Tag: Ernie Nolan

Review: The Three Little Pigs (Emerald City Theatre)

Mary Margaret Roberts stars as Siu in Emerald City Theatre's "The Three Little Pigs" by George Stiles and Anthony Drewe, directed by Ernie Nolan. (photo credit: Tom McGrath)        
      
The Three Little Pigs

Music by George Stiles 
Book and Lyrics by Anthony Drewe 
Directed by Ernie Nolan
at Apollo Theater, 2540 N. Lincoln (map)
thru May 17  |  tickets: $10-$16   |  more info
       
Check for half-price tickets 
    
        
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February 17, 2014 | 0 Comments More

Review: The Teddy Bears’ Picnic (Emerald City Theatre)

Amanda Hartley stars as Mama Bear in Emerald City Theatre's "The Teddy Bears' Picnic," written and directed by Ernie Nolan. (photo credit: Tom McGrath)        
      
The Teddy Bears’ Picnic

Written and Directed by Ernie Nolan
at EC’s Little Theatre, 2933 N. Southport (map)
thru Jan 5  |  tickets: $7-$14   |  more info
       
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October 17, 2013 | 0 Comments More

Review: Dr. Seuss’ The Cat in the Hat (Emerald City Theatre @ Broadway Playhouse)

Danny Taylor stars as The Cat in Emerald City Theatre's "Dr. Seuss' The Cat in the Hat," adapted by Katie Mitchell, directed by Ernie Nolan. (photo credit: Tom McGrath)        
       
Dr. Seuss’ Cat in the Hat 

Adapted by Katie Mitchell  
Directed by Ernie Nolan 
Broadway Playhouse, 175 E. Chestnut (map)
thru Sept 1  |  tickets: $16-$22   |  more info
       
Check for half-price tickets 
    
        
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July 8, 2013 | 0 Comments More

Review: Cinderella (Emerald City Theatre and Broadway in Chicago)

Kyle Michael Kuhlman as Ratford, Missy Karle as Cinderella, and Jennifer T. Grubb as Godmother, in Emerald City Theatre and Broadway in Chicago's "Cinderella", directed by Ernie Nolan. (photo credit: Tom McGrath)        
      
Cinderella 

Adaptation/Lyrics by Alyn Cardarelli
Music by Steve Goers
Directed by Ernie Nolan 
Broadway Playhouse, 175 E. Chestnut (map)
thru Jan 6  |  tickets: $16-$22   |  more info
       
Check for half-price tickets  
         
        Read entire review 

November 28, 2012 | 2 Comments More

Review: Alice in Wonderland (Emerald City Theatre)

Maddy LaRoche (Alice) and the cast of Emerald City Theatre's "Alice in Wonderland", adapted and directed by Ernie Nolan. (photo credit: Tom McGrath)        
       
Alice in Wonderland 

Adapted and Directed by Ernie Nolan
    Based on the books by Lewis Carroll 
at Apollo Theater, 2540 N. Lincoln (map)
thru Dec 29  |  tickets: $16-$19   |  more info
       
Check for half-price tickets 
    
        
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July 25, 2012 | 0 Comments More

Review: Alexander and the Terrible, Horrible, No Good, Very Bad Day (Emerald City Theatre)

Mark Kosten, Tommy Bullington, Alex Heika, Maddy LaRoche, Patricia Lavery, Michael Rashid, RJ Silva and Jonathan Shroelucke in Emerald City Theatre's "Alexander and the ...Very Bad Day", directed by Ernie Nolan. (photo credit: Tom McGrath)       
     
Alexander and the Terrible, 
Horrible, No Good, Very Bad Day

Written by Judith Viorst and Shelly Markham
Directed by Ernie Nolan
at the Apollo Theater, 2540 N. Lincoln (map)
thru June 17  |  tickets: $13-$16   |  more info
       
Check for half-price tickets  
         
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February 23, 2012 | 0 Comments More

Review: If You Give a Cat a Cupcake (Emerald City)

     
Kyle Rehder as Rufus the Dog, Joe Goldammer as Cat, and Leah Raidt as Girl in Emerald City Theatre's If You Give A Cat A Cupcake, adapted and directed by Ernie Nolan. (photo credit: Tom McGrath)
If You Give a Cat a Cupcake
 

Adapted and directed by Ernie Nolan
Based on book by Laura Numeroff 
at Apollo Theater, 2540 N. Lincoln (map)
thru Jan 7  tickets: $13- $16  |  more info

