Category: Rosemont Theatre

Review: The Rockette’s Radio City Christmas Spectacular (MSG Entertainment)

"Parade of the Wooden Soldiers", one of the outstanding segments of The Radio City Christmas Spectacular, written by Linda Haberman and featuring the Rockettes.        
       
The Radio City
     Christmas Spectacular
 

Written by Linda Haberman
Directed by Julie Branam
Akoo Theatre, 5400 N. River Road (map)
thru Dec 30  |  tickets: $30-$89   |  more info
       
Check for half-price tickets  
     
        Read entire review
     

December 17, 2012 | 0 Comments More

Chicago Theater Openings and Closings this week

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Show Openings

The (edward) Hopper Project The Storefront Theatre

24 Hour Project Infamous Commonwealth Theatre

Annie Auditorium Theatre of Roosevelt University

The Artist needs a Wife the side project

I Hate Hamlet Big Noise Theatre

Killer Joe Profiles Theatre

Kink Annoyance Theatre

Mamma Mia! Rosemont Theatre

Mary’s Wedding Rivendell Theatre Ensemble

The Original Improv Gladiators Corn Productions

Out of Order Metropolis Performing Arts Centre

The Prisoner of Second Avenue Citadel Theatre

Private Lives Chicago Shakespeare Theater

Sleeping Beauty Winnetka Theatre

Some Paradise Annoyance Theatre

Too Hot to Handel Auditorium Theatre of Roosevelt University

The Wedding TUTA Theatre Chicago

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Show Closings 

Chicago Sketch Comedy Festival Chicago SketchFest

Death of a Salesman Raven Theatre

It Came Upon a Midnight Queen Chemically Imbalanced Theater

A Look Through Our Eyes Gorilla Tango Theatre

Sketch and Sniff Gorilla Tango Theatre

Sublime Beauty of Hands and Klown Kantos Next Theatre and Theatre Zarko

A Very Merry Unauthorized Children’s Scientolgy Pageant A Red Orchid Theatre

January 12, 2010 | 0 Comments More

Review: “South Pacific” – a theatrical masterpiece

The Lincoln Center revival comes to the Rosemont Theatre, and perfection ensues.

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The Lincoln Center presents:

South Pacific

 

by Richard Rodgers (music) and Oscar Hammerstein II (lyrics)
Book by Hammerstein and
Joshua Logan
Directed by Bartlett Sher
Thru November 29th (ticket info)

Reviewed by Oliver Sava

sp3 Many would argue that the Lincoln Center‘s South Pacific is the best revival of the Rodgers and Hammerstein wartime musical ever devised. Having never seen South Pacific on stage before, I cannot gauge how director Bartlett Sher’s interpretation compares to previous productions, but I will say this: it is one of the most beautiful and emotional musicals I have ever seen.

World War II is in full force, and the threat of Japanese invasion has resulted in U.S. Navy outposts throughout the Polynesian islands. Romance is in bloom for Ensign Nellie Forbush (Carmen Cusack) and French planter Emile de Becque (David Pittsinger), but Nellie’s prejudices threaten to tear them apart when she discovers his two mixed-race children. The two actors have incredible chemistry, immediately establishing their softly smoldering passion with "Twin Soliloquies," a transcendent duet that probes into the characters’ hopes and fears and sets the stage for their tumultuous relationship. Seconds later, Pittsinger begins "Some Enchanted Evening," arguably the musical’s most famous song, and the audience is as spellbound as Nellie; the  quality of Pittsinger’s voice is ethereal, as delicate and powerful as the character that it belongs to. His Act II solo "This Nearly Was Mine," a heartbreaking rumination on lost anderson_davis_as_lt_joseph_cable_and_sumie_maeda_as_liat___photo_by_peter_coombsopportunities, packs an emotional punch that left the audience with teary eyes and sniffling noses. There is simply not enough praise that can be showered on Pittsinger, whose portrayal of Emile de Becque belongs in a museum.

