Category: Route 66

Review: No Wake (Route 66 Theatre)

Lia Mortensen and Stef Tovar in Route 66 Theatre's "No Wake" by William Donnelly, directed by Kimberly Senior. (photo credit: Brandon Dahlquist)          
      
   

No Wake

Written by William Donnelly
Greenhouse Theater, 2257 N. Lincoln (map)
thru Feb 27  |  tix: $20-$35  |  more info
       
Check for half-price tickets   
    

January 20, 2016 | 0 Comments More

Review: Next Stop (Route 66 Theatre Company)

Next Up post - Route 66 Theatre Company Chicago       
      
Next Stop 

Music and Lyrics by Diana Lawrence
Directed by Erica Weiss  
at Theater Wit, 1229 Welmont (map)
thru June 26  |  tickets: $25   |  more info
       
Check for half-price tickets 
    
        
          Read entire review
     

June 19, 2012 | 0 Comments More

Top 10 Chicago plays of 2011

After covering nearly 600 productions this year, here are our picks of the best of the best. Bravo!!  FYI: The national website Huffington Post has kindly posted our choices on their Chicago page, which you can see here.

Clybourne Park, Steppenwolf Theatre One Step At A Time, en route Festen - Steep Theatre Chicago Shakespeare Theatre's "Follies" The Homosexuals - About Face Theatre
Timothy Edward Kane - Court Theatre An Iliad 003 Jackie and Me - Chicago Children's Theatre Momma's Boyz - Teatro Vista Court Theatre's "Porgy and Bess" stef-tovar-and-projections-by-john-boesche

 

See entire list

     
December 26, 2011 | 0 Comments More

Review: A Twist of Water (Route 66 Theatre)

  
  

Now extended through June 26th!!

An ode to family, hardship, rebirth: A contemporary masterpiece

  
  

Stef Tovar in a scene from Route 66 Theatre's 'A Twist of Water'.  Projections by John Boesche.

  
Route 66 Theatre Company presents
       
A Twist of Water
  
Written by Caitlin Montanye Parrish
Co-Created and Directed by Erica L. Weiss
at Mercury Theater, 3745 N. Southport, Chicago
through June 26  |  tickets: $25  |  more info

Reviewed by Keith Ecker

Route 66 Theatre‘s world premier of A Twist of Water accomplishes a rare theatrical feat. It balances genuine poignancy with sharp wit all while evoking real human emotion. There is nothing maudlin about this play. There is no contrivance or trite scenarios. You will cry real tears as you sympathize with the fictional characters who feel very, very real.

The play is about a family, Noah (Stef Tovar) and his adopted daughter Jira (Falashay Pearson). Noah’s long-time partner and Jira’s other father recently passed away in a tragic accident. As the two cope with the loss, the death begins to serve as an invisible wedge that drives them apart.

Falashay Pearson and Stef Tovar in a scene from Route 66 Theatre's 'A Twist of Water'. Noah seeks solace in his youthful colleague Liam (Alex Hugh Brown), who has an affinity for Carl Sandburg. Both are teachers, and, to complicate matters, Liam is Jira’s instructor. This places Liam in a precarious situation, where one loyalty rests with Jira as her teacher and another with Noah as his potential lover.

Meanwhile, Jira wishes to expand the scope of her family, and so she seeks out her birth mother. Noah takes this as a personal condemnation of his parenthood, further splitting father and daughter apart. Their relationship is further fleshed out as we discover just what happened in the hospital the day that Noah’s partner died.

Throughout, we hear Noah’s inner thoughts through a series of monologues. These monologues, beautifully told and breathtakingly staged, compare the hope, destruction and rebirth of his life with that of the city of Chicago, from its original founding to the Great Fire to the rebuilding. It’s a lovely and poetic parallel that effectively conveys the protagonist’s personal evolution.

Playwright Caitlin Montanye Parrish, along with director and co-creator Erica Weiss, have put to paper a contemporary masterpiece. This script is tight. Liam’s snarky humor is punchy and laugh-out-loud funny. Emotionally charged scenes crescendo and decrescendo organically. Each character’s histories are examined, providing the audience with necessary insights into their motivations. There are no questions left unanswered that demand an answer. It’s such a welcome sight to see a script produced that has undergone a complete and thorough editing process before being put to the stage.

