Tag: Elaine Carlson

Review: A Perfect Ganesh (Eclipse Theatre)

Phil Higgins, Elaine Carlson, Jeannie Affelder and Michael Allen Harris star in Eclipse Theatre's " Perfect Ganesh" by Terrence McNally, directed by Steven Fedoruk. (photo credit: Scott Dray)   

       

     
      
A Perfect Ganesh

Written by Terrence McNally  
Directed by Steven Fedoruk
Athenaeum Theatre, 2936 N. Southport (map)
thru Aug 23   |  tickets: $20-$30   |  more info
       
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August 7, 2015 | 1 Comment More

Review: At Home at the Zoo (City Lit Theater)

Ted Hoerl and Elaine Carlson star as Peter and Ann in City Lit Theater's "At Home at the Zoo" by Edward Albee, directed by Steve Scott. (photo credit: Tom McGrath)        
      
At Home at the Zoo

Written by Edward Albee 
Directed by Steve Scott
at City Lit Theater, 1020 W. Bryn Mawr (map)
thru Oct 26  |  tickets: $25-$29   |  more info
       
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October 17, 2014 | 0 Comments More

Review: The Haunting of Hill House (City Lit Theater)

Edward Kuffert stars in City Lit Theater's "The Haunting of Hill House," adapted and directed by Paul Edwards. (photo credit: Austin D. Oie)        
      
The Haunting of Hill House

Adapted and Directed by Paul Edwards
from the novel by Shirley Jackson
at City Lit Theater, 1020 W. Bryn Mawr (map)
thru May 11  |  tickets: $25-$29  |  more info
       
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April 13, 2014 | 0 Comments More

Review: The Odd Couple – Female Version (Robert Bills Productions)

Elaine Carlson and Elizabeth Styles star as Florence and Olive in "The Odd Couple (Female Version" by Neil Simon, directed and produced by Robert Bills. (photo credit: Robert Bills Group)        
      
The Odd Couple
     (Female Version)

Written by Neil Simon 
Directed by Robert Bills
Greenhouse Theater, 2257 N. Lincoln (map)
thru Nov 10  |  tickets: $20-$28   |  more info
       
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October 27, 2013 | 0 Comments More

Review: A Study in Scarlet (Promethean Theatre Ensemble)

Nick Lake and Brian Pastor star in Promethean Theatre Ensemble's "A Study in Scarlet", adapted and directed by Paul Edwards.       
      
A Study in Scarlet 

Based on story by Sir Arthur Conan Doyle
Adapted and Directed by Paul Edwards
Athenaeum Theatre, 2936 N. Southport (map)
thru June 1  |  tickets: $22   |  more info
       
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May 10, 2013 | 0 Comments More

REVIEW: Eclipse Theatre’s “Democracy”

Democracy Is a “Lite” and Casual Affair

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Corporations have been enthroned and an era of corruption in high places will follow.  –Abraham Lincoln, 1864

Eclipse Theatre presents:

Democracy

adapted by Romulus Linney
directed by Steven Fedoruk
thru December 20th (ticket info)

reviewed by Paige Listerud

Lincoln saw it all coming, but could he have anticipated an America as rife with corruption as it was under his leading general? Henry Adams’ novel, Democracy, which forms one half of Romulus Linney’s adaptation, (the second being Adam’s novel, Esther, based on his wife) came from the disillusionment Adams experienced under Ulysses S. Grant’s administration. Idealistic and eager for reform, Adams pinned great hopes upon the rough, honest and honorable military man.

Democracy05 Disillusionment followed hard and fast upon Grant’s 1868 election—September 24, 1869 saw the dawn of Black Friday, a panic brought about by James Fisk and Jay Gould’s attempts to corner the gold market, as well as the severe misjudgments of Grant and his Secretary of Treasury George Boutwell to stop them. Investigation revealed the involvement of the President’s brother-in-law, Abel Rathbone Corbin, but Grant’s association with Gould alone would have brought the scandal right to the door of the White House. In a prominent English journal, Henry Adams anonymously published an article on the scandal, hoping it would be picked up and reprinted often in the American press. It was, but Fisk and Gould never faced prosecution. The crash of Black Friday crippled the American economy for years afterward.

