Non-Equity Jeff Awards Winners

Looks like there were a few big winners at the Non-Equity Jeff Awards given out last night, including 5 total awards given to Lifeline Theatre for The Island of Dr. Moreau. Another 4 awards were given to Theo Ubique for their intimate production of Cabaret.

Special Non-Equity Jeff Awards were given out to Raven Theatre’s founders – Michael Menendian and JoAnn Montemurro.

Congratulations to all!

 

Non-Equity Jeff Awards Winners

Production – Play
The Island of Dr. MoreauLifeline Theatre

Production – Musical
Jerry Springer – The OperaBailiwick Repertory Theatre
1776Signal Ensemble Theatre

Ensemble
MachosTeatro Luna

Director – Play
Greg KolackcolumbinusRaven Theatre

Director – Musical
Fred AnzevinoCabaretTheo Ubique Theatre Company i/a/w Beverle Bloch & Michael James

New Work
Teatro Luna & Coya PazMachos – Teatro Luna

New Adaptation
Robert KauzlaricThe Island of Dr. Moreau – Lifeline Theatre

Actress in a Principal Role – Musical
Elizabeth LanzaCan-CanCircle Theatre

Actress in a Principal Role – Play
Vanessa GreenwayThe Constant WifeGriffin Theatre Company

Actor in a Principal Role – Musical
Jeremy TragerCabaret – Theo Ubique Theatre Company i/a/w Beverle Bloch & Michael James

Actor in a Principal Role – Play
Sam WoottenGross Indecency: The Three Trials of Oscar WildeBohemian Theatre Ensemble

Actress in a Supporting Role – Musical
Danielle BrothersCabaret – Theo Ubique Theatre Co. i/a/w Beverle Bloch & Michael James

Actress in a Supporting Role – Play
Kathleen RuhlDolly West’s KitchenTimeLine Theatre Company

Actor in a Supporting Role – Musical
Jeremy RillJerry Springer – The Opera – Bailiwick Repertory Theatre

Actor in a Supporting Role – Play
Hans FleischmannIn a Dark Dark HouseProfiles Theatre
Ron WellsA Prayer for My DaughterMary-Arrchie Theatre Company

Scenic Design
Michael Menendian & Leif OlsenThe Night of the Iguana – Raven Theatre

Costume Design
Elizabeth Shaffer An Ideal Husband – Circle Theatre

Lighting Design
Kevin D. GawleyThe Island of Dr. Moreau – Lifeline Theatre

Sound Design
Stephen PtacekFaster – the side project

Choreography
Brenda DidierThe Life – Bohemian Theatre Ensemble

Original Incidental Music
Victoria DeIorioThe Island of Dr. Moreau – Lifeline Theatre
Gregor Mortis & Mikhail Fiksel A Lie of the MindStrawdog Theatre Company
Kevin O’Donnell The NutcrackerThe House Theatre of Chicago

Music Direction
Joshua Stephen Kartes Cabaret – Theo Ubique Theatre Co i/a/w Beverle Bloch & Michael James

Mask Design
Kimberly G. MorrisThe Island of Dr. Moreau – Lifeline Theatre

June 10, 2008 | 0 Comments More

Sunday Night Sondheim – ‘The Miller’s Son’

Sondheim’s lyrics – besides being well-crafted – are often just fun to say.  One of my favorite examples:

 

“It’s a very short road from the pinch and the punch,
To the paunch and the pouch and the pension.
It’s a very short road from the ten-thousandth lunch,
To the belch and the grouch and the sigh.”
“In the meanwhile,
There are mouths to be kissed before mouths to be fed.
And a lot in between in the meanwhile.
And a girl ought to celebrate what passes by.”

This is a wonderful clip from the New York Opera in their 1990 production of A Little Night Music, featuring Susan Terry as Petra:

June 8, 2008 | 0 Comments More

For WGN Radio – My summer picks…

Chicago - My Kind of Theater Town - cropped

For Kids and Families:

  • Lyle, Lyle, the Crocodile, Lifeline Theatre
    • June 13th -July 13th; Friday-Sunday at 1pm
    • Tickets: $10
  • Cirque Shanghai: Gold ; Navy Pier outdoor theater
    • Runs all summer through Sept. 1st
    • Performed at outdoor theater at Navy Pier (just east of Ferris Wheel), so take in the show, then experience the huge fireworks display every Wednesday and Saturday evening.
    • Tickets: $12.50-$30
  • Willy Wonka, Chicago Shakespeare at Navy Pier
    • July 8th – August 17th
    • Tickets: $18-$23
  • Blue Man Group, Briar Street Theatre
    • Super-fun for kids of all ages
    • Tickets: $49-$59 (box office: 773-348-4000)

