounter talking cats on the streets of Tokyo, World War II soldiers trapped in time, Colonel Sanders and Johnnie Walker. Experience the unexpected in this fantastical tale about waking up to your own life.


The Seafarer
December 4, 2008 – February 8, 2009
By Conor McPherson
Featuring ensemble member John Mahoney

It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game-joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul. In this eerie, darkly humorous tale, celebrated playwright Conor McPherson (who also wrote “Shining City”) examines how we face the demons of our past as we struggle to find redemption.


Art
February 5 – June 7, 2009
By Yasmina Reza
Translated by Christopher Hampton

Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations. This witty, intelligent and often funny play explores the power of art to engage the imagination and the enduring bonds of friendship.

FYI: French playwright Yasmina Reza won the 1997 Olivier Award and the 1998 Tony Award for Art, which has been produced worldwide and translated into over 30 languages. British playwright Christopher Hampton won an Academy Award for the screen adaptation of his play Dangerous Liaisons and was nominated for his adaptation of Atonement.


The Tempest
March 26 – May 24, 2009
By William Shakespeare
Directed by ensemble member Tina Landau
Featuring ensemble member Frank Galati

In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island. In our first Shakespeare production, Steppenwolf ensemble member Tina Landau re-imagines this magical tale of art, freedom and the transformative power of forgiveness.

Up
June 18 – August 23, 2009
By Bridget Carpenter
Directed by ensemble member Anna D. Shapiro

On the best day of his life, Walter built a flying machine that reached the clouds. Ever since, he’s tried to invent new ways to fly while his wife keeps the family afloat. Up is a quirky, bittersweet tale about escaping the boundaries of the everyday and how we dream ourselves into a future.

May 30, 2008 | 0 Comments More

Remy Bumppo announces 2008/09 season

Remy Bumppo 2008/09 Season

 

The Voysey Inheritance

by Harley Granville-Barker

adapted by David Mamet

directed by James Bohnen

featuring Artistic Associate David Darlow

David Mamet’s sleek adaptation of Granville-Barker’s 1905 play feels as if it were written yesterday.  When Edward Voysey learns of his father’s corrupt dealings within the family business, he knows there is only one ethical solution.  But his moral stance conflicts with his siblings’ fierce defense of their incomes and the family name.  This drama of manners marries the wit and passionate dialogue of George Bernard Shaw with the ethical conflics of Arthur Miller.

September 18 – November 2, 2008

 

 

The Marriage of Figaro

by Beaumarchais

adapted by Ranjit Bolt

directed by Jonathan Berry

featuring Artistic Associates Greg Matthew Anderson and Annabel Armour

Ranjit Bolt, the adaptor of Remy Bumppo’s viciously comic Tartuffe, pens this retelling of Beaumarchais’ play made famous in opera form by Mozart.  The lustful Count Almaviva has set his affections on his wife’s chambermaid, who is also the fiancee of his valet, Figaro.  To protect his love, the cunning servant Figaro must outsmart his master.  His plotting reveals several other sexual games that culminate in a night of mistaken identities and deliciously funny farce.

November 13, 2008 – January 4, 2009

 

 

Old Times

by Harold Pinter

directed by James Bohnen

featuring Artistic Associates Linda Gillum and Nic Sandys

The season concludes with a masterpiece by Nobel Prize-winning playwright Harold Pinter.  The nature of truth, memory and ownership are questioned in this hauntingly provacative game of marital chess.  When a married couple receives an unexpected visit from an old roommate, the reunion sparks anything but pleasant conversation.  As they reminisce, inconsistencies are revealed, and one of the three becomes the desired possession in an impassioned war over control of the past.

April 23 – June 7, 2009

  

For more info on Remy Bumppo and the upcoming season, including subscriptions and ticket specials, call 773-244-8119, or go to www.remybumppo.org.

May 28, 2008 | 0 Comments More

Northlight Theatre announces 2008/09 season

 

Northlight  Theatre 2008/09 Season

 

Doctor Jekyll & Mr. Hyde

Adapted by Jeffrey Hatcher

Based on the novella by Robert Louis Stevenson

Directed by Jessica Thebus

What happened the night that Henry Jekyll died? Against the backdrop of Victorian London, the respected doctor has begun to display alarmingly erratic behavior toward his friends.  At the wsame time, a mysterious figure haunts the city’s streets under the cloak of the London fog.  This fiendishly clever and theatrically innovative new adaptation of Robert Louis Stevenson’s classic tale is a smart, psychological thriller that delights in revealing the many faces of Edward Hyde.

