Tag: Jennifer Thusing

Review: Alias Grace (Rivendell Theatre)

Ashley Neal and Steve Haggard star as Grace Marks and Simon Jordan in Alias Grace, Rivendell Theatre            
      

  

Alias Grace

Adapted by Jennifer Blackmer
  from novel by Margaret Atwood
Rivendell Theatre, 5779 N. Ridge (map)
thru Nov 4  |  tix: $38  |  more info
       
Check for half-price tickets    
     

September 26, 2017 | 0 Comments More

Review: Clemente – The Legend of 21 (NightBlue Performing Arts and ArtoCarpus)

Modesto Lacén stars in NightBlue Performing Arts and ArtoCarpus' "Clemente: The Legend of 21," written and directed by Luis Caballero, music by Harold Gutierrez. (photo credit: Drew Peterson)        
      
Clemente:
   The Legend of 21

Written and Directed by Luis Caballero  
Music by Harold Gutierrez
at Stage 773, 1225 W. Belmont (map)
thru Sept 14  |  tickets: $35   |  more info
       
Check for half-price tickets 
    
        
                   Read review
     

August 24, 2014 | 0 Comments More

Review: Chicago Dramatists’ “Lucinda’s Bed”

Many Beds in Lucinda’s Life

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Chicago Dramatists present:

Lucinda’s Bed

By Mia McCullough
Directed by Jessi D. Hill
Thru November 8th (buy tickets)

reviewed by Timothy McGuire

The world premiere of Lucinda’s Bed by Mia McCullough is a dark tragic comedy that explores the anger in a girl who tries her whole life to be good, with no reward for her choices and no break from her relentless temptations. Confined by the expectations of others, Lucinda fights to identify herself and recognize her personal desires. She is constantly growing through her painful experiences and continuing to “sleep in the bed she made.” She questions the benefit of her choices and tiptoes on to the dirty lucindaportraitside of morality. As we travel through the different stages of Lucinda’s life we see the pain and conflicting emotions of a girl just trying to see if it is possible to do the right thing and be true to her self.

At nine years old, Lucinda (Elizabeth Laidlaw) is a pure child who has an innocent yet intimate friendship with a nice young boy Adam (Doug Mackechnie) who is kind, supportive and predictable. It is at this young age that the monster under Lucinda’s bed (Lucas Neff) introduces himself to her and her temptations begin. Throughout her life the monster visits Lucinda, challenging her automatic response to do the “right” thing and presents her with the possibility to follow her raw desires.

Mia McCullough tells an honest (even when exaggerated) portrayal of the horrifying hardships that a female may encounter while becoming a woman. Through the physical, emotional and mental conflicts that arise in Lucinda’s journey, McCullough tells a story about how much it takes out of a woman that constantly tries to love and please everyone. She shows the strength one gains from loving and caring for everyone around you, but also the toll that it takes on that person’s spirit.

Director Jessi D. Hill has smoothly strung together a long series of events covering a Lucinda’s lifetime. The quick transitions between scenes are creative, finding ways to enhance the sense of a time lapse. However, the overly consistent changes dragged on after a while even with the witty effects. Scenic designer Grant Sabin scatters outlandishly clever pieces through out the set, changing the room to exemplify the time in Lucinda’s life that each scene took place.

play3393 Lucinda lives through a painful sequence of events as she grows older, but the moments in between had me bent over laughing. Elizabeth Laidlaw connected with the audience, making Lucinda’s aging relatable. Laidlaw is sexually tantalizing on stage, as she spends a large portion of the show in her bra and panties.  But her ability to find the tragic depth in each moment she encounters, and cope with the hurdles in front of her with changing reactions due to her constantly evolving life experience, is what stands out in her performance.

Lucas Neff’s acting ability is put on display as he convincingly plays numerous characters. His charm effortlessly switches to immature goofiness, giving each character he plays a full range of personality. Meanwhile, Doug Mackechnie was at his best when playing an older Adam closer to his age. While over-embellishing his portrayal of Adam in his youth, he completely captured the innocence in his youthful character.

The Chicago Dramatists are hot right now – their world-premiere of Keith Huff’s A Steady Rain is currently running on Broadway, starring Hugh Jackman and Daniel Craig -  and they continue to roll with Mia McCullough’s Lucinda’s Bed. This play provides deep insight into the weighty sorrow one feels after trying to live up expectations and move past its cruelty in the world before it sucks the life right out of us. Chicago Dramatists present what would be a dark drama with great humor and an overall entertaining experience. This tragedy is a comedic experience that will give you lots to talk about.

Rating: «««

 

Featuring: Associate Artist Doug MacKechnie, Elizabeth Laidlaw and Lucas Neff
Grant Sabin (Set Designer), Diane Fairchild (Lighting Designer) Nick Keenan (Sound Designer), Jenniffer Thusing (Props Designer and Stage Manager), and Kat Doebler (Costume Designer)

October 29, 2009 | 3 Comments More