Tag: Allie Long

Chicago’s Best Theater of 2015

 

Carmen Molina, Claudia DiBiccari, Mykele Callicutt, Paula Ramirez, Preston Tate Jr., Deanna Reed-Foster and James McGuire in Cold Basement Dramatics' "Heat Wave".Scott Danielson, Garrett Lutz and George Toles star in Kokandy Productions' "The Full Monty".Laura Osnes as and Steven Pasquale star in Lyric Opera's "Carousel" by Rodgers and Hammerstein.John Mahoney and Audrey Francis in Steppenwolf Theatre's "The Herd".Sarah Lynn Robinson, Anthony Whitaker and Greg Zawada in Porchlight's "A Funny Thing Happened on the Way to the Form" by Steven Sondheim. Monica West, Kasey Foster and Emma Cadd in Lookingglass Theatre's "Moby Dick".Mariann Mayberry and Brittany Uomoleale star in Steppenwolf Theatre's "Grand Concourse".Steve Haggard and Karen Janes Woditsch star in Writers Theatre's "Doubt: A Parable".Charli Williams , Anna Dauzvardis, Katrina D.  Richard, Brandon Greenhouse, and Kevin Patterson star in Raven Theatre's "Direct from Death Row: The Scottsboro Boys".Bernard White and Nisi Sturgis in Goodman Theatre's "Disgraced".Rafael Davila and Bradley Smoak star in Lyric Opera of Chicago's "Bel Canto".Drury Lane Oakbrook presents "Billy Elliot: The Musical," music by Elton John.  Becca Savoy, Michael McKeough and Sandy Elias star in Griffin Theatre's "Pocatello".Larry Yando and Eva Louise Balistreiri star in Chicago Shakespeare's "The Tempest" by William Shakespeare.Matthew Sherbach and Armand Fields star in Northlight Theatre's "Charm".Brendan Connelly, Chris Schroeder and Brenda Scott Wlazlo star in Red Theater and Oracle Productions' "R + J: The Vineyard".Melanie Brezill and Patrick Budde star in Chicago Children’s Theatre’s "The Miraculous Journey of Edward Tulane." Colte Julian as Curly and Allison Sill as Laurey in Paramount Theatre's "Oklahoma!". Mike Nussbaum stars in TimeLine Theatre's "The Price" by Arthur Miller. Eunice Woods stars in American Theater Company's "The Project(s)" by PJ Paparelli and Joshua Jaeger.Luce Metrius and Ashley Neil star in A Red Orchid Theatre's "Red Handed Otter." Kelsey Brennan and Greg Matthew Anderson star in Remy Bumppo's "Travesties" by Tom Stoppard.Johanna McKenzie Miller and Alex Goodrich star in Northlight Theatre's "Shining Lives," directed by Jessica Thebus.Brian Parry and Jacqueline Grandt star in Redtwist Theatre's "Who's Afraid of Virginia Woolf?" by Edward Albee.Eileen Niccolai and Daniela Colucci star in The Shattered Globe's "The Rose Tattoo" by Tennessee Williams. , Shattered Globe Theatre, Brosilow

In a theater community as diverse and talented as Chicago’s, every aspect and genre of stage productions can be found throughout the city on a given week.  2015 was no exception to this fact, as one can see from our reviewers’ picks of the year’s greatest and most memorable works.

See our picks below the fold

December 31, 2015 | 0 Comments More

Review: Pocatello (Griffin Theatre)

Morgan Maher, Michael McKeogh and Sam Guinan-Nyhart star in Griffin Theatre's "Pocatello" by Samuel D. Hunter, directed by Jonathan Berry. (photo credit: Michael Brosilow)          
      
Pocatello

Written by Samuel D. Hunter
at Signal Theatre, 1812 W. Berenice (map)
thru Dec 13  |  tix: $36 |  more info
       
Check for half-price tickets   
    

November 25, 2015 | 0 Comments More

Review: The Qualms (Steppenwolf Theatre)

Karen Aldridge and David Pasquesi star as Regine and Roger in Steppenwolf Theatre's "The Qualms" by Bruce Norris, directed by Pam MacKinnon. (photo credit: Michael Brosilow)        
      
The Qualms

Written by Bruce Norris
Directed by Pam MacKinnon
at Steppenwolf Theatre, 1650 N. Halsted (map)
thru Aug 31  |  tickets: $20-$86   |  more info
       
Check for half-price tickets 
    
        
                     Read review
     

July 17, 2014 | 0 Comments More

Review: Les Parents Terribles (The Artistic Home)

Frank Nall, Julian Hester and Kathy Scambiatterra star in The Artistic Home's "Les Parents Terribles" by Jean Cocteau, directed by John Mossman. (photo credit: Anthony Aicardi)        
      
Les Parents Terribles

Written by Jean Cocteau  
Directed by John Mossman 
at The Artistic Home, 1376 W. Grand (map)
thru April 13  |  tickets: $28-$32   |  more info
       
