Rave reviews for Theo Ubique’s “Cabaret”!!

Cabaret Poster

Looks like Theo Ubique Theatre has a big hit on their hands up in Roger Parks’ No Exit Cafe.  Across the board, the reviews have been stellar, including:

Beverly Friend from the Pioneer Press:

The magic begins as the audience enters the No Exit Cafe, now reincarnated as Berlin’s 1930’s decadent Kit Kat Klub complete with cast members waiting tables and — for those who include dinner in the evening’s festivities — bringing out brimming plates of knockwurst, sauerkraut and spaetzel or vegetable pot pie. The hot, tasty food provides as much nourishment for the body as the story line nourishes the heart and soul…

If you haven’t seen any version of “Cabaret,” what are you waiting for? Get going. It doesn’t get any better than this!   
Read the entire review here.

     Cabaret Cast  Cabaret3

And Tom Williams over at ChicagoCritic.com opines:

Director Fred Anzevino sure knows how to stage a musical on his tiny No Exit Cafe stage. His skillful blocking and smart use of the tight knocks and crannies gave his production of Cabaret an emotional edge that catapulted us back to the 1930 Kit Kat Club of Weimar Berlin. Featuring the rich John Kander score on Fred Ebb’s biting lyrics, Cabaret is a multi-layered musical of decadence and desperation. Based on Christopher Isherwood’s novel, Berlin Stories, Cabaret from its 1966 Broadway opening (winner of 8 Tony’s) and the 1972 film (winner of 8 Oscars) has been mounted often to varying levels of success. Theo Ubique’s production is superb in every aspect. It sings well, dances expertly and is acted richly. In short, this production deserves packed houses-it is that good!

Read the entire review here.

October 31, 2007 | 0 Comments More

Henry Godinez named as Northwestern University artistic director

Henry Godinez, celebrated playwright and resident artistic director at the Goodman Theatre, has just been named as the artistic director of NU’s Theatre and Interpretation Center on the Evanston Campus.  Although this is a new position for Godinez, he is more-than-familiar with Northwestern, as he has held a position of assiciate professor there for 2 years. 

Congrats are in order for Godinez’s new position. And with his Henry Godinez’s new play The Cook opening this week at the Goodman, can anyone say busy man????

Godinez also curates the Goodman’s biennial Latino Theatre Festival and has produced plays for the Chicago Children’s Theatre as well as Teatro Vista Theatre.

October 29, 2007 | 0 Comments More

“Jersey Boys” sets theater sales record

Good news indeed for the folks over at Broadway In Chicago (not to mention the show’s investors) – “Jersey Boys“, running open-ended at the LaSalle Bank Theatre, has set a house record in gross ticket sales for the week ending on October 21 – a total of over $1.1 million dollars!  This still runs behind the records over at Wicked, but the Oriental Theatre also has a much larger seating capacity. 

A new block of tickets for Broadway-in-Chicago’sJersey Boys” will be going on sale the second week of November, covering performances through July 2008.

October 25, 2007 | 1 Comment More

Ana Gasteyer talks to Chicago Tribune about “Passion”

Here’s a great interview with Ana Gasteyer, the lead in the Chicago Shakes‘ musical production Passion, by Stephen Sondheim.  The interview also includes Tony-award winning director Gary Griffin.

October 24, 2007 | 0 Comments More

“Merchant On Venice” extended through November 18

Merchant on Venice 2 Merchant on Venice 1

One of my favorite theatre companies, Silk Road Theatre Project, has extended their current show, a world-premier of the play Merchant on Venice, written by Shishir Kurup and directed by Stuart Carden. On their website, Silk Road Theatre Project describes the play this way:

Venice, Italy intersects with L.A.’s Venice Boulevard in a wickedly funny, wildly inventive and politically provocative re-imagining of Shakespeare’s Merchant of Venice. Written in iambic pentameter and vividly colored by Indian, American and Latino pop references, playwright Kurup transforms Shakespeare’s original by injecting the story with Bollywood musical numbers, L.A. Punk, Hindu-Muslim tensions, and a distinctly American landscape.

You can find out more about this production at SRTP’s blog.

This play has been highly-recommended by a number of reviewers, including Venus Harris at Gay Chicago Magazine, who said:

Once again, Silk Road fearlessly tackles misconceptions and misrepresentations as only the arts can.  Merchant on Venice is not only exceptionally ingenious in its reinterpretation of this classic tale of brutal bigotry and revenge, but serves the purpose of illuminating the overlooked and thereby emancipating the general perceptions of our all too homogenized body-politic.  Those are some lofty accomplishments in and of themselves, but add to that a theatrical experience that is blissfully entertaining, and you have a unique marvel not to be missed.

Luckily theatre-goers have been given more time to fit the show into their schedule!

October 23, 2007 | 0 Comments More

“Suddenly, Last Summer” – intimate yet powerful

Suddenly Last SummerProduction: Suddenly, Last Summer
Producers: Shattered Globe Theatre
Synopsis: In the wildly overgrown garden of a New Orleans mansion, a wealthy family’s matriarch, Violet, seeks to uncover the truth regarding her son Sebastian’s recent death while traveling overseas.  Violet’s niece, Catherine, was the final person to see Sebastian alive.  But from the moment Catherine returned to Louisiana, she began spewing out a version of events so horrific that they couldn’t possibly be true, forcing Violet to institutionalize her niece, in the hopes of shutting her up.   Willing to go to any length to discredit Catherine’s morose account, Violet brings Catherine to her mansion’s garden, where a doctor puts her under the influence of so-called truth serum, and everyone is forced to come to terms with the long-buried secrets that are finally brought to light.
Pros: Director Kevin Hagan does an exemplary job with this fine set of actors.  Catherine’s vitriolic monologue regarding the final ghastly moments with Sebastian is worth the price of the ticket alone.  Veteran Chicago-actor Linda Reiter is dead-on with her portrayal of the arrogant and vengeful matriarch Violet. 
Cons: None.
Bottom Line: Suddenly Last Summer is a wonderful chance to see a true American theatre classic, a script rich with Tennessee Williams’ finest language.  A definite must-see.
Rating: ««««

October 16, 2007 | 2 Comments More

High School productions of “Sweeney Todd”?

I came across these 2 clips of high school advertisements for their productions of “Sweeney Todd“.  I would have never thought such a difficult show could be pulled off by teenagers; not to mention the subject matter.  Bet the right-wing theatre-goers loved this one!  Anyway, whether or not the actual productions were worth seeing or not, the trailers are fun.

October 15, 2007 | 7 Comments More

Too much time on their hands – more “Sweeney”

In the category of “Too Much Time On Their Hands” (as opposed to those of us busy writing earth-shattering blogs) – there’s an entire series of bad claymation shorts of Sweeney Todd scenes.  God that’s good???

October 15, 2007 | 0 Comments More