Tag: Hedy Weiss

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Bailiwick Chicago extends F**KING MEN for 2nd time

Bailiwick Chicago Announces 3-Week Extension

of Joe DiPietro’s F**KING MEN


Executive Director Kevin Mayes announced today that Bailiwick Chicago’s hit production of Joe DiPietro’s F**KING MEN will be extended for an additional three weeks due to popular demand. Performances will continue through Sunday, August 29 at Stage 773, 1225 W. Belmont with the original cast.

We are so pleased that Chicago audiences have embraced this production,” said Mayes, “and we are excited that we’ve been able to keep the original cast together for this second extension. It’s been an amazing summer for Bailiwick Chicago, with our two hit shows Aida and F**KING MEN. We are incredibly proud of – and humbled by – the response.

F**KING MEN observes the sex lives of the modern urban gay American male. Conceived as a noir-riff on Arthur Schnitzler’s 19th century play, LA RONDE, the play examines ten men from all walks of life as they negotiate the before and after of lust, love, betrayal and the pursuit of sex and emotional connection. Funny, poignant, sometimes dramatic, always provocative and sexy, the show has been critically acclaimed by Chicago critics: “Emotionally Searing…Superb Performances…there is truth and understanding in F**KING MEN.” (Hedy Weiss, Chicago Sun-Times) “…[F**KING MEN] is serviced brilliantly by this snappy, assured Chicago production.” (Nina Metz, Chicago Tribune) “…F**KING MEN is pretty fucking solid.” (Kris Vire, TimeOut Chicago).

Bailiwick Chicago has launched a dedicated web site for the production with photos, videos, and additional information about the show at www.FMenChicago.com.

Performances are Fridays at 8 p.m., Saturdays at 7 p.m. and 9 p.m., and Sundays at 7 p.m. General admission tickets are $25. Special Reserved seating is available for $30. Student and Industry rush tickets will be available at the door for $15 at every Sunday performance. Group (6+) tickets are $20.00. To purchase tickets, call the Stage 773 box office at 773-327-5252, or go towww.ticketmaster.com.

August 5, 2010 | 0 Comments More

Remy Bumppo announces 2010/2011 Season

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REMY BUMPPO THEATRE COMPANY ANNOUNCES 2010/2011 SEASON

Remy Bumppo Theatre Company Artistic Director James Bohnen and Executive Director Kristin Larsen announced today the company’s line up for its 14th consecutive year of think theatre:

 

  Night and Day  
      by Tom Stoppard
    directed by James Bohnen 
    September 22 – October 31
   
   The Importance of Being Earnest
      by Oscar Wilde
    directed by Artistic Associate Shawn Douglass
    November 24, 2010 – January 2, 2011
   
  The Goat, or Who is Sylvia?
      by Edward Albee 
    directed by James Bohnen
    March 30 – May 8, 2011

All shows presented at the Greenhouse Theater Center at 2257 N. Lincoln Ave.

March 7, 2010 | 0 Comments More

Review: Cirque Shanghai – Bright Spirit

Disparate acts gracefully knitted together create a lovely distraction. 

 

Cirque Shanghai: Bright Spirit
Navy Pier, running through September 7th. (buy tickets here)

Reviewed by Catey Sullivan

The outfits evoke a Bedazzler-run-amok in Siegfried and Roy’s costume shop. The lighting is pure glitter gulch. And the acts? Picture Liberace’s long-lost Shanghai-born twin falling into a giant sloshing bucket of Cirque de Soleil and emerging with a show for audiences more accustomed to Vegas-style MTV smash cuts than the studied elegance of those artsy-fartsy French Canadians.

Cirque Shanghai_379 This is the wonderful world of Cirque Shanghai: Bright Spirit (buy tickets here), running in the Armadillo – whoops, the Skyline Stage – on Navy Pier through September 7th. The 90-minute production is a variety show on steroids – but if steroids were a good thing. Which is to say, Bright Spirit is a hopped up, mega-amplified celebration of some of the most garishly useless and entertaining skills around: Hoop divers, plate spinners, chair climbers (!), hat jugglers (!!) and unitard-clad creatures in inner tubes bouncing and rolling in ways that seem to defy more than a few fundamental laws of physics. For summer time guilty pleasures, Bright Spirit is up there with State Fair Fried Twinkies and snickering Oak Street beach’s endless preening spandex parade.

