Tag: John Mahoney

Top 10 Chicago Plays of 2015

 

Matthew Sherbach and Armand Fields star in Northlight Theatre's "Charm". John Mahoney and Audrey Francis star in Steppenwolf's "The Herd". Charli Williams, Anna Dauzvardis and Katrina D. Richards star in Raven Theatre's "Direct from Death Row: The Scottsboro Boys". Bernard White, Nisi Sturgis, Zakiya Young and J. Anthony Crane star in Goodman Theatre's "Disgraced." Becca Savoy, Michael McKeough and Sandy Elias star in Griffin Theatre's "Pocatello".Larry Yando and Eva Louise Balistreiri star in Chicago Shakespeare's "The Tempest" by William Shakespeare. Eunice Woods stars in American Theater Company's "The Project(s)" by PJ Paparelli and Joshua Jaeger. Mike Nussbaum stars in TimeLine Theatre's "The Price" by Arthur Miller.  Brian Parry and Jacqueline Grandt star in Redtwist Theatre's "Who's Afraid of Virginia Woolf?" by Edward Albee. Brendan Connelly and McKenna Liesman star in Red Theater and Oracle Productions' "R + J: The Vineyard.

Another year, another 12 months of great Chicago theater! 2015 blessed Chicagoland with inspired new works and riveting revivals from a wide range of companies – the largest equity houses to the smallest of the city’s storefronts. Taking into account the 700+ productions that were produced in the Windy City over the last year, here are our reviewer’s picks for the best of the best. Bravo!!

See our picks below the fold

January 1, 2016 | 0 Comments More

Chicago’s Best Theater of 2015

 

Carmen Molina, Claudia DiBiccari, Mykele Callicutt, Paula Ramirez, Preston Tate Jr., Deanna Reed-Foster and James McGuire in Cold Basement Dramatics' "Heat Wave".Scott Danielson, Garrett Lutz and George Toles star in Kokandy Productions' "The Full Monty".Laura Osnes as and Steven Pasquale star in Lyric Opera's "Carousel" by Rodgers and Hammerstein.John Mahoney and Audrey Francis in Steppenwolf Theatre's "The Herd".Sarah Lynn Robinson, Anthony Whitaker and Greg Zawada in Porchlight's "A Funny Thing Happened on the Way to the Form" by Steven Sondheim. Monica West, Kasey Foster and Emma Cadd in Lookingglass Theatre's "Moby Dick".Mariann Mayberry and Brittany Uomoleale star in Steppenwolf Theatre's "Grand Concourse".Steve Haggard and Karen Janes Woditsch star in Writers Theatre's "Doubt: A Parable".Charli Williams , Anna Dauzvardis, Katrina D.  Richard, Brandon Greenhouse, and Kevin Patterson star in Raven Theatre's "Direct from Death Row: The Scottsboro Boys".Bernard White and Nisi Sturgis in Goodman Theatre's "Disgraced".Rafael Davila and Bradley Smoak star in Lyric Opera of Chicago's "Bel Canto".Drury Lane Oakbrook presents "Billy Elliot: The Musical," music by Elton John.  Becca Savoy, Michael McKeough and Sandy Elias star in Griffin Theatre's "Pocatello".Larry Yando and Eva Louise Balistreiri star in Chicago Shakespeare's "The Tempest" by William Shakespeare.Matthew Sherbach and Armand Fields star in Northlight Theatre's "Charm".Brendan Connelly, Chris Schroeder and Brenda Scott Wlazlo star in Red Theater and Oracle Productions' "R + J: The Vineyard".Melanie Brezill and Patrick Budde star in Chicago Children’s Theatre’s "The Miraculous Journey of Edward Tulane." Colte Julian as Curly and Allison Sill as Laurey in Paramount Theatre's "Oklahoma!". Mike Nussbaum stars in TimeLine Theatre's "The Price" by Arthur Miller. Eunice Woods stars in American Theater Company's "The Project(s)" by PJ Paparelli and Joshua Jaeger.Luce Metrius and Ashley Neil star in A Red Orchid Theatre's "Red Handed Otter." Kelsey Brennan and Greg Matthew Anderson star in Remy Bumppo's "Travesties" by Tom Stoppard.Johanna McKenzie Miller and Alex Goodrich star in Northlight Theatre's "Shining Lives," directed by Jessica Thebus.Brian Parry and Jacqueline Grandt star in Redtwist Theatre's "Who's Afraid of Virginia Woolf?" by Edward Albee.Eileen Niccolai and Daniela Colucci star in The Shattered Globe's "The Rose Tattoo" by Tennessee Williams. , Shattered Globe Theatre, Brosilow

In a theater community as diverse and talented as Chicago’s, every aspect and genre of stage productions can be found throughout the city on a given week.  2015 was no exception to this fact, as one can see from our reviewers’ picks of the year’s greatest and most memorable works.