The most corruption Linney’s play touches on is the Whiskey Ring, involving Grant’s appointee General John H. McDonald and Grant’s own private secretary Orville E. Babcock. Even here, Linney only satirizes Grant’s alcoholism and his expurgated testimony. The play doesn’t mention that Grant fired special prosecutor John B. Henderson when he denied Grant’s wishes to hold Babcock’s trial in military court. Grant’s replacement, James Broadhead, not only allowed Babcock to be acquitted but also closed out all the other cases involved.

Material that could provide for four or five satires goes missing from both Adams’ novel and Linney’s adaptation. It becomes quite clear that we are dealing with American History Lite. But what Adams would not bring up out of a sense of delicacy or fear of reprisal, Linney most likely avoids out of our culture’s collective ignorance. If lite is the only way we can take it, all the worse for us, since forgetfulness like that can only leave us wandering in a fantasy theme park of a country–as make-believe as the fictions surrounding George Washington of which old Mrs. Dudley (Barbara Roeder Harris) disabuses the other characters on their day trip to Mt. Vernon.

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Who knows how much anyone is paying attention–since Senator Silas Raitcliffe (Jon Steinhagen) is wooing the recently arrived, beautiful young widow, Mrs. Lee (Rebecca Prescott), and young Episcopal minister Reverend Hazard (Stephen Dale) is in hot pursuit of Mrs. Dudley’s daringly bohemian niece, Esther Dudley (Nina O’Keefe). Director Steven Fedoruk keeps things light at Eclipse Theatre’s upstairs studio and focuses mainly on “who’s zoomin’ who.” He’s assembled an excellent cast in that case, able to handle the unevenness with which Linney has cobbled together Adams’ two novels.

The greater burden may be in portraying the younger couple–given their issues with mortality and proving improvable faith. Linney’s writing also doesn’t provide much in the way of romance for O’Keefe and Dale to connect with. But both actors do maintain the control needed to make their characters’ religious disputes personal and to temper the material’s overweening histrionics.

Democracy07 Linney’s adaptation allows the rest of the cast far more fun. Diplomat Baron Jacobi (Larry Baldacci), lobbyist Mrs. Baker (Cheri Chenoweth), and Mrs. Dudley are a hoot, as we say out here beyond the Beltway. Ron Butts and Sandy Spatz make an amusingly backwoods Mr. and Mrs. President, although why Butts doesn’t push Grant’s alcoholism further is anyone’s guess.

Sen. Raitcliffe and Mrs. Lee explore and expound their passions for politics as much as for each other. They form an arguably perfect pair, since each may be as ethically compromised as the other. Steinhagen, who recently played Judge Brack with sinister sophistication in Raven Theatre’s Hedda Gabler, throws out villainy for the blinkered guilelessness that Henry Adams wrote for the novel’s character—a man who regards “virtue and vice as a man who is color-blind talks about red and green.”

Why neither novel nor play delve much into Mrs. Lee’s ethical colorblindness remains a conundrum, since Raitcliffe throwing away millions of votes makes for less of a wake-up call than Raitcliffe receiving a bribe for his party. Could Mrs. Lee be the quintessential American—less likely to grasp political transgressions, but more able to understand the personal ones, like an errant blowjob or two? As Raitcliffe declaims during one of Mrs. Lee’s parties, politics in a democracy can only be as pure and honest as the people it comes from. A little more sophistication on the part of the American people couldn’t hurt either. A sucker may be born every minute, as another 19th century figure was fond of saying, but we should at least try to have the next generation of suckers be smarter than the last.

 

Rating: ★★★

 

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November 27, 2009 | 1 Comment More