Tag: Adam L. Veness

Review: Oliver! (Light Opera Works)

Michael Seminic as Oliver Twist, in Light Opera Works' "Oliver!", directed by Rudy Hogenmiller. (photo credit: Chris Ocken)        
       
Oliver! 

Music, lyrics and book by Lionel Bart
Directed by Rudy Hogenmiller
Music direction by Roger L. Bingaman
Cahn Auditorium, 600 Emerson, Evanston (map)
thru Dec 31  |  tickets: $48-$94   |  more info
       
Check for half-price tickets 
    
        
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December 24, 2012 | 0 Comments More

Review: Man of La Mancha (Light Opera Works)

James Harms as Don Quixote, in Light Opera Works' "Man of La Mancha", directed by Rudy Hogenmiller. (photo credit: Jomes Harms)        
       
Man of La Mancha 

Written by Dale Wasserman (book),
     Mitch Leigh (music) and Joe Darion (lyrics)
Directed/Choreographed by Rudy Hogenmiller 
at Cahn Auditorium, Evanston (map)
thru Aug 26  |  tickets: $32-$92   |  more info
       
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August 12, 2012 | 0 Comments More

Review: Camelot (Light Opera Works)

Nick Sandys as Arthur in "Camelot" at Light Opera Works.       
      
Camelot 

By Alan Jay Lerner (book and lyrics)
       and Frederick Loewe (music) 
Directed by Rudy Hogenmiller  
at Cahn Auditorium, Evanston (map)
thru June 10  |  tickets: $32-$92   |  more info
       
Check for half-price tickets 
    
        
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June 5, 2012 | 0 Comments More

Review: Rodgers & Hart, A Celebration (Light Opera Works)

     
Tiffany Desmond, Amy Brophy and Brianna Borger - Rodgers and Hart, Light Opera Works Evanston
Rodgers & Hart:
        A Celebration
 

Conceived by Richard Lewine, John Fearnley
Based on music by Rodgers and Hart
Directed by Rudy Hogenmiller 
at Second Stage, 1420 Maple, Evanston (map)
thru Nov 6  |  tickets: $27-$42  |  more info

Check for half-price tickets 
    
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October 9, 2011 | 0 Comments More

REVIEW: The Boys Next Door (Metropolis Arts)

  
  

Metropolis succeeds in shining a light on special needs

  
  

'The Boys Next Door' by Tom Griffin - Metropolis Performing Arts Centre, Arlington Heights

  
Metropolis Performing Arts Centre presents
  
The Boys Next Door
  
Written by Tom Griffin
Directed by David Belew
Metropolis Performing Arts Centre, Arlington Heights (map)
through Feb 13  |  tickets: $35-$43  |  more info

Reviewed by Allegra Gallian

Arnold has decided that he’s going to move to Russia. Barry thinks he’s a golf star. Norman can’t stop eating donuts and Lucien is concerned that they don’t have any trees. These men are all roommates and they all have special needs. They’re looked after by Jack, the caretaker who works with them. Metropolis Performing Arts Centre’s production of The Boys Next Door, tenderly written by Tom Griffin, tells the story of how these five men’s lives are interwoven and the effect each man has on the other.

'The Boys Next Door' by Tom Griffin - Metropolis Performing Arts Centre, Arlington HeightsThe set, designed by Adam L. Veness, initially consists of a typical-looking, unassuming front porch complete with shutters on the windows and a rocking chair out front. Painted a deep green, it looks inviting and charming. Once the show begins, the house opens down the middle like an oversized doll house to reveal the inside rooms, in particular the apartment the four men live in. Although moving the set piece is noisy, it’s an interesting visual to get a glimpse into the inner and outer workings of this building.

The Boys Next Door opens on the men having a typical day. Arnold (Andrew J. Pond) has been to the market and explains his trip as well as his condition as he understands it. He’s a “nervous person,” he says, and Pond is immediately charming and engaging. His characterization of Arnold is strong and humanized. Also introduced are Norman (David Elliot) and Lucien (Bear Bellinger). They are the two of the four men who live in the apartment. Both Elliot and Bellinger play their characters in a charming and lovely manner. It’s clearly evident that these actors did their research in order to learn every aspect of their characters and it comes across and genuine and believable. It’s not actors playing parts, but rather actors transforming into these new people and fully embodying these men. The fourth roommate is Barry (Adam Kander), who, like the rest, has been fully embraced and brought life. Kander carefully shows the cracks in Barry’s seemingly put together demeanor to reveal the true feelings underneath – you can’t help but feel for him.

As the men are going about their lives, Jack (Michael B. Woods), their caretaker, comes in to check on them. He is sweet and patient with these men; it’s evident he sincerely cares about them. Like the others, Woods put a lot of thought and consideration into his character. What makes him feel most genuine is the fact that he is not sugarcoated nor does Woods play him as such. Jack shows the audience all sides of his life, including the fact that he loses his temper on occasion with the men and that he is burning out in his current situation. Woods does a wonderful job of displaying the range of emotions, allowing it to feel like the audience gets a glimpse into the real life of this man.

