Tag: Alexander Lane

Review: Othello (The Gift Theatre)

Jay Worthington and Kareem Bandealy star as Cassio and Othello in The Gift Theatre's "Othello" by William Shakespeare, directed by Jonathan Berry. (photo credit: Claire Demos)        
      
Othello

Written by William Shakespeare  
Directed by Jonathan Berry 
The Gift Theatre, 4802 N. Milwaukee (map)
thru Aug 24  |  tickets: $20-$35   |  more info
       
Check for half-price tickets 
    
        
                   Read review
     

July 19, 2014 | 0 Comments More

Top 10 Chicago Plays of 2013

Karl Hamilton and Mark David Kaplan in Chicago Children's Theater's "A Year with Frog and Toad" by Robert and William Reale, directed by Henry Godinez. (photo credit: Charles Osgood) Greta Oglesby and Toni Martin in TimeLine Theatre's "A Raisin in the Sun" by Lorraine Hansberry, directed by Ron OJ Parson. (photo credit: Lara Goetsch) Hans Fleischmann stars as Tom in Mary-Arrchie Theatre's "The Glass Menagerie" by Tennessee Williams, directed by Hans Fleischmann. (photo credit: Emily Schwartz) Jackson Doran, GQ, JQ and Postell Pringle in Chicago Shakespeare's "Othello: The Remix," created and directed by the Q Brothers. (photo credit: Michael Brosilow) Kenesha Reed, Genesis Salamanca, Angelina Llongueras, Lindsey Scalise, Hisako Sugeta and Danielle Nicholas star in Her Story Theater's "Shadow Town," written and directed by Mary Bonnett. (photo credit: Katie Herst)
Redtwist Theatre's "Clybourne Park" starred Kelly Owens Rodman, Michael Sherwin and Frank Pete star in Redtwist Theatre's "Clybourne Park" by Bruce Norris, directed by Steve Scott. (phtoo credit: Kimberly Loughlin) Manny Buckley, Tyshaun Lang, Keith Neagle, McKenzie Chinn, Lucy Sandy, Marjie Southerland and Morgan McNaugh in Pavement Group's "Harry and the Thief" by Sigrid Gilmer, directed by Krissy Vanderwarker. (photo credit: Brittany Barnes) Shavac Prakash and Scott Baity, Jr star in Collaboraction's "Crime Scene: A Chicago Anthology," conceived and directed by Anthony Moseley. (photo credit: Cesario Moza) Daniel Strauss and Lauren Lopez star as El-Fayoumy and Mother Theresa in Judas Redux and Starkid's "Last Days of Judas Iscariot" by Stephen Adly Guirgis, directed by Julia Albain. Callie Johnson, Rod Thomas, Susan McMongale and Josh Tolle in Drury Lane Theatre's "Next to Normal," directed by William Osetek. (photo credit: Brett Beiner)

 

Another year, another 12 months of great theater! 2013 blessed the Windy City with inspired new works and riveting revivals from a wide range of companies – the largest equity houses to the smallest of Chicago’s storefronts. Taking into account the 600+ productions that we reviewed in 2013, here are our picks for the best of the best. Bravo!!   (note: for the 3rd year in a row, we’re honored to have the national website Huffington Post use our choices for their Top 10 Chicago productions!)

See our picks below the fold

     
December 29, 2013 | 0 Comments More

Review: Harry and the Thief (Pavement Group Chicago)

Alexander Lane and Manny Buckley star in Pavement Group's "Harry and the Thief" by Sigrid Gilmer, directed by Krissy Vanderwarker. (photo credit: Brittany Barnes)        
       
Harry and the Thief 

Written by Sigrid Gilmer
Directed by Krissy Vanderwarker
The Den Theatre, 1331 N. Milwaukee (map)
thru Nov 10  |  tickets: $15-$25   |  more info
       
Check for half-price tickets 
    
        
                   Read review
     

October 23, 2013 | 0 Comments More

Review: Richard II (Two Pence Theatre Company)

Michael Mercier stars in Two Pence Theatre's "Richard II" by William Shakespeare, directed by Kathryn Walsh.        
       