Directed by Naperville-native Dwight Jordan and choreographed by Lincolnshire native Brenda Didier, Bright Spirit – like all the Cirque Shanghai productions – is the brain child of Mike Wilson. The son of travelling magicians, Wilson followed his parents throughout China as a child, picking up a lifelong fascination with Chinese acrobatics, dance and folklore along the way. In 1990, he started bringing Chinese performers to the U.S., envisioning a sort of cross-cultural pollination between traditional Chinese art forms and high-tech Western production values. Almost 20 years later, Cirque Shanghai is the elaborate culmination of that vision. And in Navy Pier – a venue where one can find just about everything but beat baiting (though there’s lots of cotton candy for just such a purpose) – Wilson has a venue that perfectly complements Cirque Shanghai’s hybrid of populist thrill-o-rama stunts and ancient Eastern art forms.

Cirque Shanghai - Bright Spirit, now playing at Navy Pier through September 7th.

Now in its fourth season on the Pier, Cirque Shanghai has been polished and tweaked since it initially arrived, but the core showstoppers remain intact, a splendid display of spectacularly worthless skills resplendently presented.

Plate spinners turn the stage into a dizzying, dazzling pond filled with hundreds of rapidly orbiting lily pads set twirling by elite-level gymnasts. In an inexplicable (yet laugh-out-loud amusing) non-sequitor of sorts, a giant day-glo caterpillar that looks for all the world like an outtake from “James and the Giant Peach” makes his undulating way across the stage toward the dinnerware finale.

Cirque Shanghai, now playing at Navy Pier, runs through September 7th Also nifty: The Russian barre, wherein acrobats make the likes of Nastia Luikin look like a piker as they flip and whirl on a balance beam that seems to be made out of a giant foam noodle.

We’ve long fancied ourselves a connoisseur of contortionists, and the seemingly boneless wonders here do not disappoint offering a gallery of body positions that, when one stops to think about it, are simply not possible.

And only at Cirque Shanghai can you catch the “bumble bee diabolo” – wherein manically smiling young ladies propel a cross between nunchucks, windmill propellers and giant yoyos in an act that perfectly captures the timeless sentiment “you’re gonna put somebody’s eye out with that thing.”

With such disparate acts gracefully knitted together by Didier’s apt choreography, Bright Spirit is a lovely distraction. Save the Serious Art for fall. Now is the summer of our deep content with the likes of plate spinners.

Rating: ««½

‘CIRQUE SHANGHAI: GOLD’
When: Through Sept. 1 (12 shows a week, including most afternoons)
Where: Pepsi Skyline Stage, Navy Pier
Running time: 1 hour, 30 minutes
Tickets: $14.50-$29.50 at 312-902-1500

View Cirque Shanghai - Bright Spirit

Various “Cirque” Reviews:

  • Chicago Tribune’s review. (“Cirque Shanghai leaves crowd cheering)
  • Sun-Times’ review. (…modestly-staged acrobatics are generally neat.)
  • BroadwayWorld.com’s review. (…a soaring celebration of life appearing only in Chicago)

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See the entire Cirque Shanghai photo album here.

June 7, 2009 | 0 Comments More

"History Boys" Reviews – TimeLine delivers a triumph!

