Tag: Gertrude Stein

Review: Loving Repeating (Kokandy Productions)

Amanda Giles and Caron Buinis star in Kokandy Productions' "Loving Repeating" by Gertrude Stein, Stephen Flaherty and Frank Galati, directed by Allison Hendrix. (photo credit: Michael Brosilow)              
      
Loving Repeating

Theater Wit, 1229 W. Belmont (map)
By Stephen Flaherty (music), Gertrude Stein (lyrics) and Frank Galati (adaptation) 
thru Aug 30 | tickets: $38 | more info
       
Check for half-price tickets   
     

August 14, 2015 | 0 Comments More

Wednesday Wordplay: Leona Helmsley and Gertrude Stein

 

     
Leona Helmsley and dog   I don’t hire people who have to be told to be nice. I hire nice people.
            — Leona Helmsley
        
     
He that can’t endure the bad, will not live to see the good.
            — Jewish Proverb
   
        
     
We are always the same age inside.
            —
Gertrude Stein
  Gertrude Stein quote
        
     
But seduction isn’t making someone do what they don’t want to do. Seduction is enticing someone into doing what they secretly want to do already.
            — Waiter Rant, Waiter Rant weblog, 11-29-05
   
  
     
H G Wells writing  

Moral indignation is jealousy with a halo.

               — H. G. Wells

        
     
Own only what you can carry with you; know language, know countries, know people. Let your memory be your travel bag.
            — Alexander Solzhenitsyn
   
        
     
Annual income twenty pounds, annual expenditure nineteen six, result happiness. Annual income twenty pounds, annual expenditure twenty pound ought and six, result misery.
            — Charles Dickens, David Copperfield, 1849
  charles dickens
        

 

Wordplay Videos

 

Looks like the “Homeless Man with the Golden Voice” got a job!

 

        
        
January 5, 2011 | 0 Comments More

REVIEW: Sketchbook X (Collaboraction)

Collaboraction celebrates the creative spirit with Sketchbook X

 Pictured (left to right): Beth Stelling, Maari Suorsa, Mary Hollis Inboden and Meg Johns in The New Colony Ensemble’s world premiere “Five Lesbians Eating a Quiche,” one of the 19 original short works in SKETCHBOOK  X, a mixed media festival of theatre, music and video presented by Collaboraction, now in its 10th year. The show runs through June 27, 2010 at The Chopin Theatre. http://www.collaboraction.org

   
Collaboraction presents
   
Sketchbook X:   People’s Choice
   
at Chopin Theatre, 1543 W. Division (map)
through June 27th  |  tickets: $20-$35   |  more info

reviewed by Keith Ecker 

What is a play exactly? Is it a dramatic staging of a story? Is it people moving around in a physical space in front of an audience? And furthermore, what separates a play from a sketch or a scene or even a performance art installation?

Pictured (left to right): Jeffrey Gitelle, Ian McLaren and Emily Shain in “Eighty Four” written by Cory Tamler, directed by Dan Stermer. “Eighty Four” is one of the 19 original short works in SKETCHBOOK  X, a mixed media festival of theatre, music and video presented by Collaboraction, now in its 10th year. The show runs through June 27 at The Chopin Theatre These are the questions I was left pondering after seeing Collaboraction’s tenth annual Sketchbook festival, a showcase of original mixed media performances. This  year’s theme was “exponential.” Yes, it is fairly nebulous, and this is perhaps one reason why the output lacks a certain concreteness and cohesion. Characters and plot become secondary to evoking visceral emotions. Sketchbook X in many ways is more circus than drama.

This isn’t to say that the finished product is all spectacle and no substance. There are some standout pieces.

The one that clearly stands out the most is Five Lesbians Eating a Quiche. Unlike other pieces that become crushed under their own weight, Five Lesbians is a witty, stylized comedy. Devised by Evan Linder, the play features five women (Sarah Gitenstein, Mary Hollis Inboden, Beth Stelling, Maari Suorsa and Megan Johns) who head a local social club centered around a shared love of quiche. The women click and cluck like 1950s southern church ladies and harass the audience. When communist Russia bombs the outside world, all quiche is destroyed. The women go into a tizzy, which leads to their outings.

Five Lesbians works because it is the most refined piece of the festival. The script feels fully fleshed out, the actors are well aware of their characters and the comedic timing is impeccable. There is a lot of commitment, and there is little ambiguity. It has an aesthetic all its own that is so engaging I’d pay to see a full-length production.

Pictured (left to right): Beth Stelling, Maari Suorsa, Mary Hollis Inboden and Meg Johns in The New Colony Ensemble’s world premiere “Five Lesbians Eating a Quiche,” one of the 19 original short works in SKETCHBOOK  X, a mixed media festival of theatre, music and video presented by Collaboraction, now in its 10th year. The show runs through June 27, 2010 at The Chopin Theatre

Other standouts include Sacrebleu (devised and performed by Dean Evans, Molly Plunk and Anthony Courser), a pantomimed, slapstick comedy about two eccentric French fur trappers. The short monologue The Blueberry (written by Sean Graney and featuring Celeste Januszewski) is a thoughtful meditation on existence that explains string theory with blueberry imagery.

Other pieces, however, just don’t pan out. What I’m Looking For (written by Brett C. Leonard and featuring Joel Gross and Heather Bodie) is little more than a heavy-handed music video for a Rufus Wainwright song. Meanwhile, The Untimely Death of  Adolf Hitler (written by Andy Grigg and featuring Eddie Karch, Anthony Moseley, Erin Myers, Greg Hardigan and Dan Krall) lacks enough wit to drive the piece beyond its premise. But you can’t expect all the pieces to be gems. Besides, if you don’t like something, just wait 7 to 10 minutes for another play.

Sketchbook-Four-Women As usual, Collaboraction has succeeded in making the festival feel like a big event. The interior of the Chopin Theatre is awash in glowing light and fog. Two large screens flank the sides of the stage and streamers stretch from the floor to the ceiling. It all makes for a breath-taking first impression.

If you want to see all 19 pieces in a row, you’ll have to see the show on a Saturday. Be warned, though. It’s a 4.5-hour long journey, though you are encouraged to come and go as you please.

Overall, Sketchbook X is a mixed bag of intriguing works. The majority of the pieces lack refinement, but there are a few plays that are polished treasures. The theme gets lost among the many productions, but I don’t think that’s the point. Rather, Sketchbook is more of a party that aims to celebrate the creative spirit, and in that sense, it succeeds.

   
   
Rating:  ★★★
   
   

June 23, 2010 | 0 Comments More