Tag: John Mahoney
Another year, another 12 months of great Chicago theater! 2015 blessed Chicagoland with inspired new works and riveting revivals from a wide range of companies – the largest equity houses to the smallest of the city’s storefronts. Taking into account the 700+ productions that were produced in the Windy City over the last year, here are our reviewer’s picks for the best of the best. Bravo!!
In a theater community as diverse and talented as Chicago’s, every aspect and genre of stage productions can be found throughout the city on a given week. 2015 was no exception to this fact, as one can see from our reviewers’ picks of the year’s greatest and most memorable works.
December’s end brings frantic resolutions, plans for heavy drinking and of course, a barrage of best/worst lists. Being the largest theater review site west of Broadway, Chicago Theater Beat covered over 600 shows in 2011, and the difficulty of choosing the top 25 speaks to the city’s vibrant cultural landscape. In alphabetical order, here are our choices for the year’s best:
Now extended through July 3rd!!
Northlight creates a compassionate, witty world premiere
|Northlight Theatre presents|
|The Outgoing Tide|
|Written by Bruce Graham
Directed by BJ Jones
at North Shore Center the Performing Arts, Skokie (map)
Reviewed by Lawrence Bommer
The shock of a loved one turning into a bewildered stranger—that’s the curse of Alzheimer’s Disease. Like the wrath of God, in this new work it’s visited on a small family living on the shore of the Chesapeake. But it could easily be any in the audience. That’s one reason The Outgoing Tide, an effective world premiere from Northlight Theatre, is as much a rehearsal for the future as theater can offer. The other is the utter honesty of BJ Jones casting and staging.
Author Bruce Graham compassionately and wittily considers his play’s ongoing crisis—a father’s senility as a permanent impairment—from all sides. It’s wrenching to hear as confident an actor as John Mahoney, Chicago icon, suddenly descend into the depths of a terminal brain malfunction. His Gunner Concannon is a shanty-Irish success, a blue-collar trucker used to getting his way. But time is taking a daily toll: his tested but true wife Peg (down-to-earth Rondi Reed) faces “a new battle every day.” Gunner repeats himself, can’t remember basic information, recalls the past perfectly but forgets yesterday or who he’s with, and wanders away, helpless to return.
But, unlike Alzheimer patients in the later stages, Gunner can feel and taste his diminishing returns, enough to propose a terrifying idea to Peg and his son Jack (himself facing two other family crises, divorce and alienation from his teenage son). Like Willie Loman before him, Gunner will arrange an accident. The $2.4 million payout from this self-administered euthanasia will free himself from dependency and diapers in a hateful hospice, give Peg the comfortable future that that expense would have negated, and enable Gunner to open the restaurant he’s always dreamed of. But it has to be tomorrow because the future’s not on Gunner’s side: With winter approaching, a boat heading out will soon stand out.
Much of the play deals with the denial and panic triggered by Gunner’s decision to take his boat out and plunge himself into the “outgoing tide.” Peg despairs that, with Gunner gone, she’ll have no one to care for, though Jack (Thomas J. Cox, looking as bewildered as you’d expect) will need her even more now. Jack hates the thought that his dream depends on his dad’s death.
Clearly, this is no “On Golden Pond,” full of sentimental banter (“you old poop”) and analogies to lost loons. (It’s a lot more like Marsha Norman’s “’night, Mother,” where a suicide looms over, and finally finishes, the action.) There’s enough humor (what if a demented man, bent on murder-suicide, forgets to commit the second crime?) to leaven the loaf. The particulars of this beleaguered family are balanced against the universal plight that we’re all clocks fated to run down until we tick no longer. Flashbacks fill us in on a marriage that clearly grew from love into, well, whatever is left now.
Spry and game, Mahoney brings an energetic actor’s instincts to a part that doesn’t always need them. His sheer spryness somewhat blunts the seriousness of Gunner’s losing game, but it also makes his sudden losses of reality all the more wrenching. Reed exudes a feisty practicality that, alas, is useless in this family calamity. Cox depicts how cherished memories turn toxic when their source is no longer the person you grew up with.
Yes, The Outgoing Tide is definitely a promissory note for crises to come. See it now before the tide comes back.
June 19th July 3rd, with performances Tuesdays at 7:30pm, Wednesdays at 1pm and 7:30pm, Thursdays at 7:30pm, Fridays at 8pm, Saturdays at 2:30pm and 8:00pm, and Sundays 2:30 and 7:00pm. (some variations may occur – check website for exact performance info) Tickets: Tickets are $40-$50, and can be purchased by phone (847-673-6300) or online at www.northlight.org. Location: All performances take place at the North Shore Center for the Performing Arts, 9501 Skokie Blvd., Skokie (map).
