Category: Adventure Stage

Review: Akeelah and the Bee (Adventure Stage Chicago)

La Shone T. Kelly stars as Akeelah in Akeelah and the Bee, Adventure Stage Chicago            
      

Akeelah and the Bee
 
Adapted by Cheryl L. West
  from screenplay by Doug Atchison
at Vittum Theater, 1012 N. Noble (map)
thru Nov 22  |  tix: $7-$17  |  more info
       
Check for half-price tickets   
     

November 7, 2017 | 0 Comments More

Review: Six Stories Tall (Adventure Stage Chicago)

Adventure Stage Chicago's "Six Stories Tall" by Marco Ramirez, directed by Tom Arvetis. (photo credit: Johnny Knight)        
       
Six Stories Tall 

Written by Marco Ramirez  
Directed by Tom Arvetis
at Vittum Theater, 1012 N. Noble (map)
thru Dec 13  |  tickets: $15-$25   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

November 11, 2012 | 3 Comments More

Review: The Giver (Adventure Stage Chicago)

Aaron Lawson in Adventure Stage Chicago's "The Giver", directed by Brian Bell. (photo credit: Johnny Knight)       
      
The Giver 

Adapted by Eric Coble
Based on novel by Lois Lowry  
Directed by Brian Bell
at Vittum Theater, 1012 N. Noble (map)
thru April 26  |  tickets: $12-$20   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

March 27, 2012 | 0 Comments More

Review: Walk Two Moons (Adventure Stage Chicago)

Tanya Chu McBride - Walk Two Moons       
      
Walk Two Moons 

Adapted by Tom Arvetis
Based on book by Sharon Creech
Directed by Matthew Reeder
at Vittum Theatre, 1012 N. Noble Street (map)
thru Dec 8  |  tickets: $12-$20   |  more info

Check for half-price tickets 
    
        
        Read entire review
     

November 6, 2011 | 1 Comment More

Review: 500 Clown Trapped (500 Clown & Adventure Stage)

  
  

Getting stuck has never been more fun

  
  

Adrian Danzig, Leah Urzendowski, Timothy Heck - 500 Clown Trapped - photo by Johnny Knight

  
500 Clown and Adventure Stage Chicago presents
   
  
500 Clown Trapped
   
Conceived by Adrian Danzig
Directed by Paola Coletto
at Adventure Stage Chicago, 1012 N. Noble (map)
through May 21  |  tickets: $12-$20  |  more info

Reviewed by Oliver Sava

Teaming up with Adventure Stage Chicago, 500 Clown brings their acrobatic, improvisational storytelling style to an all-ages audience with 500 Clown Trapped. Conceived by 500 Clown artistic director Adrian Danzig, who also stars as the clown trio’s leader Bruce, Trapped finds its three characters stuck in a variety of situations that require them to use their imaginations, bodies, and comedic skills to escape. The show begins with a requisite educational discussion about music, opening conversation between the clowns and audience. Dialogue and interaction with the audience is a trademark of children’s theatre, and Bruce, Stacy (Tim Heck), and Lily (Leah Urzendowski) are constantly finding ways to make the viewer a player as well, sometimes by just walking out into the audience and turning their seats into the stage.

There’s not much plot to speak of, but the main appeal of the production is the ways the actors bring their characters to bombastic life, engrossing the audience as the clowns become further ensnared on their platform full of hamster paper. Bruce the responsible leader, Stacy the clueless goofball, and Lily the emotional wreck combine Keaton-esque slapstick with impressive acrobatic feats to escape their traps, providing comedic context through jokes and sight gags. The banter is quick and natural, and the movement swift and exaggerated, giving the show a rapid pace perfect for a young audience.

Adrian Danzig - 500 Clown Trapped

500 Clown Trapped is definitely intended for children, but there are plenty of elements that adults will be drawn to. Honestly, who doesn’t love a good pratfall? Lily’s pained rendition of “My Heart Will Go On” elevates the sinking Titanic sequence, while her flirtation with Bruce on a crashing plane elicits giggles for the grown-ups as the kids laugh at the organized chaos. And it is organized. Paola Coletto’s sharp direction has the actors utilizing the entire theater space, and the aerial movement is performed flawlessly. The cast never breaks character, and they are completely comfortable engaging with the audience, projecting a welcoming energy that encourages participation. The clowns are always aware of the audience’s reactions, often responding to the comments of excited children in the middle of a bit without ever breaking the flow. It’s clear that these are skilled improvisers, and they’re able to think quickly on their feet, under ground, or suspended in the air.