Check for half-price tickets
Download the show’s parent guide

   
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September 27, 2011 | 1 Comment More

Review: Pinkalicious (Emerald City/Broadway Chicago)

     
Pinkalicious The Musical 1 Pinkalicious 

Book by Elizabeth Kann and Victoria Kann
Lyrics by John Gregor, Elizabeth/Victoria Kann
Music and choreographed by John Gregor
Directed by Ernie Nolan
 
Broadway Playhouse, Water Tower Place (map)

thru Sept 3  | tickets: $16-$22  | more info

Check for half-price tickets

      Read entire review

       

July 17, 2011 | 6 Comments More

Review: Charlie and the Chocolate Factory (Emerald City)

     
     

Sanitized Wonka underestimates child’s intellect

     
     

Willie Wonka in Emerald City's 'Charlie and the Chocolate Factory" at the Apollo Theatre Chicago

  
Emerald City Theatre presents
  
Charlie and the Chocolate Factory
  
Written by Richard R. George
From fantasy by
Roald Dahl
Directed by
Ernie Nolan
at
Apollo Theatre, 2540 N. Lincoln (map)
through May 8  |  tickets: $13-$16  |  more info

Reviewed by K.D. Hopkins

I get it. This is children’s theater, and for the 3-and-up group at that. However, the Emerald City adaptation of Charlie and the Chocolate Factory seems derived from much more recent sources such as ‘Saturday Night Live’ and ‘The Jersey Shore’. The timeless story from Roald Dahl has held the imaginations of a few generations. It’s about adventure and getting past the bad times with the help of family values. Dahl’s fantasy has a grim undertone that has now been given the cleaned up Grimm treatment.

Violet and Willy Wonka in 'Charlie and the Chocolate Factory' by Emerald City Theatre Chicago.Some blame Walt Disney, but at least his Big Bad Wolf had dripping fangs. This “Charlie” felt like it was put together without much creativity. Let’s start with the characterizations.

Willy Wonka is portrayed as a Rip Taylor rip-off. (Google him) This Wonka didn’t throw confetti but his manic mugging and preening doesn’t get the overwhelmingly under-five crowd revved up at all. (Perhaps he should have run through the audience like Taylor, throwing confetti or copped the punk wig style.) The character of Willy Wonka is more mysterious and even sinister when played by either Gene Wilder or Johnny Depp. Some may say ‘don’t frighten the children’ – but we all survived the green-faced evil queen in “Snow White and the Seven Dwarves”.

The character of Augustus Gloop becomes a derivative of the SNL Schwarzennegger spoof called ‘Hans and Franz’. The tots didn’t get it and the parents were too busy trying to get them to watch this drivel to connect with the joke either. Veruca Salt is a cell phone-toting brat with a dog in her purse. Calling Paris Hilton! The Character of Mike Teavee is portrayed as an insolent youth obsessed with video games. It was more ripped from the headlines of spree crimes than an updated portrayal. Violet B. is a weird incarnation of the insufferable ‘Snooki’ zeitgeist from reality television.

As a parent and an aunt I was disappointed in the adaptation. This has either the aroma of someone who says, “I don’t watch television” or it’s just lazy writing. I include in the lazy category the sets and the Oompa Loompas. They were portrayed by finger puppets on a stick and then hinge jawed Muppet look-alikes (fyi: the hinge-jawed things were the most inspired part of this show.)

I have seen better at Emerald City with the productions of Pinkalicious (our review ★★★½) and Don’t Let The Pigeon Drive The Bus! (review ★★½). These shows used the well-known tagline ‘Discover a World of Pure Imagination’, but the creative team didn’t really put much of that slogan into this show.

I suspect that children are smarter and more imaginative than this. Generations have survived fairy tales from Grimm and Hans Christian Anderson without lingering damage. This antiseptic approach to a similarly dark fantasy is doing a disservice to the tot set. I graduated from the illustration heavy tot books when my mom took me to see “Peter Pan” some 47 years ago. An imaginative production at a children’s theater made me want to read more or have it read to me and, yes, it tweaked my imagination.

  
  
Rating: ★★
  
  

Charlie's father, Willie Wonka and Charlie in 'Charlie and the Chocolate Factory' at Emerald City Theatre Chicago.