     
'The Boys Next Door' by Tom Griffin - Metropolis Performing Arts Centre, Arlington Heights 'The Boys Next Door' by Tom Griffin - Metropolis Performing Arts Centre, Arlington Heights

Every week the men attend a dance, and it’s here where Norman meets his girlfriend Sheila (Denise Tamburrino). She’s sweet and lovely, although not as believable as the men in her characterization. Michelle Ziccarelli rounds out the main portion of the cast, playing the multiple characters of Mrs. Fremus, Mrs. Warren and Clara, distinctly defining each one.

David Belew’s adept direction keeps energy and emotion of the show moving at a quick pace.  In fact, when Act I ended I looked at my watch and was shocked at how time had flown by. Same goes for Act II. Although the ending seems a little abrupt and like the action should continue, the pace is quick and the energy stays high the whole time.

The Boys Next Door waivers on that fine line between comedy and tragedy, pulling from both to create a touching, funny, sad and wonderful portrayal of how five men live their lives and what it means to have each other in their lives. They create a genuine emotional connection with the audience that both tickles the funny bones and pulls on the heart strings. Mostly importantly, the play never mocks or pokes fun at those with special needs, but simply offers a glimpse into their lives.

  
   
Rating: ★★★½
   
  

The Boys Next Door plays at Metropolis Performing Arts Centre, 111 W. Campbell St. Arlington Heights, Ill., through February 20. Tickets are $35 to $43 and can be purchased here. Read an excerpt from The Boys Next Door.

'The Boys Next Door' by Tom Griffin - Metropolis Performing Arts Centre, Arlington Heights

     
     
January 21, 2011 | 0 Comments More

REVIEW: I Do! I Do! (Light Opera Works)

 

Dated musical extols institution on life-support

 

Catherine Lord and Larry Adams - Light Opera Works - I Do I Do 003

   
Light Opera Works presents
   
I Do!  I Do!
   
Music by Harvey Schmidt
Book and Lyrics by Tom Jones
Directed by Rudy Hogenmiller
Music direction by Roger L. Bingaman and Linda Slein
McGaw Children’s Center Auditorium, Evanston (map)
Through November 14  | 
tickets: $27-$42*  |  more info

Reviewed by Leah A. Zeldes

It’s not only its historic setting that makes I Do! I Do! seem dated.

Marriage — the till-death-do-us-part style — is more and more passé. Recent data from the U.S. Census Bureau reveals that the number of young adults who’ve never married rose from 35 percent in 2000 to 46 percent in 2009. Among all Americans ages 18 and older, the proportion of those married dropped from 57 percent in 2000 to 52 percent in 2009 — the lowest percentage ever recorded.

Catherine Lord and Larry Adams - Light Opera Works - I Do I Do 006 Of those couples who do marry, at least half eventually divorce. Adultery is rife — the news is full of stories about philandering celebrities and politicians — and some studies estimate that as many as 45 to 55 percent of married people cheat on their spouses.

In times like these, how relevant can a sentimental musical about a 50-year-long marriage be?

Based on Jan de Hartog’s 1951 Broadway hit The Fourposter, Harvey Schmidt and Tom Jones’ tender, two-piano, two-character musical, currently in revival by Evanston’s Light Opera Works, follows Michael and Agnes from their wedding at the turn of the 20th century through their five decades of married life. The action mainly revolves around their four-posted marriage bed, although its presence is more symbolic than titillating. We watch them through wedding-night nerves, the birth and rearing of children, squabbles and reconciliations, his brief extramarital affair, her mid-life crisis and their ultimate retirement, a story told mainly in a series of schmaltzy duets punctuated by occasional solos, recitatives and a judicious amount of dialogue.

In 1966, when I Do! I Do! premiered on Broadway, the divorce rate was just 27.4 percent, and roughly 80 percent of U.S. adults were married. You have to wonder what today’s large number of never marrieds, divorced and gays and lesbians are going to get out of this paean to old-fashioned, traditional marriage.

Michael and Agnes no longer represent the universal, generic twosome they once did, even among the married. Few today still follow the male wage earner-female homemaker model at the root of some of this couple’s tiffs. Married life has become much more complex.

 

Catherine Lord and Larry Adams - Light Opera Works - I Do I Do 005

Yet although dated in its subject matter, I Do! I Do! remains fresh in its intimate format — a two-person musical was ahead of its time in the 1960s. Schmidt’s sweet and bouncy but repetitive melodies and Jones’ simplistic sentiments — "Marriage is a very good thing, though it’s far from easy" — sometimes verge on cloying, but several of the songs have appeal, notably "I Love My Wife," Michael’s acknowledgement of how unfashionable it is, the upbeat "Love Isn’t Everything" and the comic "Nobody’s Perfect" in Act I and the poignant lament about aging, "Where are the Snows?" and the love song, "My Cup Runneth Over" in Act II. In Light Opera Works’ production, music directors Roger L. Bingaman and Linda Slein double on the dual pianos, occasionally a little muddy but capably over all.