The Chicago-premiere of the Tony-Award winning play The History Boys , by Alan Bennett, held its opening night this past Saturday, and I can personally say that it was a highly-imaginative, stellar production of an enthralling, rambunctious play.  I thoroughly enjoyed it.  Pictures and a compendium of reviews (as they are produced) follow:

Hector (Donald Brearley, center) teaches his students (from left) Scripps (Will Allan), Crowther (Govind Kumar), Dakin (Joel Gross), Rudge (Michael Peters), Lockwood (Rob Fenton), Akthar (Behzad Dabu), Timms (Brad Bukauskas) and Posner (Alex Weisman) in rather unconventional ways in  

Dennis Polkow, NewCity

I don’t know what kind of techniques director Nick Bowling might have employed to have the eight-ensemble cast seem as if they know each other as well as a group of students who have been together in class together for what always seems like an eternity while it is happening, but the way these young men interact is extraordinary.  No less an accomplishment is that the teachers and the headmaster who are preparing these students for their Oxford and Cambridge entrance exams also interact with the students and each other with the needed familiarity necessary for Alan Bennett’s witty and thought-provoking play to work its special charms.  Recommended                     (Full review here.)

Hedy Weiss, Chicago Sun-Times:

TimeLine fills your head: Actors revel in the wit and energy of ‘History Boys’

Enter TimeLine Theatre – where The History Boys, Alan Bennett’s Tony-Award-wining play is receiving one of those Chicago productions that exults in the glory of the ensemble – and you instantly become part of its hothouse world. 

At issue here is the whole notion of education – intellectual, emotional, sexual.  The veteran literature teacher, Hector (Donald Brearley, in a remarkable mix of subdued passion, volatility and self-loathing), believes in knowledge for knowledge’s sake, even if that include groping his favorite students.  As he notes: “The transmission of knowledge is itself an erotic act.”                           (Full review here)

Donald Brearley, Michael Peters, Govind Kumar, Brad Bukauskas, Behzad Dabu, Joel Gross, Will Allan, Rob Fenton and Alex Weisman 

Artistic Director PJ Powers comments:
“Alan Bennett’s provocative script tackles essential questions we regularly grapple with as we explore TimeLine’s unique mission — ‘how do we benefit by dissecting, studying and examining history?’” Powers said. “Whether audiences have seen this production in London, on Broadway or on film, or are coming to it for the first time, The History Boys will have a fresh and powerful impact at TimeLine’s intimate theater.”

Related articles and files:

April 27, 2009 | 0 Comments More

“Mary Poppins” reviews: Supercalifragilisticexpialidocious!!

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Daily Herald’s Barbara VitelloHighly Recommended

Excited doesn’t begin to describe the audience for the opening of the long-awaited “Mary Poppins” national tour Wednesday at the Cadillac Palace Theatre. Exhilarated is more like it.

Young children bounced in their seats, adults gasped with surprise and the applause that accompanied the overture’s opening notes didn’t stop until after the enigmatic Mary Poppins (the delightful Ashley Brown reprising the role she created on Broadway) flew away for the last time.  (Read entire review here.)

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«««  Chris Jones, of the Chicago Tribune’s blog The Theater Loop, gives the musical extravaganza 3-stars.    Says Jones in his theater review:

Smart children know parents have to be trained to behave. Savvy, pint-sized domestic reformers will be thrilled with “Mary Poppins,” a rare family musical that spends most of its ample running time exhorting parents to stop working, take care of their long-suffering spouses, discover their inner supercalifragilisticexpialidocious and go fly a kite with the kids.

And parents? Speaking as someone who can always use help in that department, the ministrations of a magical nanny—emotionally inaccessible but practically perfect in every other way—sound good to me.    (rest of the review here)

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Chicago Sun Times’ Hedy Weiss – Highly Recommended

Mary Poppins” audience as lucky as lucky can be in nanny’s magical hands.

The magic in “Mary Poppins” — the darkly whimsical, continually ingenious musical that opened Wednesday at the Cadillac Palace Theatre in its post-London, post-Broadway and initial national touring company engagement — is doled out in generous but carefully calibrated spoonfuls. And because that magic (some of it quite black, most of it airborne and exhilarating) is interspersed with a healthy dose of realism, it takes on a special Technicolor glow when unleashed.  (Entire review here.)  

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Supercalifragilisticexpialidocious

Buy tickets at TicketMaster.