Charlie and The Chocolate Factory runs about one hour without intermission. The show run is through August 15th of 2011. Go to www.emeraldcitytheatre.com for times and dates. With the long run, EC might make some improvements (or at least build some more Oompa Loompas). In the meantime, I suggest reading the Roald Dahl book (even abridged and illustration heavy!) to your children first and then ask what they have to say.

  
  
February 15, 2011 | 2 Comments More

REVIEW: Don’t Let the Pigeon Drive the Bus! (Emerald City)

  
  

Having fun while learning the importance of responsibility

  
  

From left to right: Daiva Bhandari as Duckling, Bret Beaudry as Bus Driver, and James Zoccoli as Pigeon.

  
Emerald City Theatre presents
   
Don’t Let the Pigeon Drive the Bus!
  
From the books by Mo Willems
Adapted by
Ernie Nolan 
Directed by
Jacqueline Stone
at
Apollo Theatre, 2540 N. Lincoln (map)
thru April 10  |  tickets: $13-$16   |  more info

To be clear, I am way past the age of three and above which is the recommended age for Emerald City Theatre’s Don’t Let The Pigeon Drive The Bus!. However, there are always lessons to be learned about sharing, responsibility, and respect no matter one’s age. Ernie Nolan adapts this production from the popular ‘Pigeon’ books by Mo Willems. They include: “The Pigeon Finds a Hot Dog”, “Don’t Let the Pigeon Stay Up Late”, “Pigeon Wants a Puppy”, as well as “Don’t Let The Pigeon Drive The Bus!”

It is a colorful and stimulating hour or so of entertainment for children. The set is a beautiful rendering of a city park that looks just like a children’s book. The music consists of fun lyrics set to familiar tunes like the “Can-Can” and Bizet’s Carmen.

"Can I PLEASE drive the Bus?" From left to right: Daiva Bhandari as Duckling, James Zoccoli as Pigeon, and Bret Beaudry as Bus Driver.Bret Beaudry plays the role of Bus Driver. His character is the moral consciousness and adult figure in the play. Beaudry lights up in this role. He is adept at playing for laughs and not condescending to the kids. Beaudry has a wonderful energy, especially in the game show segment when he dons a sparkly jacket and obnoxious bow tie.

Bus Driver is a well-drawn caricature and plays well off of the character of Duckling, played by Daiva Bhandari. Duckling is anthropomorphized as a human/animal hybrid but quite believable. Ms. Bhandari is delightful in a hyper-real yellow bob and tutu. Her character represents the good kid and great example.

It’s fun and educational to see Duckling win the game show by being prepared and responsible. The lesson was given without the hammer fist of good kid vs. bad kid.

James Anthony Zoccoli plays the role of Pigeon, and his character is the classic kid with ADHD. Pigeon is all over the place, wanting his way and pouting about never getting his way (insert wah-wah music here). Zoccoli is costumed in everyday baggy khakis, hoodie, and a baseball cap. I’m not sure why Pigeon wasn’t more outrageously attired or given more colorful accessories. Might it be that the costumer was making a statement about how common pigeons are in an urban setting-therefore the hip-hop attire?  It felt like Pigeon didn’t have some class privileges and was excluded. Whatever the reason, I found Pigeon more difficult to relate to from my inner child’s vision. Mr. Zoccoli is funny and good at relating the need for better behavior to kids but didn’t embody the same childlike zany energy coming from him. It was as if an adult had been dropped into the scene that had carte blanche to act like a kid.

Jacqueline Stone is the director for Don’t Let The Pigeon Drive The Bus!. She does a good job of matching the pace with a child’s attention span. The different vignettes are reminiscent of a day in Pee-Wee Herman’s Playhouse: the scene of the giant puppy is a funny lesson in being careful what you ask for, as surely you will get it; the hot dog story was a great lesson in sharing. A general motif is created whereby the pigeon is basically manipulated or tricked into doing the right thing. I would have liked to see Pigeon happy about a lesson learned versus being miffed.

James Zoccoli as Pigeon is not so sure he wants a puppy anymore.

In paying attention to the kid’s reactions in the audience, it’s obvious that kids are very observant; it’s not easy to put something over on them. Kids will call you out on obvious stuff like it’s Duckling under the giant puppy head. It’s odd – kids will suspend reality for a human duck hybrid, but then spot the barely-visible bright yellow costume in a dual role as puppy.

