Tag: Emilie Lynn

Review: Miss Saigon (Paramount Theatre)

Shawna Haeji Shin and Zachary Uzarraga star as Kim and Tam in Paramount Theatre's "Miss Saigon," directed by Jim Corti, music-directed by Shawn Stengel. (photo credit: Liz Lauren)        
      
Miss Saigon

By Claude-Michel Schönberg (music),
  Alain Boubil and Richard Maltby, Jr. (lyrics)
Directed by Jim Corti
at Paramount Theatre, Aurora, IL (map)
thru Nov 24  |  tickets: $37-$50   |  more info
       
Check for half-price tickets 
    
        
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November 8, 2013 | 1 Comment More

Review: Disney’s Beauty and the Beast (Chicago Shakespeare)

Emily Rohm as Belle, Beauty and the Beast, Chicago Shakespeare       
      
Beauty and the Beast 

Alan Menken (music), Linda Woolverton (book),
     Tim Rice and Howard Ashman (lyrics),
Directed, Choreographed by Rachel Rockwell
at Chicago Shakespeare on Navy Pier (map)
thru Aug 26  |  tickets: $18-$25   |  more info
       
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July 9, 2012 | 1 Comment More

Review: The Sound of Music (Drury Lane)

Katie Huff, Zachary Keller, Laura Nelson, Ben Parkhill, Arielle Dayan, Emily Leahy, Julia Baker       
      
The Sound of Music 

Written by Richard Rodgers (music)
and Oscar Hammerstein II (lyrics)
Book by Howard Lindsay, Russell Crouse
Directed by Rachel Rockwell
Drury Lane Theatre, Oakbrook Terrace  (map)
thru Jan 8  |  tickets: $35-$45   |  more info

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October 28, 2011 | 2 Comments More

Review: My Fair Lady (Paramount Theatre)

     
Andrea Prestinario and Nathan M. Hosner - My Fair Lady Paramount Theatre
My Fair Lady
 

Written by Alan Jay Lerner & Frederick Loewe 
Directed by Jim Corti
at Paramount Theatre, Aurora (map)
thru Oct 2  |  tickets: $35-$47  |  more info

Check for half-price tickets

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September 18, 2011 | 0 Comments More

Review: Brigadoon (Light Opera Works)

      
     

Is ‘Brigadoon’ really that good? You bet your bagpipes!

  
  

Emily Rogers, Brandon Moorhead in "Brigadoon" - Light Opera Works

  
Light Opera Works presents
   
  
Brigadoon
  
Book and Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Directed by Rudy Hogenmiller
at Cahn Auditorium, 600 Emerson, Evanston (map)
through June 12  |  tickets: $32-$92  |  more info

Reviewed by Lawrence Bommer

The plaid kilts are in full swirl, the tamoshanters twirling, the “rs” rolling, and the heather in full bloom in Rudy Hogenmiller’s ravishing revival of Lerner and Loewe’s early and evergreen hit. A justified hit in 1947, Brigadoon artfully confronted post-war doubts about whether progress was possible: The legend of Brigadoon–a miraculous Scottish village that escapes the contagion of any century by skipping 100 years with each "day"–remains a powerful fantasy. Will jaded Gothamite Tommy Allbright escape an overwrought era by renouncing New York and his manipulative fiancée for the lovely lassie Fiona who dallies in the merry meadows beyond the heath? You bet your bagpipes.

Emily Rogers, Brandon Moorhead - BrigadoonIf the dream isn’t potent enough, Frederick Loewe provides his soft-focus persuasion–the buoyant "Almost Like Being in Love," the almost folkloric "Come to Me, Bend to Me," the enchanting “Heather on the Hill,” and the melting melody of "Waitin’ For My Dearie." As the cross-century lovers, Robert Hunt and Jennie Sophia really do make beautiful music together. (The singing overall creates two of Light Opera Works’ finest hours.) Given Lowe’s score as much as Lerner’s deft dialogue, their cross-century courtship seems equally factual and fairy tale.

Playing the village Romeo who goes home with Bonnie Jean, eager Brandon Moorhead gamely tears into the Highland flings, Scottish reels and sword dances that embellish Agnes DeMille’s original dances (crisply preserved by director Hogenmiller with zealous accuracy). Indeed, this could be Light Opera Works’ most danced production, with everything but a dream ballet discharging all the energy the townsfolk must release after a century of unintended slumber). Roger L. Bingaman’s superb orchestra capture every nuance of one of Broadway’s unsurpassable scores, a particular blessing when a company like Court Theatre thinks it can reduce Gershwin’s Porgy and Bess to a 5-piece band.

Jennie Sophia as Fiona MacLaren and Robert Hunt as Tommy Albright - BrigadoonBringing a rhapsodic myth down to earth are two ribald characters: As Tommy’s cynical companion, a deliciously dry Clay Sanderson delivers a cutting running commentary on the mushier events around him: His deadpan deflations helpfully undercut the tremendous sentimentality of the story and songs. Playing Brigadoon’s official bad girl, Maggie Portman has contagious fun with Meg’s patter songs "The Love of My Life" and "My Mother’s Weddin’ Day." Portman’s superb diction delivers every hilarious line of Lerner’s always sprightly, inventive lyrics. Most remarkable, the Scottish accents convince or, at least, don’t confuse.

