Tag: Erin Creighton

Review: Bonnie & Clyde (Kokandy Productions)

Max DeTogne stars as Clyde in Bonnie & Clyde, Kokandy Productions            
      

  

Bonnie & Clyde
 
Ivan Menchell (book), Don Black (lyrics)
   and Frank Wildhorn (music)
at Theater Wit, 1229 W. Belmont (map)
thru Oct 15  |  tix: $33-$38  |  more info
       
Check for half-price tickets   
     

September 15, 2017 | 0 Comments More

Review: Little Shop of Horrors (Street Tempo Theatre)

John Sessler as Seymour and Erin Creighton as Audrey in Street Tempo Theatre’s “Little Shop of Horrors” at Stage 773. (Photo credit: Linda Gartz)       
      
Little Shop of Horrors  

Book and Lyrics by Howard Ashman  
Music by Alan Menken
Directed by Brian Posen and Kory Danielson
at Stage 773, 1225 W. Belmont (map)
thru May 27   |   tickets: $38   |  more info
       
Check for half-price tickets 
    
        
           Read entire review
     

May 10, 2012 | 0 Comments More

REVIEW: Hello Again (Boho Theatre Ensemble)

LaChuisa musical a sexy success for Boho

 

Adam Fane and Ben Burke 2 

 
Bohemian Theatre Ensemble presents
 
Hello Again
 
Written by Michael John LaChiusa
directed by Michael Ryzcek and Stephen Rader
Heartland Studio, 7016 N. Glenwood (map)
through May 1st (more info)

reviewed by Oliver Sava

  I’m going to preface this review with a simple plea to all theater patrons: Please turn off your cell phones when you enter a theater. Nothing kills momentum like an iPhone going off at minute 85 of a 90 minute musical, so please just turn it off.

That being said, BoHo’s production of John Michael LaChiusa’s raunchy sex musical Hello Again can’t be stopped by pesky ringtones. The sexual exploits of ten characters are detailed in ten scenes that take place in a different decade of the 20th century, and LaChiusa adjusts the score to fit the period, creating a musical collage Tom McGunn and Adrianna Parson with styles ranging from opera to disco to bubblegum pop. Directors Michael Ryczek and Stephen Rader utilize the intimate (read: tiny) space exquisitely, navigating their ten actors without the stage ever seeming too crowded, a feat accomplished by making sure no one stays in one place for too long. The directors are aided by Stephen M. Genovese masterful set, which utilizes a wall of turning wooden panels to subtly suggest environments without requiring much room while also creating exits and entrances when needed.

The music begins and the company takes the stage with their best “come hither” looks, standing in silence before dissipating and leaving the audience with the patron saint of sexuality, Whore (Christina Hall). She greets wandering Soldier (Tom McGunn) with the show’s title number, setting off a series of erotic encounters that run the gamut of the sexual spectrum while retaining emotional intensity through LaChiusa’s revealing lyrics. As the characters get physical, the songs delve into their psyches, revealing the pains and pleasures of promiscuity but also the basic human need for affection, sexual or not.

The entire ensemble, musically directed by Nick Sula, has a great handle on the complicated score, but the women of the cast provide the most memorable performances. Bookending the production, Hall’s strong belt impresses, particularly considering the wide range of the opening number – but where she most excels is in capturing the character’s vulnerability, portraying a woman who lives a life of passion without intimacy. “Morally bankrupt” Young Wife (Erin Creighton) struggles to stay faithful to Husband (Kevin Bishop) as her sexual curiosity leads her into the arms of College Boy (Sean Knight), and Creighton switches between reluctance, glee, and regret as she becomes more engrossed in her torrid affair. Her song “Tom” is a highlight, a heartbreaking recount of a missed love connection at a restaurant that lingers on her mind while she has sex with Husband, and Creighton’s ability to sing in her higher register while remaining at a low volume makes the number all the more chilling.

Sean Knight and Adrianna Parson Tom McGunn and Christina Hall
Adam Fane and Ben Burke 1 Christina Hall and Robert Whorton 2

But when it comes to crazed unbridled sexuality, Nurse (Adrianna Parson) takes the cake. After being raped by Soldier, she transforms into a maniac that uses sex as a weapon. In the scene following with College Boy, she twists nipples and ties up wrists before stripping down and mounting her unsuspecting patient, singing mid-coitus, “Somebody took what was mine, I say that ain’t gonna do. I want a little bit, give me a little bit, I’m gonna steal a little bit of you.” The disturbing scene is made all the more effective by Parson’s fearlessness, and she turns in one of the raunchiest sex scenes I’ve seen on stage.

Actress (Heather Townsend) is the most technically spectacular of the bunch, and Townsend shows off her thunderous pipes with “Mistress of the Senator,” one woman’s frantic plea to keep her uninterested Senator (Robert Whorton) at her side. The song requires incredible diction and range, and Townsend shows fantastic control, attacking consonants to clarify the tongue twisting lyrics and breath control for miles.

Hello Again is a play about the needs we all share, sexual or emotional, and Bohemian Theatre Ensemble’s production doesn’t hold itself back. The dedication of the actors to the material translates to raw excitement on the stage, and when the company says goodbye in a round of “Hello again,” get ready to reach for the nightstand because you’re gonna want a cigarette.

 
Rating: ★★★½
 

Christina Hall and Robert Whorton 1

 
April 8, 2010 | 0 Comments More