See our picks below the fold

December 31, 2015 | 0 Comments More

Review: Chapatti (Northlight Theatre)

John Mahoney and Penny Slusher star in Northlight Theatre's world premiere of "Chapatti" by Christian O'Reilly, directed by BJ Jones. (photo credit: Michael Brosilow)        
      
Chapatti

Written by Christian O’Reilly  
Directed by BJ Jones
North Shore Center for the Arts, Skokie (map)
thru April 19  |  tickets: $25-$75   |  more info
       
Check for half-price tickets 
    
        
                   Read review
     

March 24, 2014 | 0 Comments More

Review: The Birthday Party (Steppenwolf Theatre)

) Meg (ensemble member Moira Harris) sings a tune for Stanley (ensemble member Ian Barford) on his birthday in Steppenwolf Theatre Company’s production of The Birthday Party by Harold Pinter, directed by ensemble member Austin Pendleton.        
       
The Birthday Party 

Written by Harold Pinter 
Directed by Austin Pendleton
at Steppenwolf Theatre, 1650 N. Halsted (map)
thru April 28  |  tickets: $20-$78   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

February 9, 2013 | 6 Comments More

The best of Chicago theater in 2011

December’s end brings frantic resolutions, plans for heavy drinking and of course, a barrage of best/worst lists. Being the largest theater review site west of Broadway, Chicago Theater Beat covered over 600 shows in 2011, and the difficulty of choosing the top 25 speaks to the city’s vibrant cultural landscape. In alphabetical order, here are our choices for the year’s best:

Sadieh Rifai - American Theater Company - The Amish Project Mierka Girten, Susan Monts-Bologna - Becky Shaw, Red Orchid Theatre Mortensen, Leahy - The Big Meal, American Theater Company CST_BlackWatch_1 - Copy Jay Torrence, Dean Evans, Leah Urzendowski, Ryan Walters, Molly Plunk
Theatre Mir - Caucasian Chalk Circle - Production 1 Jennifer Lim and James Waterston - Chinglish Goodman Theatre Karen-Aldridge-Cliff-Chamberlain-Ste[3] East of Berlin, Russian Play - Signal Ensemble en-route---Chicago-Shakespeare-One-S[2]
Faust - TheMASSIVE - Chicago Festen_Lev_911 Chicago Shakespeare Theater's "Follies" About Face Theatre's "The Homosexuals" Timothy-Edward-Kane---Court-Theatre-[3]
CCTJackieMe_10 Frank, Fiffer, Bone Harry Groener, Ora Jones, by Peter Bosy Steve-Casillas-Jessie-David-Marvin-Q Andrea Prestinario and Nathan M. Hosner - My Fair Lady Paramount Theatre
Outgoing Tide - Northlight Theatre 011 004_Passing Strange by Bailiwick Chicago Plumpp-and-cast---H1 The Real Thing by Tom Stoppard - Writers Theatre 015 stef-tovar-and-projections-by-john-b[1]

 

                     See entire list

     
December 31, 2011 | 0 Comments More

Review: Penelope (Steppenwolf Theatre)

Logan Vaughn, Yasen Peyankov, Scott Jaeck, Tracy Letts       
      
Penelope

Written by Enda Walsh
Directed by Amy Morton 
Steppenwolf Theatre, 1650 N. Halsted (map)
thru Feb 5  |  tickets: $20-$78   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

December 11, 2011 | 0 Comments More

Review: The Outgoing Tide (Northlight Theatre)

     
     

Now extended through July 3rd!!


Northlight creates a compassionate, witty world premiere

     
     

John Mahoney (Gunner), Thomas J. Cox (Jack) and Rondi Reed (Peg)

  
Northlight Theatre presents
   
   
The Outgoing Tide
   
Written by Bruce Graham
Directed by BJ Jones
at North Shore Center the Performing Arts, Skokie (map)
through June 19 July 3  |  tickets: $30-$50  |  more info 

Reviewed by Lawrence Bommer

The shock of a loved one turning into a bewildered stranger—that’s the curse of Alzheimer’s Disease. Like the wrath of God, in this new work it’s visited on a small family living on the shore of the Chesapeake. But it could easily be any in the audience. That’s one reason The Outgoing Tide, an effective world premiere from Northlight Theatre, is as much a rehearsal for the future as theater can offer. The other is the utter honesty of BJ Jones casting and staging.