500 Clown Trapped is the first collaboration between the city’s premier clown company and one of its largest children’s theaters, and hopefully it’s the start of a fruitful relationship between the two. 500 Clown’s history with more adult material makes their approach to children’s theatre one free of condescension, perfect for parents looking for a fun night of family-friendly theater. It may be light on plot, but the 500 Clown gang definitely brings the laughs, and Trapped is a joyful show for the kid in all of us.

  
  
Rating: ★★★
  
  

Leah Urzendowski, Timothy Heck, Adrian Danzig in "500 Clown Trapped", conceived by Adrian Danzig. (Photo: Johnny Knight)

All photos by Johnny Knight

  
May 20, 2011 | 0 Comments More

Review: Sinbad, The Untold Story (Adventure Stage Chicago)

  
  

Update on a classic adventure fantasy takes off, but not high

  
  

(l to r) Edgar Sanchez, Mildred Langford, Dana Dajani. Photo by Johnny Knight.

  
Adventure Stage presents
   
Sinbad: The Untold Story
   
Written by Charles Way
Directed by Amanda Delheimer
at Vittum Theater , 1012 N. Noble (map)
through April 16  |  tickets: $12-$17  |  more info

Reviewed by Dan Jakes

How relieving, I thought while sitting amongst the kids and pre-teens at Adventure Stage’s Saturday matinee, to hear the words “Baghdad” and “Koran” outside of a contentious context. The children who will see Sinbad: The Untold Tale are part of a generation who’ve never experienced America before its frighteningly mainstream Islamophobic discourse, before every televised use of the phrase “Muslim” was intrinsically linked to controversy and heated debate. Charles Way’s 2006 play, on the other hand, is about as amenable as it gets: a quest story promoting courage and nobility–values that are universal with characters that are relatable.

The intent, as well as the production’s partnership with the Inner-City Muslim Action Network, is commendable; the execution is so-so.

Edgar Miguel Sanchez and Mike Ooi (koken) - photo Johnny KnightWay’s tale takes place in the years after Sinbad the Sailor’s epic journeys in “1001 Arabian Nights,” after the adventurer has wrapped up his seventh voyage at sea and called it quits. Retirement doesn’t end the world’s conquests, though, so when a witch plagues his city with a haze that in short-time will kill all adults (“Gas-s-s-s!,” anyone?), the tired and afflicted sailor transfers the hero role to his eager orphan porter (Edgar Miguel Sanchez, physically-grounded and affable as the young lead, alongside Dana Dajani as his travel partner Ittifaq).

From thereon, there aren’t many divergences from the tried-and-true action-for-kids plot. The porter is handed a box containing three items to use in times of peril, a girl sets out to prove herself by tagging along, saving him and becoming a love interest along the way, clever quips abound, etc. etc. It’s all very familiar and sustainable. But assuming the young audiences are not familiar with the original Sinbad stories, they’ll likely trip over a few recurring points. They may ask themselves, “who is that old man that keeps talking about adventures that sound more interesting? Who is Ittifaq’s mom, and why should I care?”

The action works from time to time. David Chrzanowski’s fight choreography infuses some video-game-type elements that, at the performance I attended, garnered lots of positive verbal reaction from the kids and least one audible “that’s cooool!” from a little girl behind me. Others fall comically short, like an attempt at a flying carpet that left two actors’ feet visible under their stuffed faux-legs. Not yet versed in polite restraint, many of the children outwardly giggled during a moment clearly aiming for a different response.

Sinbad: The Untold Tale could easily shave off 15 minutes, and its desired audience is a little ambiguous. As a journey tale, it meets the bar–but it isn’t magic.

  
  
Rating: ★★½
   
  

Sinbad the Untold Story. Photo by Johnny Knight

Sinbad: The Untold Story continues through April 16th, with 10:30am performances March 22, 24 and 31; April 5, 7, 8, 12, 14 and 15.  Family matinee 2pm performances continue April 2, 9 and 16, with a special evening performance April 8th at 7pm. Tickets are not available online.  Instead, call 773.342.4141.