Tovar’s portrayal of Noah is realistically complex. He adeptly performs the range of emotions required of this layered play. In one scene, he is a lovestruck widower. In another, he’s a heartbroken father. No matter what, he’s always convincing.

Meanwhile, young Pearson—who is making her post-collegiate theatrical debut—holds her own. She portrays Jira as an emotionally confused teenager while steering clear of melodrama. As for Brown, his confident, subdued portrayal of Liam is perfectly paired with Tovar’s angsty Noah.

I would be remiss to not make mention of the scenic design, which is practically a character itself. Developed collaboratively by Stephen H. Carmody, Sean Mallary and John Boesche, the stage is a three-dimensional blank canvas that is colored by a shifting series of projections. It allows the characters to exist in both real space and metaphysical environments.

A Twist of Water is an important play that speaks to our time. Hopefully it will see an extended run because it deserves a large audience. Just remember to bring a tissue because, when I saw it, there wasn’t a dry eye in the house.

  
  
Rating: ★★★★
  
  

Stef Tovar and Alex Hugh Brown in a scene from Route 66 Theatre's 'A Twist of Water'.

A Twist of Water continues through June 26th, with performances Thursday, Friday, and Saturday at 7:30pm, and Sunday at 2:30pm. All performances at Mercury Theater, 3745 N. Southport.  More info at http://twistofwater.wordpress.com/about/.

  
  
February 28, 2011 | 6 Comments More

REVIEW: McMeekin Finds Out (Route 66 Theatre Company)

 

Did I mention we’re in Pittsburgh?

 

 Kate Buddeke, Blair Robertson, and Randy Steinmeyer

   
Route 66 Theatre presents
   
McMeekin Finds Out
   
Written by Scott T. Barsotti
Directed by Damon Kiely
at Richard Christiansen Theater, 2433 N. Lincoln (map)
through November 14  |  tickets: $25-$37   |  more info

Reviewed by Keith Ecker 

I hate seeing a bad play. You walk into the theater full of hope and high on expectations. The play may start out okay: an intriguing opening, some snappy dialogue and characters that are brimming with potential. But by the intermission, you realize the mess you’ve gotten yourself into, so you reach for your car keys. But then you remember you’re a theatre critic, so you have to stay and see if this agonizingly, dead-on-arrival play miraculously gets any better. And, more often than not, it doesn’t. Now you’re out two hours of your time, plus you must set out on the task of panning someone else’s beloved creation, which, let me tell you, makes you feel like a total and utter schmuck.

Route 66 Theatre Company’s world premier of McMeekin Finds Out makes me feel like a schmuck. This play is so seriously flawed that I am amazed the collective of talented artists behind the production didn’t demand this thing incubate a bit longer before letting it go to term. Don’t get me wrong; there is certainly potential. But as it stands, this mess of a slapstick comedy is like seeing a mediocre improv show, where everything rests on a thrown-together goofy premise and where louder means funnier.

Randy Steinmeyer and Kate Buddeke 2 The play, written by Scott T. Barsotti, centers around a family in Pittsburgh. And Barsotti doesn’t let you forget for a minute where this play takes place. Mentions of the Steelers occur in every other sentence, and everyone possesses the standard Pittsburgh dialect, sprinkling their dialogue with words like “yinz.”

At the play’s opening, we witness the daughter Carla (Blair Robertson) getting on a guy at a house party. She’s drunk, and we can’t quite see the young man the way the couch is positioned. What we do know is that he’s immobilized somehow, possibly drunk or possibly tied up. In any case, she proceeds to have sex with him, which surprisingly serves as the basis of the play’s entire plot. That’s because, upon arriving home the next morning, Carla confesses to her parents, Guy (Randy Steinmeyer) and Pam (Kate Buddeke), that she may have raped the young man, since technically he didn’t consent.

That’s about it. There’s really not much more to this play. Oh sure, Guy and Pam are both laid up due to a car accident that was Guy’s fault. Guy now wears casts on both arms, which may have destroyed his career in construction. And Pam’s leg cast has made it impossible for her to continue being a chef for the time being. But Guy’s underlying guilt over the accident and Pam’s resentment are barely touched upon. Instead, the question of whether Carla raped a boy and what is the family to do dominates every single moment.

