Tag: Andrea Silvestrelli

Review: The Pearl Fishers (Lyric Opera)

Marina Rebeka and Mariusz Kwiecień star as Leila and Zurga in The Pearl Fishers, Lyric Opera            

The Pearl Fishers
Music by Georges Bizet
Libretto: Michel Carré, Eugène Cormon
Civic Opera House, 20 N. Wacker (map)
thru Dec 10  |  tix: $20 & up  |  more info
Check for half-price tickets    

November 23, 2017 | 0 Comments More

Review: Don Giovanni (Lyric Opera of Chicago)

Ana Maria Martinez and Mariusz Kwiecien star in Lyric Opera's "Don Giovani" by Wolfgang Mozart, directed by Robert Falls. (photo credit: Todd Rosenberg)        
Don Giovanni

Music by Wolfgang Amadeus Mozart 
Libretto by Lorenzo Da Ponte
Directed by Robert Falls 
at Civic Opera House, 20 N. Wacker (map)
thru Oct 29  |  tickets: $32-$244   |  more info
Check for half-price tickets 
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October 24, 2014 | 0 Comments More

Review: La Boheme (Lyric Opera of Chicago)

Dimitri Pittas and Ana Maria Martinez star in Lyric Opera's "La Boheme" by Giacomo Puccini, conducted by Emmanuel Villaume. (photo credit: Dan Rest)        
La Bohème 

Composed by Giacomo Puccini
Conducted by Emmanuel Villaume 
Directed by Louisa Muller
at Civic Opera House, 20 N. Wacker (map)
thru March 28  |  tickets: $69-$259   |  more info
Check for half-price tickets 
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January 24, 2013 | 1 Comment More

Review: Boris Godunov (Lyric Opera of Chicago)

12. Ferruccio Furlanetto, Emily Fons, BORIS GODUNOV DBR_9589 c. Dan Rest       
Boris Godunov 

Composed by Modest Mussorgsky
Conducted by Sir Andrew Davis
Civic Opera House, 20 N. Wacker Drive (map)
thru Nov 29  |  tickets: $49-$254   |  more info

Check for half-price tickets 
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November 10, 2011 | 2 Comments More

REVIEW: Marriage of Figaro (Lyric Opera)

This marriage is a flawless, fun farce


Lyric Opera of Chicago presents:

Marriage of Figaro

Composed by Wolfgang Amadeus Mozart
Conducted by
Sir Andrew Davis
Stage directed by
Herbert Kellner
Projected English supertitles by Francis Rizzo
Civic Opera House through March 27th (more info)

By Katy Walsh

figaro01Figaro wants to marry Susanna. Marcellina wants to marry Figaro. Bartolo wants to marry the Countess. The Count wants Susanna. The Countess wants the Count. Cherubino wants everybody.  Arias of lust love are in the air!

Lyric Opera of Chicago presents Marriage of Figaro, composed by Wolfgang Amadeus Mozart. A four act opera buffa (comedy) performed in Italian with projected English translations. A sequel to The Barber of Seville, the opera is set in the late eighteenth century. Figaro and Susanna want to marry. As servants of the Count, the union must be authorized by him. In addition, the Count may choose to invoke the custom of ‘having the bride’ before giving her away. The Count is not the only one interfering with Figaro’s marriage. Debts and betrayals have followed him from his The Barber of Seville days. Through a comedic series of tricks and twists, love eventually conquers all.

Throughout all four acts, this cast sings and plays well together. It’s like watching a group of friends setting up good natured pranks to teach each other a lesson. Leading the playful spirit, Danielle De Niese (Susanna) is an adorable, lively sprite with pitch-perfect, comedic timing. Kyle Ketelsen (Figaro) delivers a solid bass-baritone performance as the ultimate cocky player. Anne Schwanewilms (Countess) laments the loss of her husband’s affections in a gorgeous rendition of “Porgi Amor”, and later vows to regain his love in “Dove Sono”. Within the frivolity of the frenzy of multiple charades, her arias are the quiet moments of true clarity and sadness of love lost. The Countess describes her husband as ‘modern: faithless, willful, not so much jealous, as vain.’ Mariusz Kwiecien (Count) embodies that description while – being the brunt of the shams – struggling at the same time. Kwiecien delivers his own spectacular aria “Vedro, mentr’io sospiro” with promises of vengeance to the pranksters. Joyce DiDonato (Cherubino) is a woman playing a boy sometimes playing a woman. She’s hilarious with her portrayal of a youth; a slave to his strong lustful infatuations. In a smaller role, Andrea Silvestrelli (Bartolo) makes his presence memorable with his booming bass singing. His aria “La vendetta” is magnificent. In particular, in one sequence, Silvestrelli squeezes his huge, rich voice through a series of rapid notes. Amazing.

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The Lyric Opera of Chicago has chosen to close its 2009-2010 season with a warhorse. Even to new opera goers, this Mozart’s masterpiece has familiar pieces. The overture and a few of the arias are used in movie scores to enhance themes of multiple plots colliding or love loss. The Lyric has cast it perfect and – under the guidance of Sir Andrew Davis at the baton – Marriage of Figaro hits all the right notes for high spirited high-jinx.  Highly recommended!

From the first note of the overture to the standing ovation, Marriage of Figaro is a flawless, fun farce!

Rating: ★★★★


Running Time: Three hours and forty-five minutes includes a thirty minute intermission

Note: Libretto by Lorenzo da Ponte, based on Pierre-Augustin Beaumarchais’ play La folle journee, ou Le marriage de Figaro (1784).

View (2010-02) Marriage of Figaro - Lyric Opera
March 3, 2010 | 2 Comments More