For Teens (and the young-at-heart):

  • Too Much Light Makes the Baby Go Blind, Neo-Futurists
    • Experience Chicago’s longest running play – 20 years and counting!
    • Days/Times: Friday-Saturday, 11pm, Sunday 7pm
    • Price: $6 plus the roll of a dice (so $7-$12 – is that cool or what?!?)
  • That’s Weird Grandma, Barrel of Monkeys
    • Monday nights, 8pm
    • Adults: $9 // Kids: $4

Broadway In Chicago (the big downtown shows):

  • Wicked, Ford Center for the Performing Arts (Oriental Theatre)
    • After 4 super-successful years,Wicked, has announced that it will officially close in January 2009.  So catch it while you can!
    • Ticket Price: $30-$95 (Box Office: 312-902-1400)
  • Jersey Boys, Bank of America Theatre (formerly Schubert Theatre)
    • Open run
    • Ticket Price: $30-$95 (Box Office: 312-902-1400)
  • Shout!, Drury Lane Watertower
    • Through July 20th  
    • Tickets: $45-$55 (Box Office: 312-902-1400)

For Date Night:

My two-pennies worth:

You haven’t experienced Chicago until you’ve ventured north to The Heartland Cafe in East Rogers Park.  First opened in the 1970’s, this earthy restaurant and bar jettisons you back to the late 1960’s and early 70’s (in a granola and incense kind-of-way).  The musical review, Lonesome Losers of the Night, is performed in an intimate coffee house down the street from Heartland, so first grab a bite to eat at Heartland, walk down the block to the performance, then mosey back down to The Heartland for drinks and nightly live music.

 

Comedy

  • Campaign Super Nova: or How Many Democrats Does It Take To Lose An Election?
    • Second City’s newest review
    • Open run, tickets: $19-$25 (Box Office: 312-337-3992)
  • Dead Man’s Cell Phone, Steppenwolf Theatre
    • runs through July 27
    • Tickets: $20-$68 (Box Office: 312-335-1650)
  • Co-Ed Prison Sluts, Annoyance Theatre
    • Annoyance Theatre brings back their raunchy long-running hit of the 80’s and 90’s.
    • Runs July 4th – August 29th
    • Tickets: $15 (Box Office: 773-561-4665)
  • Comedy Sportz – Comedy Sportz Theatre, Belmont and Clark
    • audience-interactive comedy competition between two teams of improv comedians, who perform a series of scenes and songs, all based on suggestions from the audience
    • Open run, now in their 21st year
    • Ticket prices vary, (Box Office: 773-549-8080)

Drama

  • A Steady Rain, Royal George Theatre
    • extended through Oct 5 (then on to Broadway?)
    • Tickets: $50 (box office: 312-988-9000)
  • Taste of Honey, Shattered Globe Theatre Ensemble
    • runs through July 5th
    • Tickets: $15-$35, (box office: 773-871-3000)
  • Hizzoner, Prop Thtr (performed at Beverly Arts Center)
    • Running for over 2-years, this play eerily depicts the infamous Mayor Richard J. Daley and inner-workings of “The Machine”
    • runs through July 29th
    • tickets: $40

Musicals:

  • Fiorello, Timeline Theatre 
    • runs through July 20th
    • Tickets: $15-$30 (Box Office: 773-281-8463)
  • Ain’t Misbehavin’, Goodman Theatre
    • running June 21st – July 27th
    • Tickets: not yet announced (Box Office: 312-443-3800)
  • Jekyll & Hyde, Bohemian Theatre Ensemble
    • through July 20th
    • Tickets: $20-$27 (Box Office: 773-327-5252)
  • Hunchback of Notre Dame, Bailiwick Repertory
    • composed by Dennis DeYoung of the band “Styx
    • runs through July 6t
    • Tickets: $25-$45 (Box Office: 773-883-1090)
  • Buddy: The Buddy Holly Story, Drury Lane Theatre, Oakbrook Terrace
    • runs through July 27th
    • tickets: $28-$33
June 8, 2008 | 1 Comment More

Neo-Futurists announces 2008/09 Season

The Neo-Futurists begin their 20th-Anniversary Season with a special presentation of their long-running, flagship show, Too Much Light Makes The Baby Go Blind at Theater on the Lake.  The Neos are pleased and proud to be invited back to Theater on the Lake for the ninth time.  

