Tag: Greg Caldwell

Review: Fight City (Factory Theater)

Kim Boler stars as Erica Burdon in Fight City, Factory Theater            
  

         

Fight City
   
Written by Scott OKen
Factory Theater, 1623 W. Howard (map)
thru Aug 26  |  tix: $25  |  more info    
       
Check for half-price tickets   
     

July 29, 2017 | 0 Comments More

Review: The Last Big Mistake (The Factory Theater)

Angela DeMarco and Kim Boler in Last Big Mistake         
    

     
The Last Big Mistake

Written by Ernie Deak 
The Factory Theater, 1623 W. Howard (map)
thru Apr 30  |  tix: $10-$25   |  more info
       
Check for half-price tickets   
    

April 1, 2016 | 0 Comments More

Review: All My Sons (Raven Theatre)

Chuck Spencer and JoAnn Montemurro star as Joe and Kate Keller in Raven Theatre's "All My Sons" by Arthur Miller, directed by Michael Menendian. (photo credit: Dean La Prairie)        
      
All My Sons

Written by Arthur Miller 
Directed by Michael Menendian
at Raven Theatre, 6157 N. Clark (map)
thru Nov 15  |  tickets: $36   |  more info
       
Check for half-price tickets 
    
        
                   Read review
     

September 27, 2014 | 2 Comments More

Review: Black and Blue (Vault 13 Productions & Raven Theatre)

Chicago Sox fan versus Chicago Cubs fan fighting and rivalry        
       
Black and Blue 

Written by Anthony Tournis and Nick Digilio
Directed by Nick Digilio
at Raven Theatre, 6157 N. Clark (map)
thru July 28  |  tickets: $10-$25   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

June 21, 2013 | 1 Comment More

Review: The Big Knife (Raven Theatre)

Jason Huysman and Jen Short star in Raven Theatre's "The Big Knife" by Clifford Odets, directed by Michael Menendian. (photo credit: Dean LaPrairie)        
       
The Big Knife 

Written by Clifford Odets  
Directed by Michael Menendian 
at Raven Theatre, 6157 N. Clark (map)
thru Nov 11  |  tickets: $36   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

September 21, 2012 | 0 Comments More

Review: Black & Blue (Factory Theater)

     
Laura Deger, Anthony Tournis - Factory Theater Chicago 2
Black & Blue
 

Written by Anthony Tournis and Nick Digilio
Directed by Nick Digilio
at Prop Thtr, 3502 N. Elston (map)
thru Sept 3  |  tickets: $15-$20  |  more info

Check for half-price tickets

      Read entire review

     
August 8, 2011 | 1 Comment More

REVIEW: Cat on a Hot Tin Roof (Raven Theatre)

 

This cat still purrs

 

Raven Cat horiz 1

   
Raven Theatre presents
   
Cat on a Hot Tin Roof
   
Written by Tennessee Williams
Directed by
Michael Menendian
at
Raven Theatre, 6157 N. Clark (map)
through December 19  |  tickets: $30   |  more info

Reviewed by Barry Eitel

Chicago has always had a love affair with Tennessee Williams. This city is where the playwright first found success in 1944 with A Glass Menagerie. The man went on to win a shelf full of Tonys and Pulitzers, but he always had a captive audience in Chicago. Even almost thirty years after death, each theatre season sees a smattering of Tennessee. What makes this more remarkable is that all his best known plays are set in humid locales far removed from the evils of Lake Michigan winters (Glass may be set in the St. Louis, but that’s basically the Midwest’s Florida!).

Raven CAT vert 1 Set in the steamy Mississippi Delta, Cat on a Hot Tin Roof—which earned him his second Pulitzer Prize—covers all the topics that keep Williams relevant. The lengthy play drips in sex, lays bare the dispossession of the nouveau riche in the 20th Century, and cranks out family dysfunction better than a late night talk show. Under the smart directing hand of Michael Menendian, Raven Theatre’s production puts forth a clean production of the canonical text. The superbly talented cast makes the show sing.

An interesting subtlety Menendian caresses out of the script is a change of focus from Maggie (the titular cat) to the touchy relationship between Big Daddy and his alcoholic son, Brick. Sexy, desperate, and, well, catty, it is easy for productions to ride on Maggie’s struggle for survival in a world of plantations and debutants. And the play’s discussion of loveless marriages and repressed homosexuality, refreshingly frank for 1955, often supersede the more classical themes of death and inheritance. Not here. This Cat is not built around Brick’s and Maggie’s wrecked relationship – it’s about Big Daddy’s blind desire to leave his dynasty to the worst candidate for the job, and the resulting consequences.

The show’s paradigm shift is in no way a slight against Liz Fletcher, who portrays Maggie with class and vibrancy. She makes it clear that this cat came from poverty; Fletcher keeps the claws bared. By the final moments, we know she will do anything she has to in order to secure her future. An aloof Jason Huysman brings a healthy dose of humor to his Brick. His main goal is to drink as much as he can until he hears that “click” that will bring peace into his life, and nothing will stop him in his quest (which sounds more depressing than funny, but leads to quite a few laughs). As Brick’s Big Mama, JoAnn Montemurro does great work, keeping the audience tied in to her alternating spats between subservient housewife to head of the family. The breakout performance in the production, though, belongs to Jon Steinhagen as Big Daddy. Steinhagen wraps the character in layers. He’s cranky, lecherous, vicious, yet oddly understanding of Brick’s abnormal (for the time) relationship with his dead friend. In some respects, Steinhagen’s Big Daddy seems more in tune with Brick’s sexuality than Brick.