Kudos also to Ricky Lurie’s completely convincing Scottish/folk/18th century costumes, accurate to the occasion and even to the clan. Nick Mozak’s simple set, a glen with a mountain backdrop that efficiently allows the town to materialize from the mists, is playfully lit by Charles Jolls – the village fair or the girls’ dance to “Come to Me” resemble one of Watteau’s fetes champetres. You can’t wait another 100 years to see this too-transient “Brigadoon,” a dream musical to utterly entrance the summer of 2011.

  
  
Rating: ★★★★
  
  

Light Opera WorksBrigadoon continues at Cahn Auditorium (600 Emerson, Evanston – map) through June 12th, with performances Wednesday and Sunday at 2pm, Fridays and Saturdays at 8pm. Tickets are $32-$92 (half-off for ages 21 and younger), and can be purchased by phone (847-869-6300), or order 24 hours a day at www.lightoperaworks.com.

  
  
June 5, 2011 | 0 Comments More

REVIEW: Hello Dolly (Light Opera Works)

     
     

Phenomenal dancing and singing makes ‘Dolly’ a New Year’s treat 

     
     

Mary Robin Roth (Dolly Gallagher Levi) in Hello Dolly – Light Opera Works. Photo Credit: Rich Foreman

    
Light Opera Works presents
   
   
Hello, Dolly! 
       
Book by Michael Stewart
Music/Lyrics by
Jerry Herman
Directed by
Rudy Hogenmiller
at
Cahn Auditorium, 600 Emerson, Evanston (map)
through Jan 1  |  tickets: $32-$92   |  more info

Reviewed by Katy Walsh

“Some people paint, I meddle.”  A widow makes a living as a matchmaker.   Light Opera Works presents Jerry Herman’s Hello, Dolly!, a big-hearted musical based on Thornton Wilder’s play The Matchmaker, set in 1890.

Before the parade passes by, I want to get in step while there’s still time left.” Dolly Levi wants to start living.

Dolly’s retirement plan is to marry the well-known half-millionaire, Horace Vandergelder.  Because Dolly is very good at her job, Horace IS ready to marry… Irene Malloy. Before Horace can pop the question to Irene, Dolly must strike the match.  It’s a hilarious intervention as Dolly rearranges multiple lives to marry off herself.    Hello, Dolly! is a witty, musical frolic wedded to the courtship dance.

You’re looking swell Dolly.  I can tell Dolly. You’re still glowin’, you’re still crowin’, you’re still goin’ strong. 

Mary Robin Roth (Dolly Gallagher Levi), Peter Verdico (Horace Vandergelder) star in Hello Dolly - Light Opera Works  Photo Credit: Rich ForemanMary Robin Roth (Dolly) has flawless comedic timing.  Roth delivers zesty lines with a side of slapstick, and has all the personality to anchor the show in the title role.  The musical orchestration has been adjusted for Roth’s limited singing range; her lower vocal style is robust but in moments awkward.  In solo numbers, it’s a unique rendition, but when she joins in on a brightly sung ‘Put on Your Sunday Clothes,’ Roth creates a bit of speed bump.

The best match of the show is the chemistry between Robert Brady (Cornelius) and Patrick Tierney (Barnaby).  The dynamic duo sing, dance and lampoon with charm and amusing absurdity.   Although Jessye Wright (Irene) has a beautifully operatic singing voice, it’s too serious for the light-hearted romp.  It really only works as the parody line Wright sings in ‘Elegance’ to make fun of the sophisticated.

A 22-piece orchestra, conducted by Roger L. Bingaman, sets the tempo for a splendid full-bodied musical chorus.

‘Don’t you think my dancing has a polish and a flare?  The word I think I’d use is athletic!’

The dancing IS athletic and amazing!   Rudy Hogenmiller channels Gower Champion to choreograph dance sequences that elicit applause DURING the movement.  In particular, two memorable moments are actualized by a large segment of the chorus.  First, in the parade scene, the band moves into a revolving kick line.  For a small stage and multiple dancers, the graceful high-kick turning is incredibly impressive.  In the second act, the waiters have a vigorous prolonged dance sequence.  The word I think I’d use is ‘phenomenal.’    The synchronization is perfection.  The waiters’ jumps are a harmonious spectacle.

Despite promises that ‘Dolly’ll never go away again,’ it’ll be “Goodbye, Dolly!” in a week.    So, here’s your goal again,  get in drive again, if you wanna feel your heart coming alive again… get your tickets now… before the parade, and the full orchestra, passes by!

  
   
Rating: ★★★½
 
   

Hello, Dolly! continues performances on December 27th, 29th, January 2nd at 2pm;
December 28th at 7pm; December 30th, 31st, January 1st at 8pm. All photos by Rich Foreman.

Running Time:  Two hours and thirty-five minutes includes an intermission.

Robert Brady (Cornelius Hackl), Patrick Tierney (Barnaby Tucker), star in Light Opera Works’ HELLO, DOLLY!, December 26, 2010- January 2, 2011 at the Cahn Auditorium in Evanston, IL. Photo Credit: Rich Foreman

    
     

     
     

December 27, 2010 | 1 Comment More