Neo-Futurists 2008-09 Season

 

The Neo-Futurists, performers of Too Much Light Makes The Baby Go Blind and creators of over 60 other original, full-length productions, are a collective of wildly productive writer/director/performers who create immediate, non-illusory, interactive and head-slappingly affordable performances. 

Neofuturists ensemble 

Primetime Season

Prime-Time shows run Thursdays through Saturdays at 8:00 p.m. at The Neo-Futurarium, 5153 N. Ashland (at Foster) in Andersonville.  Tickets are $15, $10 for students/seniors with ID, or pay-what-you-can during previews and on Thursdays.  For tickets or information, visit www.neofuturists.org or call The Neo-Futurist Hotline at 773-275-5255.  Any exceptions to this information are noted below.

 

Fake Lake
by Sharon Greene
directed by Halena Kayes
performances take place in and around Welles Park Swimming Pool, 2333 W. Sunnyside in Lincoln Square (see interactive map below)

In 1998 a young woman was invited to go camping with a group of people she had known for only a few days.  This is not the premise of a horror movie, but the story of a stunningly beautiful yet environmentally devastating man-made lake that serves as the context for a coming-of-age story about youth, sex, and the end of invincibility.

Bio: Sharon Greene joined The Neo-Futurists in 2003, writing and performing in TML, A 60-Minute History of Humankind, Inside My Mouth, and Windmilled.  She also has worked as a Teaching Artist with About Face Youth Theater. 

August 14 – September 20, 2008

 

“Fake Lake” will be performed in and around the Welles Park Pool in the Lincoln Square neighborhood.  (click on map to make it interactive)

 

 

A Very Neo-Futurists Christmas Carol
Conceived by Kristie Koehler Vuocolo

An alternative holiday show and environmental experience taking place throughout The Neo-Futurarium, A Very Neo-Futurist Christmas Carol is a re-telling of Dickens’ famous tale, with various chapters and themes represented as short vignettes.  Created by the performing ensemble and hosted by the Grim Reaper, this show is equal parts deconstruction of the Dickens story, new and political takes on the original, and gripping personal tales relating to its themes.  

Bio: Kristie Koehler Vuocolo has been a member of The Neo-Futurists since 2003, performing in TML, Patriots, and co-directing the hit Roustabouts.  She also is a member of Barrel of Monkeys and the Big Apple Circus Clown Care Unit.

November 20 – December 23, 2008

 

Beer
Written and directed by Sean Benjamin and Steve Mosqueda

10 year old Boon sneaks into a brewery.  Out of curiosity he samples various ales and lagers and soon finds himself in the land of BEER.  The brewery comes alive.  Through puppetry, song and stories, the story of the land of BEER is told.

Bio: Sean Benjamin and Steve Mosqueda have been Neo-Futurists for over ten years, working on multiple prime-time shows including The Santa Abductions, SEX!, Devolution, Missing Parts, Drinking & Writing, and othersThe duo also co-created The Drinking & Writing Brewery, Radio Show and Festival.

January 29 – March 7, 2009

 

TML 20
Conceived and curated by Jonathan Mastro
(Too Much Light… originally created by Greg Allen)
Written and performed by current and alumni Neo-Futurists

To celebrate The Neo-Futurists’ 20th-Anniversary Season, past and present Neos participate in a special run of Too Much Light Makes The Baby Go Blind, bringing the late-night hit to prime-time and even accepting reservations!  The cast and menu of 30 shorts plays change each week of the run, just as with the flagship TML, with offerings including a combination of ‘best-of’ favorites and new material.  

Too Much Light Makes The Baby Go Blind has been performed since 1988, now celebrating its 20th- anniversary, is the longest-running production in Chicago history.  Too Much Light is an ever-changing attempt to perform 30 plays in 60 minutes.  Each week the ensemble adds between two and twelve new plays to the menu.  Every performance creates an unreproducible, living-newspaper collage of the comic and tragic, the political and personal, the visceral and experimental. 

Bio: Jonathan Mastro has been a Neo-Futurist since 2004, performing in TML and It Came From The Neo-Futurarium.  He also is an ensemble member of Barrel of Monkeys and the Musical Director for Columbia College’s Theater Department. 