Veteran actors Catherine Lord and Larry Adams make this production worthwhile. Lord’s beautifully timed, wonderfully funny and highly expressive performance as the often-dissatisfied Agnes gives the show some real spice. She acts with every part of her body. Adams’ rich baritone elevates the score.

If you’re looking forward to your wedding, an optimistic young married or about to celebrate your umpty-umpth wedding anniversary, this bittersweet and nostalgic musical may be just the excuse that you’re looking for to have an evening out holding hands with your honey. For many, though, I Do! I Do! describes a life so alien it might as well be science fiction.

   
   
Rating: ★★★
   
   

Catherine Lord and Larry Adams - Light Opera Works - I Do I Do 004

*age 21and younger are half price.

   
   
October 12, 2010 | 2 Comments More

REVIEW: 25th Annual Spelling Bee (Metropolis Arts)

 

Who knew spelling could be so much fun?

 

Productions - Spelling Bee - 02

   
Metropolis Performing Arts Centre presents
   
The 25th-Annual Putnam County Spelling Bee
   
Music/Lyrics by William Finn 
Book by
Rachel Sheinkin
Directed by
Robin M. Hughes
Metropolis Arts Centre, 111 W. Campbell, Arlington Heights
through November 6  | 
tickets: $35-$43   |  more info

Reviewed by Allegra Gallian 

For children who enjoy spelling, a spelling bee is to them as football or baseball is to children who enjoy sports. In Metropolis Performing Arts Center’s production of The 25th Annual Putnam Spelling Bee, based on the original play C-R-E-P-U-S-C-U-L-E by The Farm, children of various backgrounds and school districts to come together for one goal: to win the bee and move on to nationals in Washington D.C.

Productions - Spelling Bee - 29 The set, designed by Adam L. Veness, boosts clean, simple lines and looks high quality and authentic. The stage is transformed into a school gym complete with basketball court, bleachers and a climbing rope. School colors are yellow and purple, reflected in the lighting by Yousif Mohamed, which adds depth to the set.

The 25th Annual Putnam Spelling Bee opens strong, with the entire cast exuding energy right from the start. Each character brings their own strength to the stage with a catchy and upbeat opening number. This play also calls for audience interaction, which not only bring the audience into the story, but also allows for audience members to experience what it’s like to be on the opposite end of theatre. All the audience members who participated did a good job and added some extra laughs to this already funny show.

As the Bee begins, it becomes clear that each actor worked hard to develop a unique characterization. Logainne Schwartzandgrubernierre (Justine Klein) is sweetly adorable with her lisp. As the show goes on, it becomes clear that under that demeanor is a lot of pressure and expectation to live up to. Klein does an excellent job of rounding out her character and providing multiple layers to keep her character from falling flat. Olive Ostrovsky (Kristine Burdi) has a wonderful childlike innocence and she’s so eager to participate. Burdi has a rockin’ voice that’s on full display in “The I Love You Song,” which also allows her to show the pain Olive is in beneath her cheerful front.

As the Bee goes on, the students prove to be terrific spellers, spelling a random selection of words, as they offer glimpses into their personal lives. Returning Bee champ Chip Tolentino (Ryan Hunt) gets knocked off his horse when a crush on a girl deters his mind and he misspells a word, disqualifying him from nationals. Hunt offers up strong, stellar vocals and is hilarious as he sings about the troubles of teenage boys and puberty in “Chip’s Lament.” Leaf Coneybear (Patrick Tierney) tells about his large family and where he fits in their grand scheme of things in “I’m Not That Smart.” Tierney clearly explored his character’s background and motivations, which come through in his performance. He’s fascinatingly endearing as we witness his winning spelling technique: he falls into a trance, and the letters just come. James Nedrud is spot on with know-it-all William Barfee. Nedrud plays his character acting older than he is and trying to be very serious, which is just hilarious.

 

Productions - Spelling Bee - 26 Productions - Spelling Bee - 04

Throughout The 25th Annual Putnam Spelling Bee, the entire cast keeps up their energy level, keeping the show running smoothly along and the audience engaged. The musical numbers are high energy and feature excellent choreography by Kristen Gurbach Jacobson. What is most impressive is that the singing never suffers during the dancing. The actors are able to continue singing strongly and passionately as they dance around the stage. At a few points the singing fell out of tune, but it never took away from the enthusiasm and enjoyment of the show.

The 25th Annual Putnam Spelling Bee is a children’s show for adults that leaves the audience laughing as they cheer on the Bee contestants.

   
   
Rating: ★★★½
  
  

Productions - Spelling Bee - 21

The 25th Annual Putnam Spelling Bee plays at Metropolis Performing Arts Center, 111 W. Campbell St., Arlington Heights, IL, through November 6. Tickets cost $35 to $43 can be purchased through the theatre’s Web site.

     
     
September 29, 2010 | 0 Comments More