Cusack is no slouch in the vocals department either, showing amazing range with a great brassy belt that seems effortless. Her first solo, "A Cockeyed Optimist" has a youthful effervescence that captures Nellie’s naiveté, but Cusack then turns on the heat with the playfully sexy "I’m Gonna Wash That Man Right Outa My Hair," Charleston-ing in her bathing suit while splashing her giggling girlfriends with shampoo. The scene that immediately follows, an awkward confrontation between the half-naked Forbush and her renounced lover, is filled with tension as the audience watches the ingénue struggle with her combating emotions, but the payoff is glorious: "A Wonderful Guy" is a joyous exclamation of love that is heightened exponentially by Cusack’s commitment to her character, and watching her jump around the stage with unbridled glee is a fantastic release from the intensity of the scene that preceded it. After Nellie believes Emile to have died on a secret mission with Lt. Cable in Act II, she sings a reprise of "Some Enchanted Evening" with a lamentable sadness that makes her utterance of the line "Don’t die, Emile," incredibly tragic and heart-rending.

Pittsinger and Cusack are joined by a spot-on supporting cast, highlighted by Anderson Davis as Lt. Joseph Cable and Keala Settle as Bloody Mary. Davis has the voice of an angel, churning out incredibly high notes with ease, but he also brings fervent passion to his character. The intimacy between Cable and Bloody Mary’s daughter Liat (Sumie Maeda) is gentle, but there is a fire beneath the relationship that makes their inevitable split all the more heartbreaking. Davis also has great chemistry with Cusack, creating a strong bond of friendship during "My Girl Back Home" that comes from his understanding of Forbush’s troubles and the ways in which they reflect his own. As the injustices that have defined his beliefs become apparent to Cable, Anderson becomes increasingly fervid, culminating in the tragic "You’ve Got To Be Carefully Taught," a raging criticism of how American society molds its citizens into hateful bigots.

sp2Settle has the unenviable task of taking the stereotypical Bloody Mary and finding the reality that defines the character, and she does a phenomenal job. While Mary is primarily used for comic relief, Settle makes her sensual, astute, and just the right amount of dangerous, creating three dimensions from a cardboard cutout of a character. Mary takes advantage of the sailors’ misconceptions of the native people, proving herself not only a cunning businesswoman, but a deviously effective matchmaker to boot. Her enchanting rendition of "Bali Ha’i" has the mystical air that has made the song a musical theater staple, and she is aided by the phenomenal design team who create a towering image of Bali Ha’i simply with color and shadow. Mary’s hopes for her daughter fuel her actions, and watching Settle cultivate Liat’s relationship with Cable during "Happy Talk" is a welcome contrast to the brash mischief of her earlier scenes.

Design-wise, the show is a work of art, with Michael Yeargan‘s sets stretching out to an imaginary horizon that feels amazingly real. Donald Holder‘s lighting creating an ethereal atmosphere in the opening scenes with shades of blue and pink that pop off the stage, and stark monochromatic hues in the later moments reflect the dark turn of the storyline. Ted Sperling‘s musical direction is out of this world, and the 26 piece pit orchestra have such an amazing understanding of Robert Russell Bennett‘s orchestrations that it’s nigh impossible to not be completely enthralled in the music from the very first swelling of the overture.

matthew_saldivar_as_luther_billis_and_the_seabees_of_south_pacific_by_peter_coombs Sher‘s directing genius is clearly evident in the performances of his outstanding cast, but one specific directorial choice must be discussed in order to truly understand the wonder of his South Pacific. After Emile’s supposed death, Nellie becomes a caretaker to his two children, having overcome her prejudices when she realizes they pale in comparison to the love he has shown her. In the final scene, Emile reappears while Nellie shares dinner with his children, and his son and daughter rush to him as if he had just come home from a day on the fields, unaware of the moment’s gravity. Nellie does not rush to him, she does not wrap her arms around him and kiss him passionately. Rather, she is so overcome with emotion that she can think of nothing else to do but set the table for the returned patriarch, and as they all sit in silence, a family for the first time, Emile places his hand on the empty seat between his lover and he. The simple motion of Nellie putting her hand in his is done with such passion and intensity that it speaks louder than any words, and is the most subtle and absolute display of love that I have ever seen on stage.