And perhaps this wouldn’t be so bad if we, the audience, hadn’t already seen exactly what happened within the first minutes of the play. We know that she took advantage of this boy. We know most of the circumstances. And so when characters continually say things like, “Well, we don’t really know what happened,” you want to yell, “We do!” and hope everyone just moves on to something more interesting.

Another issue I had with this play is that it’s just not funny. The humor, solely because of the subject matter, occasionally verges on edgy. But overall, most of the jokes are on par with sappy sitcom schlock.

For what it’s worth, much of the acting is solid. Steinmeyer is entertaining. His portrayal of Guy is as if you mashed Edith and Archie Bunker into one person. Likewise, Buddeke provides some much-needed understatement and realism to this otherwise over-the-top, harebrained play.

McMeekin Finds Out doesn’t know what it’s trying to say. It goes nowhere while being simultaneously all over the place. Worst of all, there’s no driving force that compels the audience to keep watching. Give this play a thorough rewrite or transform it into a brief one act and you may have something. Otherwise, the only thing you’ll find out is that you just sat through a bad play.

       
   
Rating: ★½
   
   

 Randy Steinmeyer and Kate Buddeke

 

October 17, 2010 | 0 Comments More

Jeff Awards announced for 2008-2009 season

PRODUCTION — PLAY – LARGE
Ruined Goodman Theatre and Manhattan Theatre Club
The SeafarerSteppenwolf Theatre 

PRODUCTION — PLAY – MIDSIZE
The History Boys TimeLine Theatre 

PRODUCTION — MUSICAL – LARGE
Caroline, or Change Court Theatre

PRODUCTION — MUSICAL – MIDSIZE
Tomorrow Morning – Hilary A. Williams, LLC

PRODUCTION — REVUE
Studs Terkel’s Not Working The Second City e.t.c.

ENSEMBLE
The History BoysTimeLine Theatre 

NEW WORK — PLAY
Lynn NottageRuined Goodman Theatre and Manhattan Theatre Club

NEW ADAPTATION — PLAY
Seth BockleyJonCollaboraction

NEW WORK OR ADAPTATION – MUSICAL
Josh Schmidt, Jan Tranen & Austin PendletonA Minister’s Wife Writers’ Theatre 

DIRECTOR – PLAY
Nick BowlingThe History BoysTimeLine Theatre

DIRECTOR – MUSICAL
Charles NewellCaroline, or Change Court Theatre

DIRECTOR — REVUE
Matt HovdeStuds Terkel’s Not WorkingThe Second City e.t.c.

ACTOR IN A PRINCIPAL ROLE — PLAY
Larry Neumann, Jr. – A Moon for the MisbegottenFirst Folio Theatre
William L. PetersenBlackbirdVictory Gardens Theatre 

ACTOR IN A PRINCIPAL ROLE — MUSICAL
Joseph Anthony ForondaMiss Saigon Drury Lane Oakbrook

ACTRESS IN A PRINCIPAL ROLE – PLAY
Saidah Arrika EkulonaRuinedGoodman Theatre and Manhattan Theatre Club

ACTRESS IN A PRINCIPAL ROLE — MUSICAL
E. Faye ButlerCaroline, or Change Court Theatre

SOLO PERFORMANCE
Max McLeanMark’s GospelFellowship for the Performing Arts

ACTOR IN A SUPPORTING ROLE — PLAY
Alex WeismanThe History Boys TimeLine Theatre

ACTOR IN A SUPPORTING ROLE — MUSICAL
Max Quinlan – The Light in the PiazzaMarriott Theatre

ACTRESS IN A SUPPORTING ROLE — PLAY
Spencer KaydenDon’t Dress for Dinner – The British Stage Company

ACTRESS IN A SUPPORTING ROLE – MUSICAL
Liz Baltes – A Minister’s WifeWriters’ Theatre
Summer SmartThe Light in the Piazza Marriott Theatre

ACTOR IN A REVUE
Mark David KaplanForbidden Broadway: Dances with the StarsJohn Freedson, Harriet Yellin and Margaret Cotter

ACTRESS IN A REVUE
Amanda Blake DavisStuds Terkel’s Not WorkingThe Second City e.t.c.