Playing to sold out crowds, Belarus Free Theatre wraps up Chicago stay
This past Monday night, the Belarus Free Theatre gave its last Chicago performance of Being Harold Pinter to a packed house at the Chicago Shakespeare Theatre. Their world tour will now carry them to Hong Kong and London, a development they hardly anticipated when they first escaped from the Belarus secret police in January to perform in New York City for Under the Radar Festival, sponsored by Public Theatre. As artists on the run, they have one overriding mission—to alert the world to the conditions of torture, unlawful detention and disappearance occurring in “the last dictatorship in Europe” and to continue strong sanctions imposed on Belarus for its mass arrests of Alexander Lukashenko’s political opposition during post-election demonstrations on December 19 last year.
The applause they received upon entering the champagne reception afterwards echoed the standing ovation that crowned up their final performance in Chicago. While undoubtedly deserved, one couldn’t help feeling the inadequacy of what we were offering them–that what they needed most were not cocktails and hors d’oeurvres but a home free from the terrors of state oppression. The star presence of John Mahoney, Ora Jones, Phillip James Brannon, Stephen Louis Grush, and others who joined the actors onstage to read eye-witness accounts of KGB brutality paled before both the cast’s plight and their bold achievement.
Overwhelming our attention were names of the imprisoned and tortured, their images printed up on posterboards and lined in the lobby—Anatoly Lebedko, leader of the United Civil Party; journalists Natalya Radina and Irina Khalip; Andrei Sannikov, Vladimir Nekliaev and Nikolai Statkevich, opposition presidential candidates; Dmitri Bondarenko, European Belarus Movement coordinator; Maya Abramchik and Svetlana Nosova suffering leg and eye injury from being tortured and young Danik, whose parents are still in jail from the December crackdown. “These were the photographs that we made in time for the NYC performance in January,” said BFT director Vladimir Scherban. “Some of the people have been released from jail but are under house arrest now. As for the images of those tortured, these are just those photos that we could get to print.”
With the help of BFT co-founder Natalia Kaladia, I had managed to corner Scherban for an interview:
PL: So, how long will your tour continue from Chicago?
VS: We’ll be in Hong Kong for less than two weeks, then on to London. We’re planning to perform the play in Parliament. We hope so.
PL: So you have UK politicians helping you to set that up?
VS: We have good contacts with British artistic figures. And we hope to return here. We plan to continue our contacts with the Goodman Theatre, with the Public Theatre and the Baryshnikov Theatre in New York.
PL: Have you received enough funding from your performances here for the tour?
VS: (shrugs) We hardly knew we would be here when we arrived in New York. I suppose so—we’d plan on only 4 performances and how spontaneous to perform 14 in Chicago, fully sold out. So, this was very strange but also very pleasant situation that we could do this for Chicago audiences.
PL: How is your application for asylum in the US going?
VS: (shrugs) I really don’t know about asylum. It’s a big question whether that’s going to happen or not. We cannot re-enter our own country. Our members have already received threats or orders to return. We constantly receive threats in the form of our relatives and neighbors being called late at night by the police about our whereabouts. Several members have received invitations from the police to show up for interrogation.
Unfortunately, this [Belarus] government only understands sanctions, straightforward and unwavering sanctions. The last elections, only very harsh sanctions forced the president [Lukashenko] to release the opposition presidential candidates from jails. Discussions do nothing. During discussions, political candidates just become goods to sell America and the EU.
What you have to know about the demonstrations that took place on December 19th is that there was snow on the ground. After the police had stormed the crowd and assaulted the people, the snow was stained with blood. Then at university, students who were absent on the day of the demonstration were ordered to go for a medical check up and if they looked like they had been beaten up from the demonstration, they were expelled from school.
In some ways, it’s easier for us. We don’t fear this anymore. We’ve been beaten up, we’ve been arrested, we’ve lost our places at work—we’ve gotten used to working under pressure.
PL: What would you like people to take away most about your stay here?
VS: Well, a very big idea for everyone to understand is that we mean serious things. We’re not just about going around and telling our story. We are expecting Obama to be very precise about our situation and take a clear position against the Belarus government. This is what people should know: people are being beaten up, thrown in jail, and disappeared. [BFT co-founder] Nikolai [Khalezin] has had 9 friends disappeared in the last 16 years. The people you see on the posters who are in jail? They’re our friends, our audience.
PL: Anything else you’d like to say?
VS: Wish us luck!
UPDATE: Since the posting of this interview, the OSCE – Office for Democratic Institutions and Human Rights – published its report on Belarus’s December presidential election, declaring that the election did not meet the criteria for being free and fair.