If the opportunity to see South Pacific presents itself before its regrettable November 29th closing, drag yourself to the Rosemont Theater, whether that be by car, public transit, hitchhiking, or walking 20 miles in freezing rain. It’s a small price to pay for this theatrical masterpiece.

Rating: ★★★★

November 25, 2009 | 0 Comments More

“South Pacific” opens tonight!

The Chicago engagement of the national tour of Rodgers & Hammerstein’s SOUTH PACIFIC will be led by internationally renowned bass-baritone David Pittsinger as Emile de Becque and Carmen Cusack as Nellie Forbush

The eight-time Tony Award-winning production will play the Rosemont Theatre for a limited one-week engagement Nov. 24 – 29, 2009.  For more information on the production, please visit www.SouthPacificOnTour.com or www.RosemontTheatre.com.

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November 24, 2009 | 0 Comments More

David Pittsinger wows the crowd at Gibson’s Steakhouse

Big talent represents “South Pacific” at Gibson’s

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By: Timothy McGuire

I recently had the opportunity to attend a media luncheon for the upcoming touring performance of Lincoln Center Theater’s production of South Pacific. Broadway’s successful tony award winning musical will be playing at the Rosemont Theatre for a limited one-week engagement November 24 – 29, 2009. (ticket info)

The passion and excitement for this specific production was evident in the enthusiasm expressed by the people involved in bringing this production from New York to Chicago. They sincerely believe that this is an extraordinary show offering the audience the rare opportunity to experience a performance done in the spectacular old Broadway fashion, featuring a huge full orchestra unlike anything seen in current Broadway productions today. The touring show of South Pacific promises to be a near replica of the prize-winning musical that started in New York.

The most impressive endorsement for this production was the opportunity to hear the astonishingly powerful and elegant voice of David Pittsinger, who will be playing Emile. The impact of Pittsinger’s romantically forceful bass-baritone voice just a few feet away brought the small audience at Gibson’s Steakhouse to emotional heights, and one can only imagine the magnificence of hearing the full production of his songs produced on Rosemont Theatre’s spacious stage.

southpacific_iconDavid Pittsinger also was a terrific speaker, appearing genuine in his belief in the significance and relevance of South Pacific to today’s audience. Pittsinger is the living embodiment of his character Emile. His wife is born of minority decent and he has interracial children (who he is bursting with pride to talk about.) His belief in love, unification and racial equality is evident in his actions and his loved ones around him.

The original role of Emile de Becque was written for an opera singer, and David Pittsinger is a talented, internationally acclaimed opera performer working with the Metropolitan Opera in New York City (most recently portrayed Angelotti in “Tosca”at the Metropolitan Opera) and living and working most of the year in France. The advantage that Pittsinger is also a world-class actor increases the quality of his role and greatly supports the well-written book that goes along with the classically entertaining music in South Pacific. With themes of war and racial conflict, along with the joyous uplifting story and cleverly catchy songs, this year is a fantastic time to enjoy Rodgers & Hammerstein’s South Pacific.

November 6, 2009 | 2 Comments More

show openings/closings this week

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show openings

1001 The Theatre School at DePaul University

American Psyche or a Breath of Fresh Care Gorilla Tango Theatre

Bucket of Blood Annoyance Theatre

The Castle of Otranto First Folio Theatre

Dirty Talking Amish Gorilla Tango Theatre

The Elaborate Entrance of Chad Deity Victory Gardens Theater

Endira Aguijon Theater

The Hundred Dresses Chicago Children’s Theatre

Kill the Old, Torture Their Young Steep Theatre

The Last (and therefore Best) Comedy Show on Earth Gorilla Tango Theatre

The Mercy Seat Profiles Theatre

Mouse in a Jar Red Tape Theatre

Richard III Chicago Shakespeare Theater

Salem! The Musical Annoyance Theatre

Sleeping Beauty Big Noise Theatre

Sleepy Hollow Theatre-Hikes

A Streetcar Named Desire Polarity Ensemble Theatre

Taking Steps UIC Theater

Ten Square Pegasus Players and MPAACT

 

