Tag: Batey urbano

Review: Water & Power (UrbanTheater Company)

Ivan Vega and Dennis Garcia star as Power and Water in Water & Power, UrbanTheater Chicago           
      

  

Water & Power

Written by Richard Montoya  
Batey Urbano, 2620 W. Division (map)
thru July 22  |  tix: $20  |  more info
       
Check for half-price tickets   
     

June 28, 2017 | 0 Comments More

Review: BRAINPEOPLE (UrbanTheater Company)

  
  

Examining the relationship of magic, passion and faith

  
  

Brain People - Urban Theatre 6

   
UrbanTheater Company presents
  
BRAINPEOPLE
 
Written by José Rivera
Directed by
Marti Lyons
at
Batey Urbano, 2620 W. Division (map)
through Dec. 12  |  tickets: $20  |  more info

Reviewed by K.D. Hopkins

Before the lights went down for “Brainpeople” at the UrbanTheater Company (UTC), co-artistic director Madrid St. Angelo told the audience that we were in for some delicious language. This is an authentic description of Jose Rivera’s language and UTC’s spellbinding production. Writer José Rivera is possibly best known as the Brain People - Urban Theatre 9 screenwriter for “The Motorcycle Diaries”. He is also renowned in the theater world as a torchbearer for the Magical Realism genre. From the moment I walked in to Batey Urbano, I could feel the vibe that I remember so fondly from my days in Puerto Rico and not so fondly what I call post Catholic Terror Syndrome.

The set is a carnival of crucifixion imagery, dark wood, and reds to reflect the fires and riots in a not too distant future Los Angeles. It is an unsettling mixture of the surreal and the sublime done to perfection by scenic designer Jorge Felix. There is a muscular image of Jesus tethered to a tree dying or resurrecting in religious ecstasy. Along side this is a grotesque post-mortem painted in icy shades of blue.

Marilyn Camacho plays the mysterious and enticing hostess named Mayannah who once a year invites two strangers to dine with her. Amanda Powell plays the role of Rosemary and Kate Brown is Ani. Ms. Powell gives a tour de force performance as a woman with disassociative identity disorder- or is it possible that she is a channel for more sinister motives? One moment she’s a tentative guest named Rosemary, then Rosalyn, then Rosie and the list continues impressively. Each of Ms. Powell’s characters is done to a perfect comic or terror inducing affect, providing a searing reality check to Rosemary’s flights of illusion.

Mayannah resides in a wealthy grotto of Los Angeles where everything is available with the right amount of money. Hers is a languid existence punctuated by sirens and threats of police violence on her social inferiors. In fact, one can presume that this is a riff on present day Los Angeles, where fantasy and reality are blurred for the world to purchase a ticket. Mayannah’s anniversary repast is offered with the promise of a cash reward if her guests make it to dessert.

Brain People - Urban Theatre 8Ani and Rosemary are willingly subjected to a night of transubstantiation and the mental stigmata of an abandoned child longing for what she calls her unbroken self. Mayannah believes that if the energy of the soul can be consumed, it can also be absorbed and reborn. This is no simple tale of reincarnation or anything that I ever learned in catechism classes. Rivera’s story turns long-held tenets and beliefs on their heads by revealing the underside of learning them. The darkest creases of the mind emerge when society breaks down to martial law and, finally, anarchy. The character of Ani is a portrayal of an individual named for the lost civilization of Armenia. Ani comes to dinner to get the payout and leave the country to find real love and forget that she has a ‘PhD. in all the shitty forms of love’. It is Ani’s character that makes the connection to Mayannah’s soul’s longing while Rosemary sits in a catatonic daze absorbing and healing from her own childhood terrors. All three actors play off of each other with a dizzying rhythm of wordplay balanced with smoking hot sensuality.

Rivera has written dark and acerbic wit for these women. The characters are refreshingly free of stereotypes and shallow characterizations.

The UTC production is the Chicago premiere of BRAINPEOPLE. It is that rare meeting of cast, direction, and location that produces a transporting experience. UTC was formed to bring cutting edge experiences to the theater through diversity and roots in the Latino community and they hit a bull’s eye with BRAINPEOPLE. UTC founders Ivan Vega, Madrid St. Angelo and Marilyn Camacho have something truly special to offer to the theater community of Chicago. Go see this show!