Tickets are $7 plus the roll of a die, i.e. $8-13 (advance reservations subject to additional convenience fee)

April 16 – May 30, 2009
June 6, 2008 | 1 Comment More

Strawdog Theatre announces 2008/09 Season

Strawdog Theatre Company of Chicago announces their 21st anniversary season of presenting “the whole wide world in a little black box,” with the three mainstage plays. These productions, plus on-going late night offerings, will be held at Strawdog’s space in the heart of Chicago’s Lakeview neighborhood at 3829 N. Broadway Street (for more info, go to www.strawdog.org)

 

Strawdog Theatre 2008-09 Season

“Coping With Disaster”

 

Strawdog Artistic Director Nic Dimond elaborates:

“These Season 21 selections all center on a catastrophic event.  There is the robot rebellion and inevitable obsolescence of humanity in ‘R.U.R.;’ a wartime suicide which heralds the total destruction of an important family in ‘All My Sons;’ and the horrors of the Black Plague in ‘Red Noses.’  Other than providing instant dramatic appeal, this concentration reflects the growing idea that the numbers of natural and man-made disasters we are exposed to every day are becoming numbing, and these explorations are meant to rip the scab off our coping skills.  With our signature blend of brains and brawn, Strawdog continues to emphasize a true ensemble-based acting attack, as well as a design approach that immerses our audiences into the worlds where each of these stories live.”

 

R.U.R – Rossum’s Universal Robots
by Karel Capek
directed by Shade Murray
Originally debuted in 1921, Czech playwright Capek dramatizes the rise of robots over the human race. Strawdog welcomes back company member Shade Murray, director of Strawdog’s “Detective Story” (Jeff Award-winning Best Production, Director and Ensemble in 2003) and “Marathon ’33” (Best Ensemble 2006). Murray was recently assistant director for Steppenwolf’s smash production “August: Osage County.” He also won a 2006 Jeff Award for “The Chosen” at Writer’s Theatre.
September 18 – October 25, 2008

 

All My Sons
by Arthur Miller
directed by Kimberly Senior
The second production of Strawdog’s 2008-2009 season is Arthur Miller’s “All My Sons,” directed by Strawdog company member Kimberly Senior. One of the most celebrated classics of American drama, this play tells the story of the Keller family, reunited after the war only to uncover the secrets that will tear them apart. Senior returns to Strawdog after directing their critically acclaimed “Three Sistersin 2005 (remounted at Theatre on the Lake in 2006), who has also directed “The Busy World is Hushed” for Next , and TimeLine’s “Dolly West’s Kitchen.”
February 19 – March 28, 2009

 

Red Noses
by Peter Barnes
directed by Matthew Hawkins
The season will close with British playwright Peter Barnes’ “Red Noses,” directed by House Theatre’s Matthew Hawkins in his Strawdog directing debut. It’s the 1300s, and a quarter of Europe is dead from the plague, pestilence is everywhere, and humanity is convinced this is Armageddon.  A priest receives a command from God to gather a group of believers, teach them and send them off into the world to be clowns among men. A frequent Strawdog collaborator, Hawkins’ directing credits include House’s “Hatfield and McCoy,” and “On My Parent’s One Hundredth Wedding Anniversary” for The Side Project.
April 16 – May 23, 2009

 

Strawdog Late Night
Stawdog Late Night features a variety of programming (“The Game Show Show and Stuff,” live music, comedy, improv, roasts) in the newly-renovated Hugen Hall Cabaret space within the theatre, following each Friday and Saturday night mainstage performance at 11 p.m. Admission for Late Night is free with paid mainstage ticket (or $5 for just the Late Night), and there is a cash bar available. Visit the Web site at www.strawdog.org for performance schedule.
June 4, 2008 | 0 Comments More

Goodman announces cast for “Ain’t Misbehavin”

Chicago's Goodman Theatre presents 'Ain't Misbehavin' in their main theatre during the month of July 2008.The Goodman Theatre has just announced the casting for there summer production of Ain’s Misbehavin’, directed by Chuck Smith. The cast will include five of Chicago’s foremost musical theatre names – E. Faye Butler (Purlie), John Steven Crowley (Crowns), Alexis Rogers (Black Nativity), Parrish Collier and Lina Kernan.  Additionally, Linda Buchanan has been hired as set designer, who reportedly will transform the 856-seat Albert Ivar Goodman Theatre into a grandiose period concert hall, featuring an eight-piece band led by music director Malcolm Ruhl. 

