Tag: Laura Savage

Review: Pal Joey (Porchlight Music Theatre)

Adrian Aguilar and Rachel Osting star in Porchlight Music Theatre's "Pal Joey" by Rodgers and Hart, directed by Michael Weber. (photo credit: Brandon Dahlquist)        
       
Pal Joey 

By Richard Rodgers (music), Lorenz Hart (lyrics)
    and John O’Hara (book)
Directed by Michael Weber
at Stage 773, 1225 W. Belmont (map)
thru May 26  |  tickets: $41   |  more info
       
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April 27, 2013 | 0 Comments More

Review: Oliver! (Drury Lane Theatre)

Brady Tutton stars as Oliver in Drury Lane Theatre's "Oliver!" by Lionel Bart, directed by Rachel Rockwell. (photo credit: Brett Beiner)        
       
Oliver! 

Book, music and lyrics by Lionel Bart  
Directed by Rachel Rockwell
Drury Lane Theatre, Oak Brook Terrace (map)
thru June 2  |  tickets: $35-$49   |  more info
       
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April 13, 2013 | 3 Comments More

Review: The Music Man (Paramount Theatre)

Stef Tovar), although Marian the librarian (Emily Rohm,        
      
The Music Man

Book, music and lyrics by Meredith Willson
Story by Meredith Willson and Franklin Lacey
Directed by Rachel Rockwell
at Paramount Theatre, Aurora (map)
thru Feb 3  |  tickets: $35-$47   |  more info
       
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January 30, 2013 | 0 Comments More

Review: Singin’ in the Rain (Drury Lane Theatre)

Tony Yazbeck stars as as Don Lockwood in Drury Lane Oakbrook's "Singin' in the Rain", directed by Bill Jenkins. (photo credit: Brett Beiner)        
       
Singin’ in the Rain  

Adapted by Betty Comden and Adolph Green
Nacio Herb Brown (music), Arthur Freed (lyrics)
Directed by Bill Jenkins
Drury Lane Theatre, Oakbrook Terrace (map)
thru Jan 13  |  tickets: $35-$46   |  more info
       
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December 26, 2012 | 0 Comments More

Review: The Spitfire Grill (Boho Theatre Ensemble)

Matt Keffer as Sheriff Joe in Boho Theatre's "The Spitfire Grill", directed by Anna Hammond. (photo credit: Peter Coombs)        
       
The Spitfire Grill 

Written by James Valcq (music, book)
    and Fred Alley (lyrics, book)  
Directed by Anna Hammond
at Heartland Studio, 7016 N. Glenwood (map)
thru Oct 14   |  tickets: $18-$22   |  more info
       
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September 17, 2012 | 0 Comments More

Review: Disney’s Beauty and the Beast (Chicago Shakespeare)

Emily Rohm as Belle, Beauty and the Beast, Chicago Shakespeare       
      
Beauty and the Beast 

Alan Menken (music), Linda Woolverton (book),
     Tim Rice and Howard Ashman (lyrics),
Directed, Choreographed by Rachel Rockwell
at Chicago Shakespeare on Navy Pier (map)
thru Aug 26  |  tickets: $18-$25   |  more info
       
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July 9, 2012 | 1 Comment More

Review: Predator the Musical 2.0 (Roundhouse Productions)

Glenese Hand as the Predator, in Roundhouse Production's "Predator the Musical 2.0", directed by Derek J. Elstro.       
      
Predator the Musical 2.0   

By Will Bulka, William Stobb and Dave Krump
Directed by Derek J. Elstro  
at Stage 773, 1225 W. Belmont (map)
thru July 7  |  tickets: $20-$25   |  more info
       
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July 1, 2012 | 0 Comments More

Review: Guys and Dolls (Marriott Theatre)

  
  

Holy Rollers, Batman!

  
  

Brian Hissong as Sky Masterson in Marriott Theatre's 'Guys and Dolls'

  
Marriott Theatre presents
  
Guys and Dolls
  
Written by Frank Loesser
Directed and choreographed by
Matt Raftery
at
Marriott Theatre, Lincolnshire (map)
through March 27  |  tickets: $40-$48  |  more info

Reviewed by Lawrence Bommer

Damon Runyon knew Broadway like the beat of his heart—from its sewers to its gospel missions. Those in fact are two of the exotic locales in Guys and Dolls, the always lovable, inexhaustibly right 1950 musical that Frank Loesser, Jo Swerling and Abe Burrows concocted from Runyon’s delightful short stories. Collected by Loesser in 1932, those good-hearted, slang-filled tales of Broadway sharpies, Rod Thomas as Nathan, Jessie Mueller as Adelaide in Marriott Theatre's 'Guys and Doll's'floozies, high rollers, suckers, and the frustrated reformers who tried to clean up their act are still well worth the read.

For those who don’t know this merry musical, Guys and Dolls traces the very opposite attraction of gambler Sky Masterson for Sister Sarah Brown, a naïve Salvation Army lassie: An unlikely couple, by show’s end the two feel just right together. Another off-beat romance pairs Nathan Detroit, organizer of New York’s "oldest established, permanently floating crap game," and Miss Adelaide, a dimly-lit showgirl frustratedly engaged to Nathan for 14 years, who has her famous, constant cold to show for it.

Joined by such richly-named urban denizens as Harry the Horse, Benny Southstreet, and Rusty Charlie, they all return to full and happy life in this Marriott Theatre revival. If in songs like "Sit Down, You’re Rockin’ the Boat" and the title hummer, Frank Loesser found a savvy musical equivalent to Runyon’s wonderful oddballs. Director Matt Raftery has his gritty-rich equivalents too, notably Jessie Mueller as adenoidal Adelaide ("a person could develop a cold"), a wackily evasive Rod Thomas as her hilariously allergic-to-marriage Nathan, and leather-lunged George Andrew Wolff as Nicely-Nicely Johnson, a crap shooter who improbably finds religion on a bet.

     
Rod Thomas, Bernie Yvon, George Andrew Wolff, Brian Hissong in Frank Loesser's 'Guys and Dolls' at Marriott Theatre. Rod Thomas as Nathan, Jessie Mueller as Adelaide in Frank Loesser's 'Guys and Dolls' at Marriott Theatre
Rod Thomas as Nathan, Jessie Mueller as Adelaide in Marriott Theatre's 'Guys and Dolls' Abby Mueller as Sarah, Brian Hissong as Sky in Marriott Theatre's 'Guys and Dolls'.

Abby Mueller shows why Sarah is such a rich role: In her "I’ve Never Been in Love Before" and her inebriated "If I Were a Bell" she acts her way through songs that say it all. As her gambling man with a soul to be saved, suave and handsome Brian Hissong brings to "I’ll Know" and "Luck Be A Lady" a rich, unforced baritone that’s pretty persuasive. Playing Sarah’s Samaritan/Salvation mentor, Roger Mueller makes much of his tender "More I Cannot Wish You" and John Lister brings hometown conviction to Big Julie from Chicago (apparently the only thug in New York who carries a gun).

Picturing the period perfectly, Tom Ryan’s urbane set nicely set off the fedoras and loudly colored, wide-lapeled suits that costume designer Nancy Missimi contrasts with the chorines’ pink fluffery. Combine these with this cunning cast and Raftery’s crisp and unconventional choreography and you’ve got a show to lift anyone from the winter doldrums.

  
  
Rating: ★★★★
  
  

Jessie Mueller as Adelaide, Abby Mueller as Sarah - Marriott Theatre

     
     
February 13, 2011 | 0 Comments More