Keep in mind that some children will be afraid having story books come to life. One little girl behind me was freaked out for most of the first half hour. She was crying to get out of there and I understood. I was the kid who had nightmares about Garfield Goose taking me away in a shopping cart. You never really know what is in a child’s mind.

Emerald City always has fun activities and props for the kids. Duckling was on hand before the show to put ketchup, mustard, relish, and onions (sticker dots) on paper hot dogs. The characters are available for pictures and autographs after the show as well. I recommend this show for kids 3 and up who have read the “Pigeon” series. It’s a fun and smart way to introduce theater to very young children. (It was also a great way to resolve my Garfield Goose issues!)

  
  
Rating: ★★½
  
   

Don’t Let The Pigeon Drive The Bus! runs through April 10th, 2011 at the Apollo Theater located at 2540 N. Lincoln Avenue in Chicago. Go to emeraldcitytheatre.com for more information on Emerald City and the wonderful programs for early childhood education through theatre. The playbill has some fun stuff in it for parents and children to share as well.

From left to right: Bret Beaudry as Bus Driver, James Zoccoli as Pigeon, and Daiva Bhandari as Duckling.

Extra Credit

  
  
January 22, 2011 | 0 Comments More

REVIEW: The Wizard of Oz (Emerald City Theatre)

     
     

Learning to love the things you’ve had all along

     
     

Wizard of Oz - Emerald City Theatre

   
Emerald City Theatre presents
   
The Wizard of Oz
   
Written by L. Frank Baum, Adapted by John Kane
Music/Lyrics by
Harold Arlen and E.Y. Harburg
Directed by
Ernie Nolan
at
Apollo Theater, 2540 N. Lincoln (map)
Through Jan 2  |  tickets: $13-$16  |  more info

Reviewed by Oliver Sava

I love children’s theater because the audience’s limited attention span forces wild, fearless performances from the actors as they try to hold the concentration of both children and parents. Emerald City Theatre is one of the city’s premier children’s theater companies, and their holiday production of The Wizard of Oz incorporates audience interaction and puppetry to create a visually exciting production that understands the actor/child dynamic. The actors give unbridled performances that keep the momentum moving briskly, and while they might not be the strongest in term of technique, they make up for it by having so much fun in their characters.

Molly Tower as Glinda the Good Witch - Emerald City TheatreEmerald City’s production High School Musical­-izes Arlen and Harburg’s score with a rhythm section and guitars, but the songs never lose their classic appeal. Karle’s “Somewhere Over The Rainbow” is a rousing number that captures Dorothy’s desire to find a world outside the dreariness of the Kansas countryside, and the actress’s effortless belt gets the show off to a great start. In Oz, Dorothy is greeted by Glinda’s (a hilariously irreverent Molly Tower) angelic soprano, accompanied by the denizens of Munchkinland.

As she makes her way to the Emerald City, Dorothy encounters new faces, including Scarecrow (Bret Beaudry), who serves as a major source of physical comedy throughout the show. Tinman (James Nedrud) is cleverly portrayed as an Elvis-like crooner and carries a guitar for an axe, appropriate for the Million Dollar Quartet housing Apollo Theater, and Nedrud has a smooth vocal quality that is perfect for the character. The only one of Dorothy’s new friends that struggles is Lion (Shea Coffman), and the difficulty of the character’s music isn’t helped by the ornaments Coffman adds to almost every sustained note.

Using puppets for the munchkins is hilarious and efficient, and the low-budget shortcuts that Emerald City takes contribute to much of the show’s charm. Kevin Beltz’s economical set unfolds Dorothy’s house to reveal walls with turning panels to signify location, all located in the walls of Dorothy’s home that unfolds during the storm. It’s a great effect that also saves a lot of money on scenery. Despite not being the most technically astounding or polished production, the show’s simplicity and dedicated ensemble make Dorothy’s journey through Oz easy for kids to enjoy while still entertaining for adults.

If I only had a heart by Emerald City Theatre Company Find Her! - The Wicked Witch by Emerald City Theatre Company
If I only had a brain! by Emerald City Theatre Company The Wicked Witch of the West by Emerald City Theatre Company When I am king of the forest by Emerald City Theatre Company

It is surprising how well Baum’s classic story works in a holiday setting, as the storm that whisks Dorothy away, in this production, occurs just before Christmas. Maybe it’s the combination of red and green that comes from ruby slippers – adorably reimagined as glistening ankle-boots – and the Emerald City. More likely, the connection comes from how well Baum taps into the holiday spirit of giving thanks, and taking pleasure in the company of people that will always be there for you. The important part of the holidays isn’t the presents you get, but learning to love the things you’ve had all along.