September 17 – October 26, 2008

 

 

Grey Gardens

Book by Doug Wright, music by Scott Frankel, lyrics by Michael Korie

Directed by BJ Jones

Musical direction by Doug Peck

Rub elbows with Edith Bouvier Beale and her daughter “Little Edie,” – Jacqueline Kennedy Onassis’ most scandalous relatives!  Once the highest of high society, the two have become East Hampton’s most notorious recluses, living in a dilapidated 28-room mansion with 51 cats for company.  Set in two eras – 1941 when the celebrated estate was the picture of wealth and sophistication, and 1973 after it had been reduced to squalor – Grey Gardens is a brilliant and heartbreaking look at two indomitable women.

November 12 – December 21, 2008

 

 

Po Boy Tango

By Kenneth Lin

Translated by Martin Crimp

Directed by Chay Yew

A celebration of the human spirit and the joy of cooking, Po Boy Tango tells the story of Richie Po, a Chinese immigrant who turns to his estranged friend Gloria to help him recreate his mother’s “Great Banquet.”  Despite the challenges of shark fin soup, duck po boy sandwiches and underlying cultural tensions, Richie and Gloria find common ground through their shared humor and the blending of traditional Taiwanese cuisine and African American “Soul Food.”  Helped by lessons from Po Moma’s television cooking show, the two discover a deeper understanding of food, culture and the nature of friendship.

January 7   February 15, 2009

 

 

Mauritius

By Theresa Rebeck

Directed by Dexter Bullard

The stakes are high when half-sisters inherit a book of rare stamps that may include the “crown jewel” of the stamp-collection world.  The battle for possession takes a dangerous turn when three rival collectors enter the sisters’ world, willing to go to any lengths to stake their claim on the find.  Combining the best aspects of Hitchcock, Chandler and Mamet, “Mauritius” is a gripping blend of sharp comedy and heart-pounding drama that simmers with constant surprise.

February 25 – April 5, 2009

 

 

The Lieutenant of Inishmore

By Martin McDonagh

Directed by BJ Jones

“Wee Thomas” the cat has been killed.  What’s worse, he was the beloved pet of Padraic – a ruthless Irish hitman who considers the IRA “too soft.”  As the folks back home fight over who has to break the bad news, the violence escalates – recalling Shakespeare and Quentin Tarantino at their bloody best.  A few murders, several dismemberments and a smattering of cow mutilations later, all is finally right with the world again.  Or is it?  In this wickedly funny black comedy from the author of “The Cripple of Inishmaan”, “A Skull in Connemara” and the recent film “In Bruges”, McDonagh considers the implications of outrageous reactions to small misunderstandings.

April 29   June 7, 2009

 

For more information, call 847-673-6300, or go to www.northlight.org

May 25, 2008 | 0 Comments More

Writers’ Theatre announces 2008/09 season

Writer’s Theatre 2008/09 Season

Nixon’s Nixon

By Russell Lees

Directed by Michael Halberstam

Featuring William Brown and Larry Yando

Just in time for the elections, we bring back our critically acclaimed, award-winning production of Nixon’s Nixon. This box office record-breaking production returns to our most intimate theatre for a limited engagement. Artistic Director Michael Halberstam will once again direct William Brown and Larry Yando as they reprise their tour-de-force performances as Kissinger and Nixon in this thrilling, hilarious and brilliantly imagined story of what might have happened in the Lincoln sitting room the night before Nixon resigned.

September 16 – November 16, 2008

 

 

Picnic

By William Inge

Directed by David Cromer

When a charismatic young drifter arrives in a small Kansas town on the eve of a Labor Day picnic, the simmering repressions of its residents come rapidly to a boil. Frequently hilarious and profoundly mo ing, Inge’s masterpiece chronicles the hopes and despairs that lie between the realization of adulthood and the eternal optimism of youth. This American classic is staged by Chicago’s own David Cromer, whose previous work for Writers’ Theatre includes The Price and Booth, and whose highly acclaimed production of The Adding Machine is enjoying a successful run in New York.

September 16 – November 16, 2008

 

 

The Maids

By Jean Genet

Translated by Martin Crimp

Directed by Jimmy McDermott

When the mistress is away, the maids will play. Two women in service to a younger socialite pass the moments of their day in play-acting and fantasy. As the line between fantasy and reality begins to disintegrate, their games take a deadly turn. Jealousy, resentment, sexual tension and murder converge in this 1947 classic French thriller. Jimmy McDermott, one of the city’s most exciting young directors, brings his trademark edginess to this seminally rebellious play.

November 18 , 2008 – April 5, 2009

 

 

A Christmas Carol

By Charles Dickens

Adapted & Performed by Michael Halberstam

Artistic Director Michael Halberstam masterfully recreates the greatest ghost story ever written with his tour-de-force solo performance of Ebenzer Scrooge’s journey over the course of one magical Christmas Eve. Now in its 13th season, this holiday tradition has been extended to nine performances after last year’s sold-out run.

December 13 – 23, 2008

 

 

 

 

World Premiere!!

