Tag: Fuerza Bruta

Broadway in Chicago continues 2010-2011 Season

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Broadway in Chicago’s 2010/2010 season to include:

  • Wicked
  • Next to Normal
  • 9 to 5
  • Hair
  • Spring Awakening
  • Beauty and the Beast
  • Working
  • Peter Pan

TRACES

October 26, 2010 – January 1, 2011

Broadway Playhouse 

 

Broadway in Chicago - Traces - Broadway Playhouse7 Fingers (Les 7 doigts de la main) is an astonishingly talented French Canadian company that has pioneered a whole new brand of theatrical entertainment, and their smash-hit production, TRACES, will launch its U.S. tour in Chicago this fall. Combining awe-inspiring acrobatic training with infectious urban energy, seven performers deliver dazzling, gravity-defying displays of skill that produce “one of the most creative and inspiring pieces of entertainment I’ve ever witnessed” (Edinburgh’s The Sun)–balancing on each other’s heads, tumbling through hoops and leaping spectacularly up giant poles without using their hands. More than just a display of acrobatic brilliance, the audience is gradually drawn into the performers’ real life stories and, by the final, dramatic climax of the show, on the edge of their seats, willing them to pull off the seemingly impossible. “Mesmeric, spontaneous and unpretentious,” ( London ’s Metro), this thrill-a-minute show will leave you begging for more.

 

 


GOD OF CARNAGE

November 30 – December 12, 2010

small_God-carnage-logo The son of one couple has broken two teeth of the son of another. At first diplomatic niceties are observed, but as the couples meet to resolve things, and the rum begins to flow, huge tensions emerge and the gloves come off, leaving more than just their liberal principles in tatters. Winner of the 2009 Tony® Award for Best Play and Best Director (Matthew Warchus), GOD OF CARNAGE is “the funniest play on Broadway!” raves WOR radio.

 

 


WICKED

December 1, 2010 – January 23, 2011

wicked Entertainment Weekly calls WICKED “the best musical of the decade.” WICKED, the longest-running Broadway musical in Chicago theatre history, is returning to Chicago . Winner of 26 major awards, including a Grammy and three Tony® Awards, WICKED is Broadway’s biggest blockbuster, a cultural phenomenon and was just named “the defining musical of the decade” by The New York Times.  Long before that girl from Kansas arrives in Munchkinland, two girls meet in the land of Oz.  One–born with emerald green skin–is smart, fiery and misunderstood.  The other is beautiful, ambitious and very popular. How these two grow to become the Wicked Witch of the West and Glinda the Good makes for “the most ‘Popular’ piece of Chicago theatre in a generation” (Chris Jones, Chicago Tribune).

 


9 to 5: THE MUSICAL

January 18 – January 31, 2011

9-59 to 5: THE MUSICAL is a hilarious story of friendship and revenge in the Rolodex era. This new musical comedy, direct from Broadway, is based on the hit movie and features Dolly Parton’s original hit title song along with her new Tony® Award and Grammy nominated score. The book is by Patricia Resnick (co-writer of the original screenplay). 9 to 5: THE MUSICAL tells the story of three unlikely friends who conspire to take control of their company and learn there’s nothing they can’t do — even in a man’s world. Outrageous, thought-provoking and even a little romantic, 9 to 5: THE MUSICAL is about teaming up and taking care of business… it’s about getting credit and getting even… and it’s about to open in Chicago!

 


BURN THE FLOOR

February 1 – February 13, 2011

burnfloor The international dance sensation BURN THE FLOOR visits Chicago direct from its record-breaking run on Broadway! You’ve seen Ballroom dance on shows like “Dancing with the Stars” and “So You Think You Can Dance.” Now, with BURN THE FLOOR, you will feel, live on stage, all the passion, the drama and the sizzling excitement of 20 gorgeous champion dancers, in a true theatrical experience, a performance with a grace and athleticism that The New York Times calls, “Dazzling!” From Harlem’s hot nights at The Savoy, where dances such as the Lindy, Foxtrot and Charleston were born, to the Latin Quarter where the Cha-Cha, Rumba and Salsa steamed up the stage, BURN THE FLOOR takes audiences on a journey through the passionate drama of dance.  The elegance of the Viennese Waltz, the exuberance of the Jive, the intensity of the Paso Doble – audiences with experience them all, as well as the Tango, Samba, Mambo, Quickstep and Swing.  It’s Ballroom. Reinvented.