Richard II 

Written by William Shakespeare
Directed by Kathryn Walsh
Athenaeum Theatre, 2936 N. Southport (map)
thru March 16  |  tickets: $15-$20   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

February 12, 2013 | 0 Comments More

Review: Girl You Know It’s True (Pavement Group)

Armand Fields and Sentell Harper as Milli Vanilli, Pavement Group, Girl You Know It's True       
      
Girl You Know It’s True 

Written by Bixby Elliot  
Directed by David Perez
at Chopin Theatre, 1543 W. Division (map)
thru May 13  |  tickets: $25   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

April 20, 2012 | 0 Comments More

Review: Frat (Hatmaker Theatrical & The New Colony)

     
FRAT 4 Kevin Stangler
Frat
 

Written by Evan Linder
Directed by Andrew Hobgood
at Apartment Lounge, 2251 N. Lincoln (map)
thru Oct 22  |  tickets: $28.50  |  more info

Check for half-price tickets
     
   
     Read entire review

     
September 29, 2011 | 0 Comments More

Review: Hamlet (Oracle Productions)

     
Hamlet logo - Oracle Productions
Hamlet

Written by William Shakespeare 
Directed by Benno Nelson
at Oracle Theatre, 3809 N. Broadway (map)
thru August 11  |  tickets: pay-what-you-can   more info

Check for half-price tickets

      Read entire review

     

July 20, 2011 | 0 Comments More

REVIEW: punkplay (Pavement Group at Steppenwolf)

Even high school sub-cultures demand conformity.

Punkplay 0029

Pavement Group presents:

punkplay

written by Gregory Moss
directed by David Perez
Through April 25th at Steppenwolf Garage (more info)

by Barry Eitel

punkplay_1_photobyPeterCoombs You can tell Gregory Moss’ play punkplay is pretty rebellious from the fact that the title refuses to be capitalized. Pavement Group tears up Moss’ play as their entry to Steppenwolf’s new Garage Rep rotation that showcases several exciting young Chicago companies. This 75-minute crude, rude, yet ultimately fascinating drama tells the tale of two teenage boys (a gangly Alexander Lane and Matt Farabee , who doesn’t look a day over 14) growing up in Reagan’s America and diving head first into the world of punk rock. Over the ensuing year or so from hearing their first punk record, we get to watch the duo start a band, idolize girls along with more extreme (read: homeless) punks, and masturbate (a few times). Moss’ script has its holes, but director David Perez and his energetic cast railroad right over them. If you can stomach the scuzziness, this is one great coming-of-age story.

I was wondering which choices were Perez’s decisions or written in the play. Either way, the semi-presentational/realistic/fantastical world located in the Steppenwolf Garage space grabs you and doesn’t let go. Scenic designer Grant Sabin, who actually designed all three shows, has created something like a robo-tripping Glass Menagerie. The set is simple but allows for all sorts of manipulation, projection, and imagination. Nearly all of the products, including beer, comics, and erotic videos, are painted white and slapped with a simple eponymous label, a homage to punk classic Repo Man (which starred a young Emilio Estevez).

Also, all the actors wear roller skates (sort of a Sex Pistol’s Starlight Express)

Lane and Farabee have a great energy together. Somewhat zombified, Duck (Lane) sees himself as the ultimate judge of what is punk. Mickey (Farabee) is bright-eyed and impressionable, yet comes across as much more diverse than his close-minded counterpart. The cast is rounded out by Keith Neagle and Tanya McBride, who play multiple parts with gusto. One of the most bizarre dream/hallucination sequences I’ve ever seen features McBride in a bikini top and a Reagan mask. It’s an image that won’t leave me for a long time.

Punkplay 0221 Punkplay 0144
punkplay_2_photobyPeterCoombs Punkplay 0062

Moss’ play covers a lot of territory; his characters trek the already epic journey of high school with the added objective of tearing down the bourgeois, Molly Ringwald culture that surrounds them. It’s a monumental task. Moss does a pretty good job of navigating this tumultuous world, but the script could be condensed. Mickey and Duck take in a pair of transients from Montreal at one point, which didn’t make a whole lot of sense. Also, Duck’s family situation is explained in the first scene when he moves in with Mickey (he was kicked out of his house), but not much information is given about Mickey’s familial life. You begin to wonder what his parents think about him harboring Duck in his room, which transforms from a stark suburban white to a vomit of graffiti. That missing relationship doesn’t take away much because the production wallows in abstraction, but it would be nice to know something about it (which might be a whole play in itself: groundedplay). Some of the longer speeches wax poetical, and audience interest drops. Some information is extraneous and some is muddled, which suggests Perez and Moss could make the show tighter.

Perez’s production shows how tough and confusing it can be to grow up, like “Breakfast Club” with more spike chokers. Duck and Mickey must face the fact that the punk scene might just be another high school subculture demanding conformity. Luckily, the Black Flag records give way to Sonic Youth, not Sum 41, and we all learn something about ourselves.

Rating: ★★★

March 4, 2010 | 1 Comment More