Tag: Jim McCance

Review: The Gin Game (Drury Lane Theatre)

John Reeger and Paula Scrofano star as Weller Marting and Fonsia Dorsey in The Gin Game, Drury Lane Theatre           
         

   

The Gin Game

Written by D. L. Coburn
Drury Lane Theatre, Oakbrook Terrace (map)
thru Aug 13  |  tix: $42-$57  |  more info
       
Check for half-price tickets   
     

July 4, 2017 | 0 Comments More

Review: Jeeves Takes a Bow (First Folio Theatre)

Jim McCance and Christian Gray star in First Folio Theatre's "Jeeves Takes a Bow" by Margaret Raether, directed by Alison C. Vesely. (photo credit: Stefani Foster LaBrecque)        
       
Jeeves Takes a Bow 

Written by Margaret Raether
Directed by Alison C. Vesely
Mayslake Peabody Estate, Oak Brook (map)
thru March 3  |  tickets: $26-$37   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

February 8, 2013 | 0 Comments More

REVIEW: Jeeves in Bloom (First Folio)

Overblown ‘Jeeves in Bloom’ grows on you

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First Folio Theatre presents:

Jeeves in Bloom

By Margaret Raether
Based on the characters of
P.G. Wodehouse
Directed by
Alison C. Vesely
At the
Mayslake Peabody Estate, Oak Brook
Through Feb. 28 (more info)

Reviewed by Leah A. Zeldes

In the opening scene of First Folio Theatre’s Jeeves in Bloom, the characters pursue each other around the garden set in a goofy, stylized chase scene so exaggerated it made me want to run out of the theater. The broad, affected campiness Director Alison C. Vesely has imposed on this Equity production really put me off at first, but after a while, the show began to grow on me.

Margaret Raether’s script does P.G. Wodehouse proud. Loosely grafted and considerably pruned from the British author’s 1922 comic novel “Right Ho, Jeeves,” and light as dandelion fluff, this Chicagoland comedy premiere revolves around the amiable but asinine Bertie Wooster, a London man about town, and his keen-witted  gentleman’s gentleman, Jeeves. Bertie’s old school-chum Gussie Fink-Nottle, a painfully tongue-tied nerd with a passion for newts, has unaccountably fallen in love jib3with a dippy debutante called Madeline Bassett, a sappily romantic girl who believes in fairies, and appealed to Bertie and Jeeves for advice on wooing her. Meanwhile, Bertie’s intrepid Aunt Dahlia enlists the duo’s aid in stealing her own diamonds as a means of hiding her gambling losses from her irascible and dyspeptic husband, Tom Travers. However, their schemes inadvertently entwine Bertie with Madeline and touch off the Travers’ volatile French chef, Anatole, with disastrous consequences for Tom’s digestion. (James Leaming doubles as the bluff Tom Travers and excitable Anatole so ably that I didn’t realize he wasn’t two actors until only one of him turned up for ovations.)

Kevin McKillip’s portrayal of Gussie Fink-Nottle really won me over. As he moaned, “If only I were a male newt!” and bodily demonstrated the mating habits of the minute amphibians, I twigged to the value of the histrionic approach. McKillip’s expressive face and physical comedy constantly delight.

Christian Gray’s hammed-up rendition of Bertie takes some getting used to. With McKillip, Leaming and Melanie Keller as Madeline all chewing the scenery, one would think Bertie could be more understated. When he’s not spitting chunks of backdrop, Gray comes off admirably Woosterian. And my reaction to his over-the-top mugging is perhaps not entirely Gray’s or the director’s fault.

Chicago-area Wodehouse lovers must be forgiven if the vision of Bertie and Jeeves imprinted indelibly on our brains is that of Mark Richard and the late Page Hearn, who played those roles with brilliantly nuanced humor over some nine years at City Lit Theatre. They’re a tough act to follow.

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Jim McCance, in what seems like a rather small role for the title character, presents an older, stouter and stiffer Jeeves than Hearn’s (or the image drawn in the iconic Penguin paperbacks by Ionicus), but his deadpan tone and facial expressions are impeccable.

However, the real stars of this production are McKillip and Jeannie Affelder as Aunt Dahlia. Although I always picture Dahlia as an Englishwoman of the large, horsey and hearty type, the diminutive Affelder dominates the stage in a smart and subtly comic performance.

Everything about this production shows an attention to detail, from Elsa Hiltner’s period costumes to the stage properties. Scenic Designer Angela Miller has beautifully integrated a garden terrace into the high-ceiling event hall of the historic Mayslake Peabody Estate, complete with working fountain, statuary and realistic plants.

So, by the time that thorny opening chase scene was reprised at the end of the first act, I could take it without wincing.

Though more of an overblown rose than a tight bud of comedy, “Jeeves in Bloom” is a fun and enjoyable show.

Rating: ★★★

Note: The performance is 2½ hours, with intermission.

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February 2, 2010 | 0 Comments More