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show closings

 

All My Sons TimeLine Theatre (our review)

Baroque and Beatles Chicago a cappella 

Cat on a Hot Tin Roof Circle Theatre

Desperate Gorilla Tango Theatre

A Hampstead Hooligan in King Arthur’s Court Chicago dell’Arte

High Fidelity…The Musical Route 66 Theatre

Lorca in a Green Dress Halcyon Theatre

Merce Cunningham Dance Company – Dance Center of Columbia College

Miami City Ballet Auditorium Theatre of Roosevelt University

The Miracle Work Village Players Performing Arts Center

The Set Up Prop Thtr

A Shroud for Lazarus Halcyon Theatre

Texas Sheen Chemically Imbalanced Comedy

September 29, 2009 | 0 Comments More

Chicago Theaters offer up stocking-full of Christmas Shows

A Wonderful Life  (info)   A Christmas Story  (info)
Theatre at the Center, Munster, IN   Noble Fool Theatre, St. Charles
Nov 17 – Dec 14   Nov 15 – Dec 27
     
Snowflake Tim’s Big Holiday Adventure  (info)   A Very Neo-Futurist Christmas Carol  (info)
Lifeline Theatre, Chicago   The Neo-Futurists, Chicago
Dec 14 – Jan 4   Nov 22 – Dec 23
     
A Christmas Carol  (info)   Dublin Carol  (info)
Goodman Theatre, Chicago   Steppenwolf Theatre, Chicago
Nov 21 – Dec 31    Half-Off Tickets!   Nov 19 – Jan 9
     
Radio City Christmas Spectacular  (info)   Anung’s First American Christmas  (info)
Rosemont Theatre, Rosemont   Vitalist Theatre, Chicago
Nov 19 – Dec 21   Nov 18 – Jan 4
     
Meet Me In St. Louis  (info)    500 Clown Christmas  (info)
Drury Lane Water Tower, Chicago    North Central College, Naperville
Nov 20 – Dec 7   Dec 18 – Dec 23
     
Christmas Schooner  (info)    The Santaland Diaries  (info)
Bailiwick Repertory, Chicago   Theatre Wit, Chicago
Nov 28 – Jan 4   Nov 22 – Dec 28
     
Tommy Guns Garage Holiday Show  (info)    A Christmas Memory; The Thanksgiving Visitor  (info)
2114 S. Wabash, Chicago   Provision Theater, Chicago
Nov 28 – Dec 31   Nov 10 – Dec 21
     
 Snow Queen  (info)    Black Nativity (info)
Victory Gardens, Chicago   Congo Square Theatre, Chicago
Nov 28 – Dec 28    $15 Tickets!   Nov 21 – Dec 28
     
 Winter Pageant Redux  (info)   2nd City’s Holiday Show  (info)
Redmoon Theater, Chicago   Second City Improv, Chicago
Nov 10 – Dec 21   24-hours non-stop, Dec 9 – 10
     
Jacob Marley’s Xmas Carol    Holiday Sing-Along  (info)
Theatre Wit, Chicago (info)   Porchlight Music Theatre, Chicago
Nov 22 – Dec 28   December 15th, 7:30pm
     
A Holiday Evening of Mime    A White Christmas (info)
The Mime Company, Chicago (info)   Village Players Theatre, Oak Park
December 11 – 28   December 13 – 14
     
Sexy Santa’s Spectacular    A Christmas Carol    (more info)
Gorilla Tango Theatre, Chicago   Writers’ Theatre, Glencoe
Nov 28 – Dec 20    (more info)   Dec 13 – Dec 23         Tickets for $14 !

November 28, 2008 | 0 Comments More