Tag: Floyd Mutrux

Review: Million Dollar Quartet (Paramount Theatre)

Kavan Hashemian and Adam Wesley Brown star as Elvis Presley and Carl Perkins in Million Dollar Quartet            
      

  

Million Dollar Quartet
 
Book by Colin Escott and Floyd Mutrux
Paramount Theatre, Aurora, IL (map)
thru Oct 29  |  tix: $36-$64  |  more info
       
Check for half-price tickets   
     

October 7, 2017 | 1 Comment More

After 8 record-breaking years, Million Dollar Quartet to bid farewell to Chicago

         
 Brandon Bennett, Adam Lee, Lance Lipinsky, Shaun Whitley, Robby Kipferl, Chris Damiano, Andy Ahrens, Patrick Morrow, Jay Perkins and Kelly Lamont star in "Million Dollar Quartet" at Chicago's Apollo Theater.

Chicago’s longest-running Broadway musical to close

With almost 3,000 performances and now in its eighth year in Chicago, Million Dollar Quartet, Chicago’s longest-running Broadway musical (our review ★★★½), is set to close this coming January.  The Tony Award winning rock ‘n’ roll musical has been breaking box office records at the Apollo Theater, where it will be running for only twelve weeks more.  (read more) 

October 19, 2015 | 0 Comments More

REVIEW: Million Dollar Quartet – yeah, it still rocks!

Yeah, it still rocks

 

milliondollarquartet-all

       
Apollo Theater Chicago presents
   
Million Dollar Quartet
   
Book by Colin Escott and Floyd Mutrux
Musical Arrangements by
Chuck Mead
Directed by
Floyd Mutrux & Eric Schaeffer
at
Apollo Theater, 2540 N. Lincoln (map)
through September 5th  |  tickets: $59-$80  |  more info

reviewed by Oliver Sava

I know two people that have seen Million Dollar Quartet over 30 times. A retired married couple, they are the target audience of the musical: seniors with a nostalgic appreciation for the pioneers of rock n’ roll. I have a nostalgic appreciation for No Doubt. My knowledge of Johnny Cash’s music is the “Walk the Line” soundtrack, my Elvis I.Q. is limited to my mother’s cassettes on road trips, and I recognize the songs mdq-03 of Carl Perkins and Jerry Lee Lewis, but know next to nothing about the men themselves. That being said, Million Dollar Quartet is currently playing on Broadway with a national tour in the works and Tony nominations in its pocket, so it’s got to be good, right?

It is.

I expected dynamic musical numbers from skilled performers, but Million Dollar Quartet is more than just a glorified cover band. Escott and Mutrux’s book is edutainment at its finest, a spirited history lesson on the early days of rock n’ roll centered on legendary music producer Sam Phillips (Tim Decker), the man responsible for the superstar jam session. Decker understands the emotional journey of his character, from Phillips’ pride in the humble Sun Records, his anger at losing his major talent, and his hope in the future of rock n’ roll. Phillips’ devotion to the music is clear in Decker’s confidence on stage, portraying a man whose home is the studio.

Flashbacks to Phillips’ first encounters with Perkins (Gabe Bowling), Cash (Sean Sullivan), and Presley (David Lago) establish the relationship between the musicians and their producer, and reveal how paramount Phillips was to the evolution of these men as artists. These three men are the already established Sun Records family, three brothers that don’t always get along but respect each other, with Lewis (Lance Lipinsky) as the cocky new kid with the potential to be a star. When the four of them play together, the results are electric, and Phillips is that tie that binds them.

The thrill of Million Dollar Quartet is seeing four legends playing together for the first and only time. The actors have to sell the illusion for maximum impact, and the new cast does so admirably. Lipinsky has big shoes to fill – Levi Kreis is nominated for a Tony and has won the Outer Critics Circle for Best Featured Actor – but he backs up Lewis’s ego with boundless energy and fevered fingers that showcase his technical mastery. Lipinsky’s mischievous smile and carefree demeanor contrast with his more professional comrades, providing comic relief and adding tension to the script, particularly in his interactions with Bowling’s hotheaded Perkins. With his hit song “Blue Suede Shoes” usurped by Presley and his record sales dwindling, Perkins stands to lose the most, and Bowling finds the desperation that lies beneath the temper.

mdq01Sullivan has Cash’s bass vocals down pat, and his gentle conduct serves to make the character’s conflict – telling Phillips he will not be renewing his Sun contract – all the more believable. As the most imitated of the group, Lago does all the hip shaking and lip curling you expect, but is careful not to become a caricature. At this point in his career Elvis is still a young upstart, and Lago plays him with an understated sexuality that suggests a man not yet in control of the power he has over people, especially women. Kelly Lamont brings some estrogen to the studio as Dyanne, Presley’s sassy girlfriend with a powerhouse belt, and her rendition of “Fever” smolders, starting softly and building in intensity until the last note. Watching the quartet take turns flirting with her is consistently amusing, and the a cappella fan in me swooned as she vocalized the fiddle part in “Riders in the Sky.”

When the quartet plays, they forget about contracts and television appearances and just live in the music. That release is rock n’ roll, and Million Dollar Quartet is a fitting tribute to its early years that shouldn’t be missed.

   
   
Rating: ★★★½
   
   

 

   
  
June 9, 2010 | 0 Comments More