John Mahoney (Gunner) and Rondi Reed (Peg).Author Bruce Graham compassionately and wittily considers his play’s ongoing crisis—a father’s senility as a permanent impairment—from all sides. It’s wrenching to hear as confident an actor as John Mahoney, Chicago icon, suddenly descend into the depths of a terminal brain malfunction. His Gunner Concannon is a shanty-Irish success, a blue-collar trucker used to getting his way. But time is taking a daily toll: his tested but true wife Peg (down-to-earth Rondi Reed) faces “a new battle every day.” Gunner repeats himself, can’t remember basic information, recalls the past perfectly but forgets yesterday or who he’s with, and wanders away, helpless to return.

But, unlike Alzheimer patients in the later stages, Gunner can feel and taste his diminishing returns, enough to propose a terrifying idea to Peg and his son Jack (himself facing two other family crises, divorce and alienation from his teenage son). Like Willie Loman before him, Gunner will arrange an accident. The $2.4 million payout from this self-administered euthanasia will free himself from dependency and diapers in a hateful hospice, give Peg the comfortable future that that expense would have negated, and enable Gunner to open the restaurant he’s always dreamed of. But it has to be tomorrow because the future’s not on Gunner’s side: With winter approaching, a boat heading out will soon stand out.

Much of the play deals with the denial and panic triggered by Gunner’s decision to take his boat out and plunge himself into the “outgoing tide.” Peg despairs that, with Gunner gone, she’ll have no one to care for, though Jack (Thomas J. Cox, looking as bewildered as you’d expect) will need her even more now. Jack hates the thought that his dream depends on his dad’s death.

     
Rondi Reed (Peg) and John Mahoney (Gunner). Thomas J. Cox (Jack) and John Mahoney (Gunner).
Thomas J. Cox (Jack) and Rondi Reed Peg). John Mahoney (Gunner). Rondi Reed (Peg) and in the background Thomas J. Cox (Jack) in Northlight Theatre's "The Outgoing Tide" by Bruce Graham, directed by BJ Jones. Rondi Reed Peg) and Thomas J. Cox (Jack)

Clearly, this is no “On Golden Pond,” full of sentimental banter (“you old poop”) and analogies to lost loons. (It’s a lot more like Marsha Norman’s “’night, Mother,” where a suicide looms over, and finally finishes, the action.) There’s enough humor (what if a demented man, bent on murder-suicide, forgets to commit the second crime?) to leaven the loaf. The particulars of this beleaguered family are balanced against the universal plight that we’re all clocks fated to run down until we tick no longer. Flashbacks fill us in on a marriage that clearly grew from love into, well, whatever is left now.

Spry and game, Mahoney brings an energetic actor’s instincts to a part that doesn’t always need them. His sheer spryness somewhat blunts the seriousness of Gunner’s losing game, but it also makes his sudden losses of reality all the more wrenching. Reed exudes a feisty practicality that, alas, is useless in this family calamity. Cox depicts how cherished memories turn toxic when their source is no longer the person you grew up with.

Yes, The Outgoing Tide is definitely a promissory note for crises to come. See it now before the tide comes back.

  
  
Rating: ★★★
  
  

Thomas J. Cox (Jack), John Mahoney (Gunner) and Rondi Reed (Peg).

Performances: through June 19th July 3rd, with performances Tuesdays at 7:30pm, Wednesdays at 1pm and 7:30pm, Thursdays at 7:30pm, Fridays at 8pm, Saturdays at 2:30pm and 8:00pm, and Sundays 2:30 and 7:00pm. (some variations may occur – check website for exact performance info)  Tickets: Tickets are $40-$50, and can be purchased by phone (847-673-6300) or online at www.northlight.org. Location: All performances take place at the North Shore Center for the Performing Arts, 9501 Skokie Blvd., Skokie (map).

     
     
May 22, 2011 | 2 Comments More

Belarus Free Theatre wraps up Chicago stay with final show

  
  

Playing to sold out crowds, Belarus Free Theatre wraps up Chicago stay

  
 

Yana Rusakevich, Yana Rusakevich and Aleh Sidorchyk

This past Monday night, the Belarus Free Theatre gave its last Chicago performance of Being Harold Pinter to a packed house at the Chicago Shakespeare Theatre. Their world tour will now carry them to Hong Kong and London, a development they hardly anticipated when they first escaped from the Belarus secret police in January to perform in New York City for Under the Radar Festival, sponsored by Public Theatre. As artists on the run, they have one overriding mission—to alert the world to the conditions of torture, unlawful detention and disappearance occurring in “the last dictatorship in Europe” and to continue strong sanctions imposed on Belarus for its mass arrests of Alexander Lukashenko’s political opposition during post-election demonstrations on December 19 last year.