SCENIC DESIGN – LARGE
Lucy OsborneTwelfth NightChicago Shakespeare Theater

SCENIC DESIGN – MIDSIZE
Brian Sidney BembridgeThe History Boys TimeLine Theatre

COSTUME DESIGN – LARGE
Mara BlumenfeldThe Arabian NightsLookingglass Theatre

COSTUME DESIGN — MIDSIZE
Rachel LaritzThe Voysey Inheritance Remy Bumppo Theatre

SOUND DESIGN – MIDSIZE
Lindsay JonesThe K of D: An Urban LegendRoute 66 Theatre

LIGHTING DESIGN — LARGE
Christopher AkerlindRock ‘n’ Roll Goodman Theatre

LIGHTING DESIGN — MIDSIZE
Jesse Klug – Hedwig and the Angry InchAmerican Theater Company

CHOREOGRAPHY
David H. BellThe Boys from Syracuse Drury Lane Oakbrook

ORIGINAL INCIDENTAL MUSIC
Dominic KanzaRuinedGoodman Theatre and Manhattan Theatre Club

MUSIC DIRECTION
Doug PeckCaroline, or Change Court Theatre

OUTSTANDING ACHIEVEMENT IN SPECIAL EFFECTS
Steve Tolin – Special Effects – The Lieutenant of Inishmore Northlight Theatre

OUTSTANDING ACHIEVEMENT IN VIDEO DESIGN
Mike Tutaj – Film & Video Design – Tomorrow Morning – Hillary A. Williams

November 9, 2009 | 0 Comments More

show openings/closings this week

chicagoriverblast

show openings

1001 The Theatre School at DePaul University

American Psyche or a Breath of Fresh Care Gorilla Tango Theatre

Bucket of Blood Annoyance Theatre

The Castle of Otranto First Folio Theatre

Dirty Talking Amish Gorilla Tango Theatre

The Elaborate Entrance of Chad Deity Victory Gardens Theater

Endira Aguijon Theater

The Hundred Dresses Chicago Children’s Theatre

Kill the Old, Torture Their Young Steep Theatre

The Last (and therefore Best) Comedy Show on Earth Gorilla Tango Theatre

The Mercy Seat Profiles Theatre

Mouse in a Jar Red Tape Theatre

Richard III Chicago Shakespeare Theater

Salem! The Musical Annoyance Theatre

Sleeping Beauty Big Noise Theatre

Sleepy Hollow Theatre-Hikes

A Streetcar Named Desire Polarity Ensemble Theatre

Taking Steps UIC Theater

Ten Square Pegasus Players and MPAACT

 

chicago-river-from-vietnammemorial

show closings

 

All My Sons TimeLine Theatre (our review)

Baroque and Beatles Chicago a cappella 

Cat on a Hot Tin Roof Circle Theatre

Desperate Gorilla Tango Theatre

A Hampstead Hooligan in King Arthur’s Court Chicago dell’Arte

High Fidelity…The Musical Route 66 Theatre

Lorca in a Green Dress Halcyon Theatre

Merce Cunningham Dance Company – Dance Center of Columbia College

Miami City Ballet Auditorium Theatre of Roosevelt University

The Miracle Work Village Players Performing Arts Center

The Set Up Prop Thtr

A Shroud for Lazarus Halcyon Theatre

Texas Sheen Chemically Imbalanced Comedy

September 29, 2009 | 0 Comments More

Chicago shows currently Jeff-Recommended

jeff-awards-header

Equity Wing:
Learn more about the Equity Wing

All My Sons
TimeLine Theatre Company
» our review here

Cabaret
Drury Lane Oakbrook Theatre
» our review here

High Fidelity
Route 66 Theatre Company

Million Dollar Quartet
Apollo Theater Chicago
» our review here

Mistakes Were Made
A Red Orchid Theatre

Studs Terkel’s Not Working
The Second City e.t.c.

The Fantasticks
Porchlight Music Theatre Chicago

The History Boys
TimeLine Theatre Company

The Light in the Piazza
Marriott Theatre

 

Non-Equity Wing:
Learn more about the Non-Equity Wing

Graceland
Profiles Theatre
» our review here

POSEIDON! An Upside Down Musical
Hell in a Handbag Productions

The Night Season
Premiere Theatre and Perf. i/a/w/ Vitalist Theatre

The Taming of the Shrew
Theo Ubique Theatre Company i/a/w Michael James
» our review here

Under Milk Wood
Caffeine Theatre
» our review here

September 15, 2009 | 0 Comments More