   
  
Rating: ★★★
   
  

Off to see the Wizard

        
        
November 28, 2010 | 4 Comments More

REVIEW: Pinkalicious (Emerald City Theatre)

Think Pink!

 

 Pinkalicious 9.18.2010 1

   
Emerald City Theatre presents
 
Pinkalicious   
  
Book/lyrics by Victoria and Elizabeth Kann
Music & additional lyrics by
John Gregor
Directed by
Ernie Nolan
at
Apollo Theater, 2540 N. Lincoln (map)
through January 3  |  tickets: $13-$16  |  more info

Reviewed by Allegra Gallian

Sometimes there is such a thing as too much of a good thing – as Pinkalicious Pinkterton learns in the Midwest premiere of Pinkalicious, the musical story of a young girl who gets Pinktitis from eating one too many pink cupcakes.

Emerald City Theatre’s production of Pinkalicious, based on the popular children’s book by Elizabeth Kann and Victoria Kann, brings children’s fantasy to life with its set design by Ernie Nolan. The stage is full of bright, vivid colors in hues of pinks, lime Pinkalicious 9.18.2010 2 greens, baby blues and yellows. The kid-friendly set boasts over the top scenery with giant pink glittery flowers, background houses decorated in musical scores and cupcakes everywhere. It’s certainly attention-grabbing, and the children in the audience were fascinated as they explored the set before the show began.

Pinkalicious opens on the Pinkerton family. Each cast member is automatically outgoing and bursting with energy. Pinkalicious (Lara Mainier) makes pink cupcakes with her mom, Mrs. Pinketeron (Rachel Klippel) and her brother, Peter (Shea Coffman). She wants to eat more and more but her mom and dad (Patrick Byrnes) says no, explaining why in the song “You Get What You Get and You Don’t Get Upset.” Mainier is bright and bubbly with a wonderful childlike demeanor. When she breaks out in to song, however, it seems as though some of the music is out of her vocal range and she loses the strength in her singing voice. Coffman’s Peter is a strong presence on stage and he’s a riot to watch.

The next morning Pinkalicious wakes up to discover she has turned pink from head to toe. Not know what else to do, her parents rush her to see Dr. Wink (Julia P. Gordon) who diagnoses the problem as Pinktitis. Pinkalicious is overjoyed at her condition but her parents worry. Dr. Wink informs them that the only cure is eating green foods, explained in the catchy song dance number, “Pinktitis.” Where the singing tends fall flat, the dancing shines. Highly entertaining dance numbers are well choreographed by Nolan and it’s hard not to smile while watching. The singing, on the other hand, is sometimes compromised for characterization and movement, and a little stronger diction could help audience members understand the lyrics.

John Gregor’s music throughout Pinkalicious varies in styles like pop, jazz and blues, but all the numbers are upbeat and amusing. Peter sings a bluesy number, “Pink Blues,” that allows Coffman to really show off his vocal talent. It’s clear he’s the strongest signing voice in the cast as he makes this number his own.

Pinkalicious 9.18.2010 3 Pinkalicious 9.18.2010 5

Pinkalicious at first refuses to eat anything green, but after her condition worsens and she turns from pink to red she decides it’s time to be brave and sings “Green Food,” an adorable song about eating her greens. Pinkalicious is not only an entertaining show, but it also sends a good message to the children in the audience about the importance of eating healthy.

The whole cast offers quality, fully-embraced characterization that they push far enough out to create exaggerated, engaging characters that keep the children’s attention for the entire one-hour show time. Pinkalicious even allows for the children to interact with the performers, answering questions and allowing them to become a part of the magic. The show flows along well and never drags because they cast keeps their energy levels high throughout.

Pinkalicious proves to be a whirlwind of fun and fantasy that’s perfect for kids (and kids at heart) of all ages. It’s impossible not to leave with a smile on your face and your step – if not pinker – then just a little bit lighter.

   
 
Rating: ★★★½   
   
   

Pinkalicious plays at the Apollo Theater, 2540 N. Lincoln Ave., through December 31. Tickets are $16 for adults and $13 for children and can be purchased through Emerald City’s Web site or by calling 773-935-6100.

Pinkalicious 9.18.2010 4

     
     
September 21, 2010 | 3 Comments More