LES MISERABLES

February 2 – 27, 2011

Cadillac Palace Theatre

Cameron Mackintosh presents a brand new 25th anniversary production of Boublil & Schönberg’s legendary musical, Les Miserables, with glorious new staging and spectacular re-imagined scenery inspired by the paintings of Victor Hugo. This new production has already been acclaimed by critics, fans and new audiences and is breaking box office records wherever it goes. The London Times hails the new show “a five star hit, astonishingly powerful and as good as the original.” The Western Mail says “an outstanding success.”  

 


RAIN: A TRIBUTE TO THE BEATLES

February 8 – February 13, 2011

Ford Center for the Performing Arts 

Rain BeatlesRAIN, the acclaimed Beatles concert, returns by popular demand, direct from Broadway! They look like them and they sound just like them!  “The next best thing to seeing The Beatles,” raves the Denver Post.   All the music and vocals are performed totally live!  RAIN covers The Beatles from the earliest beginnings through the psychedelic late 60s and their long-haired hippie, hard-rocking rooftop days. RAIN is a multi-media, multi-dimensional experience…a fusion of historical footage and hilarious television commercials from the 1960s lights up video screens and live cameras zoom in for close-ups. “A thrilling bit of time-warping nostalgia…Boomer Heaven!” raves The Fort Worth Star-Telegram. “Uncanny! RAIN are a quartet of fine musicians in their own right…as The Beatles, they triumph!” cheers the Boston Herald.  “An adoring Valentine to The Beatles,” declares the Washington Post.  Sing along with your family and friends to such favorites as “Let It Be,” “Hey Jude,” “While My Guitar Gently Weeps,” “Come Together” and “Can’t Buy Me Love,” and relive Beatlemania from Ed Sullivan to Abbey Road!

 


WORKING

February 15 – May 8, 2011

Broadway Playhouse

Working - Broadway Playhouse - ChicagoWORKING is a vital new musical based on the book by Pulitzer Prize-winning author and Chicago ’s own Studs Terkel.  Newly adapted by Stephen Schwartz (WICKED, PIPPIN and GODSPELL), WORKING is the working man’s A CHORUS LINE.  It is a musical exploration of people from all walks of life, with twenty-six songs by all-star composers Craig Carnelia, Micki Grant, Tony Award™ winning Lin-Manuel Miranda, Mary Rodgers, Susan Birkenhead, Stephen Schwartz and Grammy Award™ winning James Taylor.  WORKING celebrates everyday people, fills you with hope and inspiration and is the perfect musical for anyone who has ever worked a day in their lives.

 


HAIR

March 8 – 15, 2011

Ford Center for the Performing Arts

The Public Theater’s 2009 Tony-winning production of HAIR is an electric celebration on stage! This exuberant musical about a group of young Americans searching for peace and love in a turbulent time has struck a resonant chord with audiences young and old. Its ground breaking rock score paved the way for some of the greatest musicals of our time. HAIR features an extraordinary cast and dozens of unforgettable songs, including “Aquarius,” “Let the Sun Shine In,” “Good Morning, Starshine” and “Easy To Be Hard.” Its relevance is UNDENIABLE. Its energy is UNBRIDLED. Its truth is UNWAVERING. It’s HAIR, and IT’S TIME.


MERCHANT OF VENICE

March 15 – 27, 2011

Bank of America Theatre 

From the acclaimed Theatre for a New Audience, the first U.S. theatre to be invited to the Royal Shakespeare Company, comes Shakespeare’s tragicomedy following command runs Off- Broadway and in Stratford-Upon-Avon . Starring Oscar winner F. Murray Abraham in his riveting portrayal of Shylock, and directed by Darko Tresnjak (former Artistic Director, Old Globe), the play has been arousing controversies for centuries with raucous and gentle comedy, tender poetry, and its struggle with mercy and justice. In this riveting update, religion, race and sexuality collide with love, family and justice and the currency of society and humanity has never been so changeable.