  
  
March 26, 2011 | 1 Comment More

REVIEW: And a Child Shall Lead (Adventure Stage)

   
  

Against Genocide, Art Endures

 

And a Child Shall Lead - Adventure Stage Chicago 013

   
Adventure Stage presents
   
And a Child Shall Lead
   
Written by Michael Slade
Directed by
Tom Arvetis
at Vittum Theater, 1012 N. Noble (map)
through December 9  |  tickets: $12-$17  |  more info

Reviewed by Paige Listerud

Feeling a little depressed, now that “hope and change” from the 2008 election has thoroughly lost its gloss? Head on over to Adventure Stage Theatre’s production, And a Child Shall Lead. Take a good look at young people fighting insurmountable odds to sustain creativity and to speak truth to power.

And a Child Shall Lead - Adventure Stage Chicago 011Under the Nazis, from 1941 to 1945, the 18th-century fortress of Terezin, located in present day Czech Republic, was a nightmare place where youthful promise was meant to die. It was a transit camp where deported Jews either succumbed to starvation and disease or were shipped out to Auschwtiz, Majdanek and Treblinka. But Terezin was also a place where the Gestapo deported Jewish artists. Such a strong repository of cultured European Jewry yielded over 6000 hidden works of art created by Terezin’s children—hidden because any evidence of cultural creation or education at Terezin was punishable by death.

Michael Slade’s drama focuses solely on the child artists of Terezin. They draw, write poetry, stage puppet shows, play music and run their own newspaper. While mostly young adults take on child roles for the production, no adult character disturbs the world of this play. And a Child Shall Lead is meant for younger audiences but adults can also benefit from getting back to basics. Just an hour into the play makes one realize the perennial nature of their struggle–simply to be heard, to have the truth told, no matter how terrible, and to create a vision of a better future worth surviving for. Unlike us, the child artists of Terezin carry out their mission under far deadlier and more dehumanizing circumstances.

Heavy stuff for children’s theater; yet Director Tom Arvetis preserves the youthful drive and perspective of his cast through an energetic and rigorous pace of playing games: hide and seek, hiding from Nazi guards, hiding their artwork and newspaper articles in their own secret places, stealing paper from trash bins (because paper has been forbidden them) and carrying on lessons while a child stands lookout. Even while portraying hunger, illness, and an ever-present terror of arbitrary execution, Arvetis’ cast brings excitement, suspense, and playfulness to their characters’ fight for survival, beauty and meaning. Play and preserving play in the midst of horror is this production’s most successful feature. Well-balanced scenic (Jessica Kuehnau), sound (Miles Polaski) and lighting design (Brandon Wardell) perfectly supplement and supports the action.

 

And a Child Shall Lead - Adventure Stage Chicago 001 And a Child Shall Lead - Adventure Stage Chicago 012
And a Child Shall Lead - Adventure Stage Chicago 025 And a Child Shall Lead - Adventure Stage Chicago 019 And a Child Shall Lead - Adventure Stage Chicago 008

Getting the truth out to others about the atrocities they endure proves far more overwhelming for Terezin’s children. The Third Reich showcases the city as the “Fuhrer’s gift to the Jews,” a place where they can be safe from the war. But, in reality, Terezin functions as a distraction from The Final Solution. The Gestapo produces a propaganda film about the city, complete with staged scenes of healthy and contented Jewish residents engaged in crafts. As the Red Cross visits Terezin, the children attempt to get their newspaper Vedem to the inspectors, but fail. All the Red Cross perceives is whitewashed Nazi reality.

What endures from Terezin is the artwork and the bits of their newspaper. Death comes for nearly every character in the play–certainly, 15,000 children died in the actual ghetto. The production displays artwork copied from the artwork produced by the children of Terezin. Every poem recited is poetry that survived this awful place. While Slade’s play could benefit from a small amount of editing, no one can deny the emotional impact of his clear, simple and forthright work. It touches the primal core in us all and Michael Slade places our need for human dignity at the very center of childlike self-expression.

  
   
Rating: ★★★½
      
   

Recommended for ages 11 and up (6th thru 8th grades).

And a Child Shall Lead - Adventure Stage Chicago 009

         
        

 

November 3, 2010 | 1 Comment More

Adventure Stage Chicago announces 2010-2011 Season

Adventure Stage Chicago

 

Adventure Stage Chicago Announces 2010-2011 Season

 

for Young Audiences

 

Adventure Stage Chicago (ASC) proudly announces their 2010-2011 season for young audiences, comprised of three thrilling plays making their Chicago debuts: a moving Holocaust drama, an action-packed magical adventure and a comedic physical theater event.