The band will include Peter Benson (piano), Larry Bowen (trumpet), Y.L. Douglas (drums) Anderson Edwards (bass), T.S. Galoway (trombone), Jarrard Harris (tenor sax/clarinet), Stephen Leinheiser (alto sax/clarinet) and Malcolm Ruhl (guitar and conductor).

The design team and additional artists for Ain’t Misbehavin’ include Birgit Rattenborg Wise (costumes), Robert Christen (lighting), Josh Horvath and Ray Nardelli (sound) and Lisa Willingham-Johnson (choreographer). 

Ain’t Misbehavin’ opened first as a cabaret act, quickly followed by a Broadway run of over 1,600 performances and numerous awards, including the Tony Award for Best Musical. 

From the Goodman Theatre:

“Born in Harlem in 1904, Thomas ‘Fats’ Waller remains one of the most influential stride piano players, having written more than 450 songs and recorded over 500 sides during his career. He wrote his first composition at age 14, and became a professional pianist the very next year – playing with legendary artists such as Fletcher Henderson and Jack Teagarden, Alberta Hunter and Bessie Smith. He became famous performing a combination of his own music and music written by others. After Waller’s death in 1943, his influence waned and his legacy faded into the historical background for over three decades. In 1978, theatre artists Murray Horwitz and Richard Maltby, Jr., generated renewed attention and interest in Waller with their creation Ain’t Misbehavin’, through which they paid tribute to Waller’s contributions to American music and highlighted the best aspects of the Harlem nightclub revues of the 1920s and ’30s.”

Ain’s Misbehavin’ will run this summer at Goodman’s Albert Ivar Theatre from June 21st through July 27th.   For more information, go to Goodman’s website.

(Hat tip to Playbill.com)

June 2, 2008 | 0 Comments More

Review: Infusion Theatre’s “Intrigue With Faye”

Kean (Steve O’Connell) comforts his girlfriend Lissa (Leah Nuetzel) to assuage her fears that she cannot count on anyoneProduction: Intrigue With Faye
Producers: Infusion Theatre

Set-up: Intrigue With Faye explores the intimate world of an urban couple whe reach an impasse in their relationship when an infidelity is revealed.  Determined to repair their broken trust, documentary filmmaker Kean proposes to therapist Lissa that they videotape their every move.  Through this videotaping and self-analyzing and reflection, the couple attempts to heal the mistrust and co-dependency that pervades their relationship. 

StrengthsIntruge With Faye’s video effects are pretty cool.  The two leads, Steve O’Connell as Kean and Kate Tummelson as Lissa are gifted actors, and it’s notable that – depsite the fact that Tummelson is the understudy – you never would have known it.  Mitch Golob’s directing skills are adeptly displayed by his ability to keep the production’s focus directly on the two leads, despite the surrounding multimedia bells-and-whistles.   

Weaknesses: Though O’Connell and Tummelson do an exemplary job with their roles, this unfortunately does not allay the fact that their characters are quite uninteresting, especially once they plunge into the seemingly endless videotaping and sef-analyzing imbroglio.  Indeed, it’s interesting to note that the most piquant roles in Intrigue With Faye. 

Summary: This Infusion Theatre Company, now in it’s second year, has set out for itself a very valient and exciting mission: bringing in a new audience of theatre goers through the use of multi-media in telling its stories on stage. Though InFusion’s multi-media themed productions are a breath of fresh air towards Chicago theatre’s pursuit of a wider audience, Intrigue With Faye does not prove to be the best material towards this endeavor.  Slightly recommended.

Rating: ««½

 

Production:

Intrigue With Faye

Playwright:

Kate Robin

Director:

Mitch Golob

Featuring:

Steve O’Connell (Kean), Leah Nuetzel (Lissa), Kate Tummelson (Lissa – understudy), James Farrugio (Frank), Dan Flannery and Marueen Tolman Flannery (married couple), Callie Munson (Tina), Kevin Stark (male patient) and Leah Wagner (Faye)

Design Team:

Lucas Merino (Video Design), Chelsea Meyers (Scenic Design), Michael Smallwood (Lighting Design), Scotty Iseri (Sound Design), Christine Pascual (Costume Design), James Gibson (Props Design)

Technical Team:

Bridgette O’Connor (Assistant Director, Production Manager), Tara Malpass (Stage Manager), Jamie Bragg (Dramaturg), Blair Robertson (Casting Director)

Coming next:

Midwest premiere of Rhymes With Evil (Oct 16 –Nov 23)

More info:

www.InfusionTheatre.com

 

 Kean (Steve O’Connell) breaks the romantic moment with Lissa (Leah Nuetzel)

Kean (Steve O’Connell) breaks the romantic moment with Lissa (Leah Nuetzel) by checking the mail, in InFusion Theatre Company’s Midwest premiere of “Intrigue With Faye” by Kate Robin of “Six Feet Under”.