Check for half-price tickets 
    
        
                   Read review
     

March 14, 2014 | 1 Comment More

Review: She Kills Monsters (Buzz22 Chicago)

Jessica London-Shields, Morgan Maher and Sara Sawicki star in Buzz22 Chicago's "She Kills Monsters" by Qui Nguyen, directed by Scott Weinstein. (photo credit: Michael Brosilow)        
       
She Kills Monsters

Written by Qui Ngyuen   
Directed by Scott Weinstein
at Steppenwolf Garage, 1650 N. Halsted (map)
thru April 21   |  tickets: $   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

March 17, 2013 | 1 Comment More

REVIEW: Dead Pile (XIII Pocket Ensemble)

  
  

Vegan play is all potatoes, no meat

  
  

Cast from XIII Pocket's  'Dead Pile': (left to right) Allie Long, Andy Lutz,  Justin James Farley (center), Mark Minton and Chip Davis.  Photo credit: Michael Litchfield

   
XIII Pocket Ensemble presents
   
Dead Pile
  
Written by Laura Jacqmin
Directed by Megan Shuchman
at Theater Wit, 1225 W. Belmont (map)
thru Feb 27  |  tickets: $12-$20  |  more info

Reviewed by Keith Ecker 

There are a couple positive things about XIII Pocket’s Dead Pile. For one, the play features some impressive acting talent. Justin James Farley as the animal-rights investigator protagonist delivers his lines with a distinct genuineness, even when the script is laughably melodramatic. Likewise, Andy Lutz (making his Chicago debut) injects some much-needed levity into his role as the alcoholic, antagonistic farmhand.

The other compliment I’ll pay is that – for a play that centers around such hot-button issues as animal rights, food production and ethical veganism – it avoids the pitfall of being too preachy. We never get that worn diatribe about the systemic abuses that plague dairy farms and meat producers. After all, propaganda (even if it is propaganda that this theater critic agrees with) does not necessarily make for good storytelling. Unfortunately, even without the predictable soapboxing, Dead Pile is dead on arrival.

Scene from XIII Pocket's 'Dead Pile' - (top) Andy Lutz (bottom) Allie Long and Justin James Farley. Photo credit: Michael LitchfieldThe play is about an animal rights investigator named Jeremy who is sent out on assignment by his non-profit boss (Chip Davis) to infiltrate a dairy farm. Once on the farm, Jeremy encounters a colorful cast of trite, two-dimensional caricatures. We have Russell (Mark Minton), the farmer’s progressive son who wants to transform his daddy’s property into an organic farm. Then there’s R.J. (Lutz), the tough farmhand who’s aggressive with women, yells at football games and likes beer too much. And finally we have Nance (Allie Long), the superfluous love interest who has bigger dreams than to be bound to an Indiana farm.

As Jeremy conducts his investigation, he’s continually pressured by his non-profit supervisors to gather animal abuse evidence so they can make a bust. Meanwhile, he’s warming up to Nance and Russell, which could compromise matters. It also means he’s probably not a competent investigator, but I guess that’s beside the point.

Playwright Laura Jacqmin‘s inhumane treatment of the audience is worthy of a PETA investigation. She muddles the play with unnecessary details while simultaneously robbing us of what should be the most dramatic scenes. The fact that Jeremy is black is brought up too many times without enough justification for its presence. Are we supposed to be surprised that not all Indiana farmers are racist bigots? And why end the first act with a frantic voice over, when you could just stage what sounds like a really engaging scene? And what about the big reveal, that moment that the audience has been anticipating the entire play where Jeremy’s status is revealed? It is done so swiftly and with no impact that it’s pointless that he reveals it at all.

Another major flaw is the melodrama. The biggest offending scene is one in which Jeremy and Nance share what might be the most forced intimate moment I have ever seen staged. Seriously, this scene has everything, from a Lifetime-esque sob story about Jeremy’s invalid brother to Nance begging Jeremy to take her with him when he leaves because, after all, anywhere is better than here.

I reserve additional criticism for Megan Shuchman, whose direction comes across as thoughtless. What purpose does it serve to have Davey visible to the audience throughout the entire play? What is the deal with the set design? With all the thrown about windowpanes, wood scraps and bric-a-brac it resembles the eye of a tornado more than a farm. Why waste stage space with an office and a bedroom you barely use while your actors are forced to largely perform in an ambiguous setting?

So while I applaud Jacqmin for striving to craft a story that refuses to preach to the choir, I fault her for producing an amateur script where the audience is robbed of sympathetic characters and climaxes. Concentrate on writing a good play with a great story, compelling scenes and dynamic characters. Without that as your base, your audience will wonder, "Where’s the beef?"

     
     
Rating: ★½
   
   

Dead Pile continues thru February 27th, running Thursdays-Sundays, February 4-27, at 8pm.  Performances occur at Stage 773, 1225 W. Belmont, Chicago. Tickets priced at  $20 general admission and $12 student/senior. To purchase tickets, call the Stage 773 box office at 773-327-5252.  More info at http://www.xiiipocket.com.

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February 10, 2011 | 1 Comment More