Related Blog Posts

Mary Poppins Extends Stay In Chicago – Theatre In Chicago

April 15, 2009 | 0 Comments More

‘Rod Blagojevich Superstar’ moving to Chicago Shakespeare

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Following a sold out run at Second City e.t.c., the popular comedy review “Rod Blagojevich Superstarwill be playing a limited engagement Chicago Shakes on Navy Pier.  The Navy Pier version has been updated with new sketches and music to include recent Blago happenings, such as his 6-figure book deal and Roland Burris’ son (and, as the Blago drama proceeds, so will Second City’s improv show!).  After each performance, the famed improv theatre troupe will improvise a 20-minute political comedy set based on audience suggestions.

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Superstar has book by Ed Furman, music and lyrics by T.J. Shanoff and direction by Matt Hovde. The cast includes Joey Bland as Rod Blagojvich, Mike Bradecich as Richard Mell/Pat Fitzgerald, Lauren Dowden as Lisa Madigan, Lori McClain as Patti Blagojevich and Sam Richardson as Senator Roland Burris.

According to Second City notes,

“Politics and parody take center stage Upstairs at Chicago Shakespeare with the Second City’s rollicking musical parody of the rise and fall of ex-Governor Rod Blagojevich. A faux tribute to the man who compares himself to Gandhi, King and Mandela, Rod Blagojevich Superstar presents the story of the former governor in the style of a ’70s rock musical. Jesus and Mary Magdalene have been replaced by Rod and Patti Blagojevich, with appearances by Alderman Dick Mell, Attorney General Lisa Madigan, U.S. Attorney Patrick Fitzgerald and Senator Roland Burris. The jury is still out on Blagojevich, but of the five other Illinois governors who have been charged with crimes, three have done time.”

More info at ChicagoShakes.com.

Rave reviews after the fold.

See video preview of the show here.

March 12, 2009 | 2 Comments More

Lookingglass Theatre’s “Our Town” – starring David Schwimmer – the rave reviews are in!

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Check out the Looking Glass Theatre‘s “Our Town” cast photo gallery at ChicagoTribune.com, starring David SchwimmerOur Town plays at the downtown theatre through April 5th.  Info and tickets here.

UPDATE – REVIEWS

Hedy Weiss of the Chicago Sun-Times: Apart from its (“trussed up”) set, the Lookingglass “Our Town” — co-directed by Anna D. Shapiro and Jessica Thebus and featuring 13 members of the close-knit ensemble — is a fairly straightforward, gently elegiac interpretation of the play.   (Entire review here). Rating: Recommended

Michael J. Roberts at ChicagoPride.comLookingglass gives us an older but wiser ‘Our Town’.  It is in the third act, however,that Shapiro and Thebus strike gold with the Lookingglass actors and where the casting choice of using older actors to play George and Emily……there is a gravitas that can only come with the experience of life. Moreover, the final moments with Schwimmer collapsing on his wife’s tombstone left nary a dry eye in the house, including mine.  (Entire review here.)

(Catey Sullivan at Examiner.com: ‘Our Town’ a staggering take on a timeless drama (Entire review here)

Chris Jones at his Chicago Tribune theater blog The Theater Loop: Iconic play mirrors Lookingglass’ Journey…Schwimmer the emotional core of ‘Our Town’ in search of a small town. (Entire review here.)  Rating: «««

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Cast of “Our Town”.  More pics here.

Tribune photo by E. Jason Wambsgans / February 5, 2009

From YouTube: Meet the cast of “Our Town”. 

In this video: David Schwimmer, Joey Slotnick, David Catlin, David Kersnar, Laura Eason, Thomas J Cox, Andy White, Heidi Stillman, Raymond Fox, Patia Bartlett, Philip R Smith, Tracy Walsh, Louise Lamson and Kevin Douglas

More Lookingglass Theatre YouTube videos here.