 


WISHFUL DRINKING

April 5 – 17, 2011

Bank of America Theatre 

WISHFUL DRINKING, Carrie Fisher’s autobiographical solo show, follows Fisher’s life. Born to celebrity parents, Fisher lands among the stars when she’s picked to play a princess in a little movie called ‘Star Wars.’ But her story isn’t all sweetness and light sabers. As a single mom, she also battles addiction, depression, mental institutions, and that awful hyperspace hairdo. It’s an incredible tale–from having her father leave her mother for Elizabeth Taylor to marrying and divorcing singer/songwriter Paul Simon, from having the father of her baby leave her for a man to waking up one morning and finding a friend dead beside her in bed. Don’t miss this opportunity to see Carrie Fisher’s hit Broadway show.

 


NEXT TO NORMAL

April 26 – May 8, 2011

Bank of America Theatre 

 

Next to Normal - Broadway in ChicagoFrom the director of Rent comes the most talked about new show on Broadway, NEXT TO NORMAL, winner of the 2010 Pulitzer Prize for Drama and three 2009 Tony Awards including Best Score.  Alice Ripley who received the 2009 Tony Award for Best Actress in a Musical, will reprise her acclaimed performance in Chicago . Having been chosen as “one of the year’s ten best” by major critics around the country, NEXT TO NORMAL is an emotional powerhouse of a musical with a thrilling contemporary score about a family trying to take care of themselves and each other.  The New York Times calls NEXT TO NORMAL “a brave, breathtaking musical.  A work of muscular grace and power.  It is much more than a feel-good musical; it is a feel-everything musical.” Rolling Stone raves, “It is the best musical of the season – by a mile.  It’ll pin you to your seat.”


PETER PAN

Begins April 29, 2011

Chicago Tribune Freedom Center North

 

Peter Pan Chicago - Tribune Freedom Center North - Broadway in ChicagoBroadway In Chicago and threesixty° entertainment are excited to announce a unique event – a spectacular new production of J M Barrie’s classic story, PETER PAN, at the Chicago Tribune Freedom Center. Conceived by an award-winning creative team, the SMASH HIT Peter Pan features twenty-two actors, stunning puppets, epic music and dazzling flying sequences surrounded by breathtaking video projection using the world’s first 360-degree CGI theater set. Both cast and audience fly over Edwardian London. Performed in a state-of-the-art theater pavilion, this magical new “in-the-round” production of Peter Pan is an extraordinary experience for the whole family.

 


SPRING AWAKENING

May 3 – 8, 2011

Bank of America Theatre 

Spring Awakening - Broadway in ChicagoThe winner of 8 Tony Awards, including Best Musical – told by Duncan Sheik and Steven Sater through “The most gorgeous Broadway score this decade” (Entertainment Weekly) – SPRING AWAKENING explores the journey from adolescence to adulthood with poignancy and passion you will never forget. The landmark musical SPRING AWAKENING is an electrifying fusion of morality, sexuality and rock & roll that is exhilarating audiences across the nation like no other musical in years. Join this group of late 19th century German students on their passage, as they navigate teenage self-discovery and coming of age anxiety in a powerful celebration of youth and rebellion in the daring, remarkable SPRING AWAKENING. “Broadway may never be the same again!” NY TIMES

 


DISNEY’S BEAUTY AND THE BEAST 

June 28 – July 10, 2011

Broadway in Chicago - Beauty and the BeastThe romantic Broadway musical for all generations, NETworks presentation of DISNEY’S BEAUTY AND THE BEAST, the smash hit Broadway musical, returns to Chicago ! Based on the Academy Award-winning animated feature film, this eye-popping spectacle has won the hearts of over 35 million people worldwide. Hailed by the Chicago Sun-Times as “warm and winning performances, a tuneful score, and real heart,” the classic musical love story is filled with unforgettable characters, lavish sets and costumes, and dazzling production numbers including “Be Our Guest” and the beloved title song. Experience the romance and enchantment of DISNEY’S BEAUTY AND THE BEAST!