 

October 30 – Dec. 9, 2010

 

And a Child Shall Lead by Michael Slade

Directed by ASC Producing Artistic Director Tom Arvetis

Chicago Premiere!

     
  Thirty miles outside Prague lies the city of Terezin, a Nazi-described "Jewish ghetto" and makeshift way station for millions of people awaiting transfer to death camps. Amid such bleak surroundings, a group of courageous children create stories, music, poetry, drawings, plays, puppets, and even an underground newspaper to craft a dream world of hope and beauty in a place where neither exist. Incorporating actual poems and other writings recovered from Terezin after the war, this exquisite play explores the strength, optimism and extraordinary resilience at the core of the human spirit. Recommended for ages 11 and older.

Performance Schedule:

  • Previews: 10:30 a.m. Oct. 28 & 29
  • Weekends: 2:00 p.m. Oct. 30, Nov. 6, Nov. 13, Nov. 20 & Nov. 27 (Saturdays) and Nov. 14 & 28 (Sundays)
  • Weekdays: 10:30 a.m. Nov. 2, 4, 9, 16, 18, 23, 30 & Dec. 2, 7, 9
  • Evenings: 7:00 p.m. Friday, Nov. 26 only.

 

March 19 – April 16, 2011

Sinbad: The Untold Tale  by Charles Way

Directed by Amanda Delheimer

U.S. Premiere!

     
  Ittifaq, the pampered daughter of famed sailor Sinbad of the Seven Seas, bristles under her father’s overprotective care and longs for an adventure of her own. Young Sinbad, an orphaned porter, lives on the streets and relies on his clever wit to survive. The two meet by chance just before a bitter sorceress casts a poison cloud over the city of Baghdad. Rendered sick by the witch’s curse, the elder Sinbad bids his daughter and the porter to set sail in search of the poison’s antidote. On their quest, the unlikely duo form a reluctant bond as they encounter good and evil genies, daring swordfights, magic boats and flying carpets. But can Sinbad and Ittifaq defeat the sorceress in time, or will their beloved city be destroyed forever? Recommended for ages 9 and older.

Performance Schedule:

  • Previews: 10:30 a.m. March 17 & 18
  • Weekends: 2:00 p.m. March 19, March 26, April 2, April 9 & April 16 (Saturdays)
  • Weekdays: 10:30 a.m. March 22, 24, 29, 31 & April 5, 7, 8, 12, 14, 15
  • Evenings: 7:00 p.m. Friday, April 8 only.

 

 

May 3 – May 21, 2011

500 Clown Nose

  World Premiere!
 

Experience 500 Clown’s signature mix of high physicality, raw emotion and powerful storytelling with content accessible to an all-ages audience. In 500 CLOWN NOSE, three clowns stumble into a quagmire and soon find themselves jailed in a barren landscape. Their attempts at escape encompass slapstick mishaps, vaudevillian turns, clown acts and daring physical feats. Their desperate search for a way out relies on ingenuity and resilience. When they find the exit, freedom comes at the price of leaving the fun world they’ve created. Featuring 500 Clown founder Adrian Danzig with Timothy Heck and Lea Pascal.   

Performance Schedule:

  • Weekends: 2:00 p.m. & 7:00 p.m. May 7, 14, & 21 (Saturdays) and 7:00 p.m. May 6, 13 & 20 (Fridays)
  • Weekdays: 10:30 a.m. May 3, 5, 10, 11, 17 & 19

 

Tickets for all shows are $17.00 for adults, $12.00 children aged 14 and under, $10.00 previews and $8.00 school groups. Other group discounts available. Passport to Adventure subscriptions are available beginning in mid-September. For tickets or more information, call (773) 342-4141 or visit www.adventurestage.org.

All shows are performed at Vittum Theater, 1012 N. Noble St., in the heart of Chicago’s West Town neighborhood. Street parking is available, and the theater is close to the Noble St. stop on the #56 Milwaukee bus line and the Division stop on the CTA Blue Line. The theater is wheelchair accessible.

Each Adventure Stage Chicago production presents weekday performances primarily for school groups, as well as weekend matinees for the general public. Every performance includes a post-show audience talkback with the cast.

August 19, 2010 | 0 Comments More