 

February 28, 2009 | 2 Comments More

Xanadu – Cheap(er) tickets can make you "Happy"

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XANADU, the show that has surprised and delighted Broadway, is now delighting Chicago fans by offering a “Happy Sale” featuring $44 tickets. Reviews for the Chicago production have ranged mostly from good to exuberant (though there are a some naysayers).  But now – with this “happy” ticket deal – it could be a perfect time for you to see this 90-minutes-of-giddiness for yourself – whether seeing it for the first time or for the fifth.  Part of Broadway In Chicago 2008-2009 season, XANADU is at the Drury Lane Theatre Water Tower (175 E Chestnut St ). 

Okay, so here’s the deal: to purchase these specially priced $44 tickets (only offered Sunday – Friday performances through March, 29), contact the box office and mention the code HAPPY.  Tickets are available at the box office and www.BroadwayInChicago.com

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See a round-up of Xanadu reviews and pictures here.

February 26, 2009 | 1 Comment More

Chicago Theater: "Xanadu" Reviews

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The hit Broadway-musical Xanadu joyously roller-skated its way onto Michigan Avenue last night at Drury Lane Water Tower

Here’s a collection of Xanadu theater reviews:

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* UPDATED * UPDATED * UPDATED * UPDATED * UPDATED * UPDATED * UPDATED *

 

Christopher Piatt  (TimeOut Chicago)

You don’t have to be gay to dig Xanadu; you need to be gay enough.  …(Book writer Douglas Carter) Beane‘s challenge was to stitch the virile, throbbing unapologetically awesome space-pop of Electric Light Orchestra into a credible evening.  The resulting airheaded, upbeat rock follies…has a deliriously screwball quality that channels the lush, berserk American entertainment of the 1930s.

Of the cast, haunted slumlord Larry Marshall adds an appealing noir quality.  Meanwhile, Elizabeth Stanley, the pop-princess chorine who skates and tells jokes, is the star of the goddamn universe. (Entire review here)

Rating: ««««« out of 6

 

Chris Jones (Tribune)

…A shrewdly good time, if you have a few pre-show drinks…

Yes, “Xanadu” knows it’s based on one of the worst movies ever made. It makes fun of jukebox musicals even as it takes its place among them. And with a comparable chutzpah to that which once catapulted Olivia Newton-John to incomprehensible global stardom, “Xanadu” manages to poke fun at the creative bankruptcy of the endless recycling of movies and nostalgia while doing precisely that itself. No armor is more protective than self-awareness.

Rating: ★★★                                                            Read entire review.

Hedy Weiss (Sun-Times)

Talent and fluff clash, but goofy grins prevail.

Let it never be said that playwright Douglas Carter Beane doesn’t possess a gleefully self-mocking sense of his own work. During the course of “Xanadu,” which received its high-energy, high-volume, post-Broadway debut here Wednesday at the winningly intimate Drury Lane Theatre Water Tower Place, he offers a fine assessment of the show. As one character exclaims: “This is like children’s theater for 40-year-old gay people.”    

Rating: Somewhat Recommended                         Read entire review.

Tom Williams (ChicagoCritic.com)

Let me start my stating that I hate disco music from the 1980’s and I think the Xanadu film may be the worst film of all-time or high on that list. Those biases have colored my take on Xanadu, the musical now at Drury Lane Water Tower Place produced by Broadway in Chicago. To me, there was nothing very cute or funny in this show. It tries too hard to be campy and satirical with dated 80’s referenced jokes. Filled with ELO tunes, leg warmers, roller skating, and a fake Australian accent, Xanadu came off as crass exploitive fluff that I found derivative.

As a consumer advocate, however, let me state that the audience at the opening night performance found the show to be a hilarious romp filed with bouncy, had-clapping songs filled with 80’s nostalgia. It is a feel-good show long on escapist entertainment and short on plot.

Rating: Somewhat Recommended                         Read entire review.