Old Glory

By Brett Neveu

Directed by William Brown

William Brown, director of last season’s triumphant As You Like It, turns his attention from the old to the new. One of the country’s hottest young playwrights, Brett Neveu, brings us the world premiere of Old Glory.This gripping drama in which a family confronts loss as a conseqwuence of war is brought intensely to life through Neveu’s direct yet poetic language. No government, no politics, just people. Razor sharp wit and fiercely emotional confrontation combine as this viscerally powerful mystery unfolds.

February 3 – March 29, 2009

 

 

 

 

World Premiere Musical!!

A Minister’s Wife

Music by Josh Schmidt, Lyrics by Jan Tranen

Adapted by Austin Pendleton

Conceived & Directed by Michael Halberstam

After his unanimously acclaimed New York debut, The Adding Machine, Writers’ Theatre Associate Artist Josh Schmidt has become the most eagerly anticipated young musical theatre composer in the country. Schmidt’s second creation, in collaboration with artistic director Michael Halberstam, playwright Austin Pendleton and lyricist Jan Tranen, receives its world premiere in Glencoe. A poet, a preacher and his wife enter into a delicious conflict when a fantastical assumption turns an ordinary day topsy-turvy.

May 19 – July 19, 2009

For more information on Writers’ Theatre, call 847-242-6000, or go to www.writerstheatre.org.

May 25, 2008 | 0 Comments More

Goodman Theatre announces “Talking Pictures” cast

Goodman Theatre has announced their cast for the upcoming Horton Foote play Talking Pictures, which will play in rotation with two other Foote plays – Blind Date and The Actor.  The play will be directed by Henry Wishcamper, and will run from January 29th through March 2nd.

January 22, 2008 | 0 Comments More

Shattered Globe announces 17th-annual season

Shattered Globe Theatre’s 2007-2008 Productions

SUDDENLY, LAST SUMMER by Tennessee Williams

Directed by Shattered Globe ensemble member Kevin Hagan, running September 16 – October 27, 2007

Featuring ensemble members Brian McCaskill, Eileen Niccolai and Linda Reiter

            In SUDDENLY, LAST SUMMER, Williams’ 1958 drama, a prominent New Orleans family gathers to contend with the mysterious circumstances surrounding the loss of one of their own. In the wildly overgrown garden of a New Orleans mansion, a family seeks the truth about the life and death of one of their own. After Sebastian Venable’s mysterious death abroad, his mother Violet calls on her niece Catharine—the family misfit and sole witness to the incident—to reveal what happened that day. Catharine, who seemed to go insane following the death of her cousin, has been institutionalized since her return for insisting on a version of events so horrific that it can’t possibly be true. Set on preserving Sebastian’s memory—and erasing her own role in the unspeakable acts that led to his demise—Mrs. Venable will go to any length to discredit Catharine’s account. But when Catharine is put under the influence of truth serum, everyone must come to terms the reality of the long-buried secrets that are finally brought to light.

REQUIEM FOR A HEAVYWEIGHT by Rod Serling

Directed by Louis Contey, running January 13 -March 8, 2008

Featuring ensemble members Maury Cooper

In the 1956 drama REQUIEM FOR A HEAVYWEIGHT—also produced as a Peabody-Award-winning 1957 teleplay and a 1962 film— washed-up prizefighter Harlan Mountain McClintock faces the sudden end of his career. Having spent 14 years in the ring, Mountain faces the prospect of a life that does not include boxing and discovers that the skills that almost made him a champion don’t count for much in the wider world. Mountain is torn between the possibility of new love and a promising future offered by social worker Grace, and loyalty to his self-serving manager Maish, who wants to exploit the fighter on the lucrative professional wrestling circuit. Widely regarded as one of the greatest sports dramas of all time, REQUIEM FOR A HEAVYWEIGHT is a gut-wrenching account of the merciless prizefight game and the human wreckage it leaves in its wake. 

A TASTE OF HONEY

by Shelagh Delaney

Directed by Dado, running May 18 - July 5, 2008 

Set in 1950s Manchester England, Delaney’s poignant and comic play tells the story of Jo, a shy adolescent chafing against the constraints of her working class life and the demands of her selfish, irresponsible mother Helen. When Helen abandons Jo to take up with a much younger man, Jo falls prey to the advances of an itinerant sailor and is left pregnant and alone. Determined not to be undone by her difficult circumstances, she creates her own sort of family with gay art student Geoffrey, who moves into Jo’s flat to help her prepare for the birth of her baby. The two settle into tentative peace and happiness—until Helen’s unexpected reappearance threatens to throw Jo’s life back into upheaval.  Grammar school dropout Shelagh Delaney was only 17 years old when she started writing her first play, A TASTE OF HONEY, a work that would propel her to literary superstardom by the time she reached her twenties. 

September 15, 2007 | 0 Comments More