 

BigMama-Mag-edit Mae-Bow-edit
mag-brick-nylon2,CROPPED_resized Raven Cat horiz 2

The cast keeps the pace breezy and slow, which works in their favor. It has the effect of dousing any sexual fire between Maggie and Brick, but perhaps there shouldn’t really be much there, anyway. There are a handful of overcooked moments that could’ve been sheared off; when Brick enters shirtless and Fletcher gives him a long, silent stare is one example. Katherine Chavez’s guitar-heavy scoring is also unnecessary. It creates artificial melodrama. Raven should leave it to the actors to create the mood.

Either way, this is a rock solid production of a classic American play, which may be its biggest fault (and my problem with Raven in general). There are moments where it feels like a museum piece. Unlike David Cromer’s explosive Streetcar Named Desire (our review) last season, this Cat lacks revelation. I’m not asking for crazy concepts or heavy doses of deconstruction, but, existentially, this production needs a shot in the arm.

   
   
Rating: ★★★
    
   

Maggie-couchcroppedsq-edit

October 20, 2010 | 0 Comments More

REVIEW: The Odd Couple (Raven Theatre)

   

Oddly Uninspiring

 

Pills

  
Raven Theatre presents
 
The Odd Couple
 
written by Neil Simon
directed by
Michael Menendian
at
Raven Theatre, 6157 N. Clark Street (map)
through July 18th  |  tickets: $20-$30  |  more info

reviewed by Keith Ecker 

Oscar is messy. Felix is tidy. Oscar is brash. Felix is meek. Oscar likes gambling and cigars. Felix likes cooking and vacuuming. They’re both divorcees. They live together. They’re not gay.

If you pitched this as a show concept to a modern-day television executive, he’d either laugh you out of his office or option it as the next banal reality TV show. Either way, the idea would be seen as too simplistic and naïve for a contemporary television Ladleaudience. And that’s saying a lot, considering this is the same audience that demanded 11 seasons of “7th Heaven”.

But back in 1965, this is exactly what constituted good theatre. That’s when Neil Simon’s acclaimed The Odd Couple—featuring the slovenly Oscar and the uptight Felix–premiered on Broadway, garnering that year’s Tony for Best Play. In fact, it was such a hit that it ran for 966 performances, took a leap to the big screen in 1968, jumped to the small screen in 1970, went animated in 1975 and was revived for television once more in 1982. Now, the Raven Theatre Company, known for taking cracks at classics, is doing its own production.

The Raven’s version is utter slapstick. Characters speak with Ralph Kramden growls and nasal newsreel voices. Their movements and reactions are exaggerated for comedic effect. When a scene calls for the emotion of surprise, the actors look as if they’re trying to pop their eyes out of their sockets. At one point, a character actually runs face first into a door when trying to stop a despondent Felix from going into the bathroom alone.

I assume it was director Michael Menendian’s vision to do a live-action cartoon version of The Odd Couple, and unfortunately, the outcome is a terrible miscalculation. The play–which already struggles to connect with an audience who are more surprised to see a marriage last rather than end in divorce—comes off as vapid, void of any real meaning whatsoever. It’s like the tragedy that has befallen Felix (Jon Steinhagen) is one big joke. And we get no sense of Oscar’s (Eric Roach) own unresolved marital issues except for his messy condo, which is a parallel for his messy life. Instead, Menendian has reduced the story to a one-joke pony that keeps begging to be laughed at. Sure, at first it deserves a chuckle, but by the end it’s just kind of desperate.

To their credit the cast is spectacular in their respective roles, even if the final outcome is damaged by misguided direction. Roach toes the line with Oscar, portraying him as a slob but a fun slob. This is a guy who’s a borderline hoarder, but he’s also a wild and crazy guy.

Steinhagen’s portrayal of Felix is a good balance to Oscar’s party-animal stereotype. He’s reserved, slightly effeminate and deeply emotional–or at least an emotional wreck, which is more than can be said about Oscar who takes a much more cavalier approach to his failed marriage.

Poker

In the end, Raven Theatre lost an opportunity to give a fresh take on this well-worn classic. Personally, I would have liked to have seen Menendian take up the task of providing this fairly hollow play with some real emotional depth. Rather than take the easy slapstick route, why not venture on that high road and make the actors bring some realism to their roles? Let’s see The Odd Couple as a dark comedy for once. After all, is this not a play about two men whose marriages have fallen apart, whose families have been torn from them due to their own negligence? If it truly is a funny show, the humor should still shine through despite a graver tone.

Still, there will always be an audience for schlock like this. Some people just don’t want to see something thought provoking or culturally relevant. Some people just want a show with uncomplicated laughs and a simple plot with characters as three-dimensional as a piece of construction paper. For those people, The Odd Couple will work just fine.

  
  
Rating: ★★
 

Performances continue through July 18: Thursdays – Saturdays at 8pm; Sundays at 3pm (No show July 4)

odd-couple-girls2

Cast: Greg Caldwell, Larry Carani, Brigitte Ditmars, Liz Fletcher, Greg Kolack, Eric Roach, Jon Steinhagen, Anthony Tournis

Creative Team:   Michael Menendian (Director), Amy Lee (Light Design), Katherine M. Chavez (Sound Design), Ray Toler (Set Design),  JoAnn Montemurro (Costume Design), Cathy Bowren (Stage Manager), Dean LaPrairie (Photographer)

   
   
May 26, 2010 | 0 Comments More