 

TICKETS

Group tickets are currently available for all of the 2011 Season Series shows.  Groups of 15 or more may receive a discount on most shows by calling (312) 977-1710.  2011 Season Series subscription packages will go on-sale to new subscribers on September 12, 2010.  Broadway In Chicago gift certificates, which can be redeemed for any production or for season ticket packages, can be obtained at Broadway In Chicago box offices, www.BroadwayInChicago.com or by calling Ticketmaster at (800) 775-2000.

 

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November 18, 2010 | 10 Comments More

REVIEW: Traces (Broadway in Chicago)

   

Extended through January 1st!!

  
  

I heart ‘Traces’!

 

 

Cast of Traces

   
Broadway in Chicago presents
  
Traces
   
Directed/Choreographed by
Shana Carroll and Gypsy Snider
at
Broadway Playhouse, Water Tower Place (map)
through Dec 19 Jan 1  | tickets: $50-$72  |  more info

Reviewed by Katy Walsh

A teeter-totter is harmless, right? Sure, until two men plummet from 20+ feet above to land on the teeter to send another guy tottering to the ceiling. Then, a teeter-totter officially becomes a death threat. Broadway in Chicago presents the Chicago premiere of Traces. The Montreal-based performance troupe kicks off its North American Tour at the newly renovated Broadway Playhouse. Six guys and a gal open the show with a strobe-lit pulsating number of flips and tumbles. With exhilarating music and shadow silhouettes, people are flying through the air without wires or nets.

Chairs - Florian ZumkehrClad in similar suits, the ensemble sheds their attire in a let’s-get-down-to-business energy. Traces stomps the mundane with Fuerza Bruta jams (our review ★★★) and Hephaestus stunts (review ★★★½) to Rent stories. The result is a heart-pounding, heart-tugging, heart-attacking spectacle. I heart Traces!

It’s the combinations that make Traces a unique stand-out on the cirque. At the heart of it, the combo of performers is surprising. One girl? Valerie Benoit-Charbonneau is one of the guys until she isn’t. In a flirtatious number with Mason Ames, Benoit-Charbonneau uses athletic ballet moves to simulate a smoldering encounter. Ames hurls and catches her… over his head, her feet on his palms. Playing out a very physical disagreement, this tryst is an exercise in trust. At 6’2 and 228 pounds, it’s not shocking that Ames anchors aerobatics. The astonishment is when he shoots through a small circle or dangles from a pole. Ames is one limber lumberjack. Philippe Normand-Jenny is the other big guy amazingly tottering with heights, his own and the stage’s. Florian Zumkehr balances on his head but the impressive part is it’s on the tippy-top of the back of a chair on the peak of a mountain of chairs. Crazy-breath holding moments. Zumkehr also scales two poles with monkey-like agility. The entire troupe hit the poles for a gravity-denying seduction. It’s some of the hottest pole dancing ever imagined! The mixture of props adds to the intriguing concoction. In a life-size hoola hoop, Bradley Henderson spins his own whimsy with controlled balance. Matthieu Cloutier dons roller skates swirling around stage and over playmates effortlessly. In the finale, all seven flip, jump and twist through stackable circles. Just when it seems the pile shouldn’t get any higher, 7 Fingers heaps on three more rounds to continue the captivating escalation. Each time, Xia Zhengqi magically bulls-eyes the target. Zhengqi is a supernatural phenomenon.