   
       
Rating: ★★★½
    
   

Brain People - Urban Theatre 7

This show has a short run from November 12th through December 12th at Batey Urbano 2620 W. Division in Chicago’s Humboldt Park neighborhood. More information is available on UrbanTheater Company check out www.urbantheaterchicago.com or call 312-239-8783.

   
   
November 27, 2010 | 0 Comments More

Theater Thursday: “CUBA and his Teddy Bear”

Thursday, December 10

CUBA and his Teddy Bear by Reinaldo Povod 

UrbanTheater and People’s Theater of Chicago
Location: The Batey Urbano
2620 W. Division St., Chicago

CUBACome in from ‘the streets and onto our stage’! Join UrbanTheater Company for a very special evening of pre show Caribean/Puerto Rican hors d’ouevres, beverages and Live Latin Music, featuring Chicago School of Folk Music’s, Armando Quintero. Then sit back and enjoy a riveting trip to NYC’s Lower East Side with Reinaldo Povod‘s critically acclaimed, ‘CUBA and His Teddy Bear. This event includes a pre show mingle with UTC’s Award Winning and Jeff Nominated company members and a very special post show talk back with the cast.

Event begins at 6 p.m.
Show begins at 7:30.

TICKETS ONLY $25 

Tickets for this event are available ONLY at the Door; Cash, Money Orders and Checks are accepted

For more information call 773-371-1868.

December 9, 2009 | 0 Comments More

REVIEW: “Cuba and His Teddy Bear”

Chilling and tragic examination of father-son dynamics

cuba-teddy-bear2

UrbanTheater and People*s Theater of Chicago presents:

Cuba and His Teddy Bear

by Reinaldo Povod
directed by Marilyn Camancho
thru December 13th (ticket info)

review by Oliver Sava

Joseph-CubaA family drama in unfolding at Humboldt Park’s Batey Urbano (map), the storefront theater currently home to the midwest premiere of Reinaldo Povod’s Cuba and His Teddy Bear. At the heart of the dysfunction is Cuba (Madrid St. Angelo), a small time drug dealer, and Teddy (Christian Kane Blackburn), Cuba’s artistic son with a major monkey on his back. When Cuba’s friend Jackie (Hank Hilbert) unloads two pounds of marijuana on the pair, drug dealing becomes family bonding, but it’s only a matter of time before things go to hell. The buyer that Teddy has lined up, heroin addict/Tony award winning playwright Che (Julian Martinez), has no intention of paying for the product, and he’s brought along the Dealer (Kamal Han), a stickup artist who walks with a skull-adorned cane due to of an abscess in his leg from repeated injections.

If your character is in the title of the play, you better be damn good. Luckily, St. Angelo and Blackburn are. The success of the production hinges on the relationship of these two characters, and the two actors have great chemistry that comes from having truly explored the circumstances of these characters. St. Madrid plays Cuba with equal parts concerned family man and dangerous drug dealer, creating an incredibly realistic portrait of a father trying to do the best he can with the limited skills he has. Cuba tells Teddy that if he wants to do drugs he can just ask him and they’ll do them together. He wants his son to become a federal agent because it’s good, honest work. Cuba sees the potential in his son and when he sees it being extinguished it drives him to the edge of sanity; the play’s climax is a tense standoff between father and son that ends in a gunshot and a flood of tears.

teddybear1 teddybear3

Blackburn’s Teddy has an introverted intensity throughout Act I that hints at the character’s secret shame, and watching him confront his demons in Act II is heartbreaking. He grooms his father with a gentle touch that is both tender yet unnerving, and the character’s willingness to throw away his future in exchange for human affection is fully realized by Blackburn, especially in the scene with Martinez’s Che. Martinez, dressed like a pachuco with two huge black circles around his eyes, is wonderfully menacing and tragic, content with living on a Central Park bench and exploiting the emotions of misguided youth so he can score. When Teddy tells Che, "You should come to me because you want to see me, not because you want to get high," the audience knows that will never be the case, and so does Teddy, but he clings to his desires in the face of utter futility.

The biggest flaw with the production is the length – the playwright’s ambitious script packs so much material in two and a half hours that the weight begins to slow down the pace and lessens the casts energy. The show could use about a half hour of cutting, but the ensemble that director Marilyn Camancho has assembled captures the gritty intensity of Povod’s script, resulting in a chilling examination of father-son and dealer-junkie dynamics.

 

Rating: ★★★

 

November 27, 2009 | 0 Comments More