Fabrizio Almeida (NewCity)

I don’t know that the stage show offers any experience, let alone anything that might even qualify this as a fun and fabulous guilty pleasure. Clearly, the biggest problem is with Christopher Ashley’s direction. You can’t force camp, and yet every half-assed joke and lame visual pun has been overly telegraphed and repeated to the point of ineffectiveness. I did laugh a few times: Elizabeth Stanley’s breathy delivery of some stupid lines; the thick Australian accent. But overall I found the ninety-minute intermission-less stage experience tedious, dull and uninspired…………

…….clearly, this is a big misstep for Broadway in Chicago, and I don’t see ”Xanadu” running long or appealing to many theatergoers. Because if this camp-loving, ELO-listening, gay roller-skating lover of “Starlight Express” thought it was crap, what hope is there for you to like it?

Rating: Not Recommended                                        Read entire review.

Xanadu is fun for 5-year kids to 95-year old disco queens!

February 6, 2009 | 1 Comment More

Allison Torem – a theatre star in the making?

UPDATE:  Excerpts from Hedy Weiss’s new article regarding Ms. Torem has been added at the bottom of this post.

I am always incredibly impressed by young theatrical talent that can hold their own among a group of professional actors.  Often these young prodigies easily steal the Torem_Cox_GreatFalls show.  Past examples include Edward Heffernan in American Theatre Company‘s The Dark At The Top Of The Stairs, by William Inge, as well as Lillian Almaguer in Steppenwolf’s controversial production of The Pain and the Itch, by Bruce Norris.

It looks like we have another one of those Chicago prodigies, per Hedy Weiss‘s glowing review of Profiles Theatre‘s Great Falls, by Lee Blessing – that being Allison Torem.

Says Weiss:

One crucial reason to catch the Profiles Theatre production of Lee Blessing’s two-character play “Great Falls” is to witness the astonishing performance by Allison Torem.  An actress of dazzling skill, fierce emotional honesty and breath-taking sophistication, she also just happens to be a senior at the Whitney Young Magnet High School.     (emphasis mine)

Ms. Weiss goes on to say that Torem “triggers memories of the young Jodie Foster“.  Wow.

Kudos to Ms.Torem, and to Profiles for presenting such an exemplary production.

Great Falls continues through March 1st. Starring Darrell W. Cox and Allison Torem, direction by Joe Jahraus, Chelsea Meyers (set design), and Kevin O’Donnell (sound design).

Read the entire review here.  Other reviews: Trib, ChicagoCritic,

Great Falls, by Lee Blessing

UPDATE: Chicago Sun-Times’ Hedy Weiss has also written a post regarding Allison Torem on her blog.  A few quotes:

She didn’t see much theater as a child, but when she broke a finger in a bowling accident at age 9, she stopped taking karate and violin lessons and enrolled in classes at Prologue Children’s Theatre. In eighth grade she took classes at the Second City, but confesses: “I was seriously insecure. It would be a whole lot more fun for me now.” She also tried her hand at musicals as part of the youth-oriented Entertainment Project.

At first I was taken aback when reading this:

Torem, a slight girl with an interesting face that can shift between beauty and something far more challenging, admits to being stunned by her glowing reviews.

But then I realized that, for the stage, an actor’s ability to manipulate their expressions is an a coveted talent.  Read the entire article here.

Once again – bravo!

January 29, 2009 | 0 Comments More

Chicago Theater – Best of 2008 (Chicago Sun-Times)

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 Hedy Weiss, theater-critic extraordinaire for the Chicago Sun-Times, has put together an excellent list of her 10 favorite plays of 2008.  Along with the list, Hedy notes the wonderful year Chicago theater has had on the national stage:

…this was the year that Steppenwolf Theatre picked up five Tony Awards for its Chicago-bred Broadway production of Tracy Letts‘ “August: Osage County” before the cast crossed the pond to remount the show at London’s National Theatre, and when the Chicago Shakespeare Theater was feted with the “Best Regional Theater” Tony.

Continuing:

But that was just the beginning. Next Theatre‘s production of the new musical “Adding Machine,” was hailed in its Off Broadway incarnation, with director David Cromer racking up plaudits for his work on that show, as well as for his revelatory revivals of “Our Town” (at the Hypocrites) and “Picnic” (at Writers’ Theatre). Profiles championed the work of incendiary playwright Neil LaBute to grand effect. Remy Bumppo earned laughs with its tale of financial chicanery in a revival of an Edwardian classic, “The Voysey Inheritance.” And director Sean Graney experimented boldy with productions of “The Threepenny Opera” and Marlowe‘s “Edward II.”