The applause they received upon entering the champagne reception afterwards echoed the standing ovation that crowned up their final performance in Chicago. While undoubtedly deserved, one couldn’t help feeling the inadequacy of what we were offering them–that what they needed most were not cocktails and hors d’oeurvres but a home free from the terrors of state oppression. The star presence of John Mahoney, Ora Jones, Phillip James Brannon, Stephen Louis Grush, and others who joined the actors onstage to read eye-witness accounts of KGB brutality paled before both the cast’s plight and their bold achievement.

Overwhelming our attention were names of the imprisoned and tortured, their images printed up on posterboards and lined in the lobby—Anatoly Lebedko, leader of the United Civil Party; journalists Natalya Radina and Irina Khalip; Andrei Sannikov, Vladimir Nekliaev and Nikolai Statkevich, opposition presidential candidates; Dmitri Bondarenko, European Belarus Movement coordinator; Maya Abramchik and Svetlana Nosova suffering leg and eye injury from being tortured and young Danik, whose parents are still in jail from the December crackdown. “These were the photographs that we made in time for the NYC performance in January,” said BFT director Vladimir Scherban. “Some of the people have been released from jail but are under house arrest now. As for the images of those tortured, these are just those photos that we could get to print.”

With the help of BFT co-founder Natalia Kaladia, I had managed to corner Scherban for an interview:

PL: So, how long will your tour continue from Chicago?

VS: We’ll be in Hong Kong for less than two weeks, then on to London. We’re planning to perform the play in Parliament. We hope so.

PL: So you have UK politicians helping you to set that up?

VS: We have good contacts with British artistic figures. And we hope to return here. We plan to continue our contacts with the Goodman Theatre, with the Public Theatre and the Baryshnikov Theatre in New York.

PL: Have you received enough funding from your performances here for the tour?

VS: (shrugs) We hardly knew we would be here when we arrived in New York. I suppose so—we’d plan on only 4 performances and how spontaneous to perform 14 in Chicago, fully sold out. So, this was very strange but also very pleasant situation that we could do this for Chicago audiences.

PL: How is your application for asylum in the US going?

VS: (shrugs) I really don’t know about asylum. It’s a big question whether that’s going to happen or not. We cannot re-enter our own country. Our members have already received threats or orders to return. We constantly receive threats in the form of our relatives and neighbors being called late at night by the police about our whereabouts. Several members have received invitations from the police to show up for interrogation.

Unfortunately, this [Belarus] government only understands sanctions, straightforward and unwavering sanctions. The last elections, only very harsh sanctions forced the president [Lukashenko] to release the opposition presidential candidates from jails. Discussions do nothing. During discussions, political candidates just become goods to sell America and the EU.

What you have to know about the demonstrations that took place on December 19th is that there was snow on the ground. After the police had stormed the crowd and assaulted the people, the snow was stained with blood. Then at university, students who were absent on the day of the demonstration were ordered to go for a medical check up and if they looked like they had been beaten up from the demonstration, they were expelled from school.

In some ways, it’s easier for us. We don’t fear this anymore. We’ve been beaten up, we’ve been arrested, we’ve lost our places at work—we’ve gotten used to working under pressure.

PL: What would you like people to take away most about your stay here?

VS: Well, a very big idea for everyone to understand is that we mean serious things. We’re not just about going around and telling our story. We are expecting Obama to be very precise about our situation and take a clear position against the Belarus government. This is what people should know: people are being beaten up, thrown in jail, and disappeared. [BFT co-founder] Nikolai [Khalezin] has had 9 friends disappeared in the last 16 years. The people you see on the posters who are in jail? They’re our friends, our audience.

PL: Anything else you’d like to say?

VS: Wish us luck!


UPDATE: Since the posting of this interview, the OSCE  – Office for Democratic Institutions and Human Rights – published its report on Belarus’s December presidential election, declaring that the election did not meet the criteria for being free and fair.


 

           
Maryna Yurevich, Yana Rusakevich, Nikolai Khalezin_thumb[1] Yana Rusakevich and Aleh Sidorchyk - Belarus Free Theatre - Being Harold Pinter_thumb[1]
Nikolai Khalezin, Maryna Yurevich and Yana Rusakevich_thumb[2] Being Harold Pinter by Belarus Free Theatre at Goodman Theatre_thumb[5]
     
     

February 27, 2011 | 0 Comments More