 Kean (Steve O’Connell) attempts to comfort Lissa (Leah Nuetzel) after missing their date, in InFusion Theatre Company’s Midwest premiere of “Intrigue With Faye” by “Six Feet Under’s” Kate Robin, running April 17 – June 1, 2008, at the Royal George Theatre Gallery Space, 1641 N. Halsted St. in Chicago.  Tickets at 312-988-9000, and info at www.infusiontheatre.com  Photo by Johnny Knight.

Kean (Steve O’Connell) attempts to comfort Lissa (Leah Nuetzel) after missing their date

Lissa (Leah Nuetzel) turns the camera on her boyfriend Kean (Steve O’Connell) to stop him from cheating on her

Lissa (Leah Nuetzel) turns the camera on her boyfriend Kean (Steve O’Connell) to stop him from cheating on her

 Kean (Steve O’Connell) explains to his girlfriend Lissa (Leah Nuetzel) that she should give their relationship another chance (by putting their lives on tape)

Kean (Steve O’Connell) explains to his girlfriend Lissa (Leah Nuetzel) that she should give their relationship another chance (by putting their lives on tape)

Kean (Steve O’Connell) pleads with his girlfriend Lissa (Leah Nuetzel) to give their relationship another chance (by putting their lives on tape)

Kean (Steve O’Connell) pleads with his girlfriend Lissa (Leah Nuetzel) to give their relationship another chance (by putting their lives on tape)

Kean (Steve O’Connell) comforts his girlfriend Lissa (Leah Nuetzel) to assuage her fears that she cannot count on anyone

Kean (Steve O’Connell) comforts his girlfriend Lissa (Leah Nuetzel) to assuage her fears that she cannot count on anyone

May 30, 2008 | 0 Comments More

Steppenwolf announces 2008/09 Season

Steppenwolf Theatre has just announced its upcoming season; the common theme being the exploration of imagination:

Kafka on the Shore
September 18 – November 16, 2008
Adapted for the stage and directed by ensemble member Frank Galati
Based on the work by Haruki Murakami

A young boy’s coming of age parallels an old man’s search for destiny in a modern day Japan where the borders between everyday reality, dreams and imagination are constantly crossed. In this world premiere adaptation of the popular novel, encounter talking cats on the streets of Tokyo, World War II soldiers trapped in time, Colonel Sanders and Johnnie Walker. Experience the unexpected in this fantastical tale about waking up to your own life.


The Seafarer
December 4, 2008 – February 8, 2009
By Conor McPherson
Featuring ensemble member John Mahoney

It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game-joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul. In this eerie, darkly humorous tale, celebrated playwright Conor McPherson (who also wrote “Shining City”) examines how we face the demons of our past as we struggle to find redemption.


Art
February 5 – June 7, 2009
By Yasmina Reza
Translated by Christopher Hampton

Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations. This witty, intelligent and often funny play explores the power of art to engage the imagination and the enduring bonds of friendship.

FYI: French playwright Yasmina Reza won the 1997 Olivier Award and the 1998 Tony Award for Art, which has been produced worldwide and translated into over 30 languages. British playwright Christopher Hampton won an Academy Award for the screen adaptation of his play Dangerous Liaisons and was nominated for his adaptation of Atonement.


The Tempest
March 26 – May 24, 2009
By William Shakespeare
Directed by ensemble member Tina Landau
Featuring ensemble member Frank Galati

In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island. In our first Shakespeare production, Steppenwolf ensemble member Tina Landau re-imagines this magical tale of art, freedom and the transformative power of forgiveness.

Up
June 18 – August 23, 2009
By Bridget Carpenter
Directed by ensemble member Anna D. Shapiro

On the best day of his life, Walter built a flying machine that reached the clouds. Ever since, he’s tried to invent new ways to fly while his wife keeps the family afloat. Up is a quirky, bittersweet tale about escaping the boundaries of the everyday and how we dream ourselves into a future.

May 30, 2008 | 0 Comments More