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Now here are Hedy Weiss’s favorite productions in 2008:

 

1. Caroline or Change  (Court Theatre)
by Tony Kushner and Jeanine Tesori
Standouts: Charles Newell (director), Doug Peck (musical director); performances: Malcolm Durning, E.Faye Butler
     
2. Ruined  (Goodman Theatre)
by Lynn Nottage
Weiss comments: Worthy of a Pulitzer Prize, the play will soon move to New York’s Manhattan Theatre Club.
 
     
3. Gatz  (Elevator Repair Service Theatre)
by John Collins
 
     
4. Our Town  (The Hypocrites)
by Thornton Wilder
Standouts: David Cromer (director)
 
     
5. Requiem for a Heavyweight  (Shattered Globe)
by Rod Serling
Standouts: Lou Contey (director)
 
     
6. Amadeus  (Chicago Shakespeare)
by Peter Schaffer
Standouts: Gary Griffin (director), Daniel Ostling (set designer); performances: Robert Sella, Robbi Collier Sublett, Elizabeth Ledo, Lance Baker
 
     
7. As You Like It  (Writers’ Theatre)
by William Shakespeare
Standouts: William Brown (director), Performance: Larry Yando
 
     
8. Drowsy Chaperone  (Cadillac Palace Theater)
by Laura Wade
Standouts: Casey Nicholaw (director)
 
     
9. Around the World in 80 Days  (Lookingglass)
Standouts: Laura Eason (adaptor/director); Performances: Philip R. Smith, Kevin Douglas, Joe Dempsey, Ravi Batista, Anish Jethmalani, Ericka Ratcliff, Nick Sandys and Rom Barkhordar
 
     
10. Columbinus  (Raven Theatre)
by Stephen Karam and P.J. Paparelli
Standouts: Greg Kolack (director); Performances: Matthew Klingler and Jamie Abelson
 

To see the Hedy Weiss’s complete description and thoughts on her favorite plays, click here.

January 3, 2009 | 2 Comments More

David Cromer’s "Our Town" coming to NYC

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As reported on Playbill.com and the Chicago Tribune’s blog “The Theater Loop” by Chris Jones, David Cromer’s acclaimed Chicago production of Our Town, by Thorton Wilder, will make a reappearance in Spring 2009 at an Off-Broadway theatre.  This is becoming something of a trend for David Cromer, as his production of The Adding Machine recently finished an award-winning run at Off-Broadway’s Minetta Lane Theatre.

Other info:

  • Auditions are currently under way
  • Ont The Town will be produced by Scott Morfee (who also financially-backed Adding Machine)
  • Begins in February at the Barrow Street Theatre in Greenwich Village.
  • The cast is expected to be a mix of Chicago and New York actors.
  • Cromer directed and played the Stage Manager in the Windy City run, but it is not yet known whether Cromer will reprise the Stage Manager role.
  • In regards to the set, the Barrow Street stage will be stripped bare to echo Cromer’s earlier concept.

As for The Adding Machine, which premiered at Evanston’s Next Theatre (see my review here), Playbill relays:

Cromer’s intensely visual staging of the musical Adding Machine was one of the best-reviewed productions of the 2007-08 season in New York City. The musical by composer and co-librettist Josh Schmidt and co-librettist Jason Loewith played the Minetta Lane Theatre Feb. 8-July 20.

For its New York run Adding Machine was awarded two Outer Critics Circle Awards (Outstanding New Off-Broadway Musical, Outstanding New Score), four Lucille Lortel Awards (Outstanding Musical, Outstanding Director, Outstanding Lead Actor, Outstanding Lighting Design) and four Obie Awards as well as nominations from the Drama Desk and Drama League awards.

More links of interest:

December 15, 2008 | 0 Comments More