 

Chinese Poles - Bradley Henderson Chinese Hoops - Bradley Henderson Hand to Hand - Mason and Valerie

Besides the freaky-talented ensemble combo, Traces provides a personal approach to the circus theatrics. Biographical information is shared by individual performers. Not just driver’s license info but three words to use to self describe. An intimate bond develops. Knowing Mason self identifies as ‘clumsy’ makes me worry about his scaffold plunging. Multi-media is also used for a distinctive element. Various projected camera angles showcase action from different perspectives. Overhead filming provides a kaleidoscope effect to the visual. The stage looks like a rehearsal room. The illusion makes the drawing, dribbling, reading, keyboarding, and strumming seem like organic breaks in the action. To some, the transition might seem clunky. For me, these shifts allowed the performers and myself to get our heartbeats back to a normal rhythm

      
     
Rating: ★★★★
   
    

Traces runs Tuesdays, Wednesdays, Thursdays, Sundays at 7:30pm, Fridays and Saturdays at 8pm, and Wednesdays, Saturdays, Sundays at 2pm.  Traces runs thru December 19th.

Running Time: Ninety minutes with no intermission

        
        
November 4, 2010 | 2 Comments More

REVIEW: Fuerza Bruta: Look Up (Broadway in Chicago)

    

Immerse yourself into the under-world of Fuerza Bruta

 Fuerza Bruta 6

 
Broadway in Chicago and Ozono Producciones presents
 
Fuerza Bruta: Look Up
 
Created by Diqui James
Music composed by
Gaby Kerpel
at
Auditorium Theatre, 50 E. Congress (map)
through July 25th  |  tickets: $47-$77  |  more info

reviewed by Katy Walsh

Dance music blaring, strobe lights flashing, neon straws glowing… and that’s preshow in the theatre lobby. Broadway in Chicago and Ozono Producciones presents Fuerza Bruta: Look Up, the Argentina-born performance art phenomenon. The experience starts in the lobby at the Auditorium Theatre. Converted to a nightclub lounge, the lobby, equipped with Fuerza Bruta 2a bar, couches and empanadas, opens an hour before show time to (literally) build up the buzz for the main event. Ten minutes before curtain, security staff usher guests into the theatre and on to the stage. According to promoters, the capacity for the show is 800 guests standing comfortably with personal space. That calculation seems ideally inflated by about 200. With the successful opening night crowd, it’s like rush hour on the Red Line but with everybody gawking out the windows at the view. The scenery is visual stimulations of the fast-paced mundane of the world and the whimsical enchantment of the sea kicked up with some Argentina sass. Fuerza Bruta: Look Up is a body rubbing, neck straining, pulsating emersion into a visual spectacle!

By air, water and tread mill, the movement dances through, around and above the crowd. Pictures can’t capture it. Words can’t describe it. Comprehension lies in the experience. Here’s a where-to-look guide to aid in the enjoyment:

  1. Center – hot guy running on treadmill
  2. West Side – women aerial dancing horizontally
  3. West Side – scaffold dancing with snow globe effect
  4. Throughout crowd – performers dancing with audience (watch out for Styrofoam attacks)
  5. Above – flying over-size Reynolds wrap (duck!)
  6. East-North Corner – D.J. mists the crowd
  7. Above – Reynolds wrap covers the crowd
  8. Below – squat down (I cheated on this one… bad knee!)
  9. East-North Corner – More mist!
  10. East –South Corner – scaffold dancing with audience members –more Styrofoam
  11. Above – It’s the whimsy! Looks like sea nymphs. Sounds like hail on the roof.
  12. Above – SPLAT!
  13. Above – More whimsy! Walking on water enchantment.
  14. Above – Slip-n-slide
  15. West Side – hot guy running on treadmill with two others
  16. Throughout crowd – more misting and dancing

Fuerza Bruta 3

I need to see it again because I’m sure I didn’t capture it all. A little more insight, it may be a club scene but the attire should be casual and comfortable! It’s close quarters and crowd shuffling occurs. If you have claustrophobia, stasiphobia or fear of Styrofoam (styrophobia?), this probably isn’t your show. If you enjoy sensory overload and hanging with 799 potential friends, Fuerza Bruta is definitely for you. The performers are smoking hot. The action is riveting. The experience is unique. This is the true actualization of theatre in the round… and above. And when you’re exiting, look out… at the grandeur of being onstage at the historic Auditorium Theatre.

  
  
Rating: ★★★
 

Running Time: Sixty-five minutes with no intermission

May 26, 2010 | 3 Comments More