Tag: Marissa Williams
Captivating ensemble fills space with raw energy
|Backstage Theatre presents|
|Written by Jonathan Lichtenstein
Directed by Matthew Reeder
at Viaduct Theatre, 3111 N. Western (map)
through December 18 | tickets: $22-$25 | more info
Reviewed by Allegra Gallian
War is hell. Especially when you’re talking about the Holocaust, an event so horrific in nature that it still rocks people to this day. Or, more recently, this hostility and violence has manifested itself in the Israeli and Palestinian War. Views on these two wars are brought together in the Backstage Theatre Company’s Chicago premiere of Memory by Jonathan Lichtenstein.
The set, designed by Heath Hays, starts out as an essentially bare stage: an open space, with some propped-up backward-facing set wall pieces, a piano and a couch. This arrangement leaves plenty of room for the actor’s to move around the space, both physically and emotionally. As the show progresses, the wall pieces are turned around one-by-one to reveal large-scale black-and-white photos that create background scenery that adds to the story.
Memory – featuring Brenda Barrie, Tony Bozzuto, Samuel Buti, Bilal Dardai, Josh Hambrock, Shane Michael Murphy and Patrick De Nicola – is a show about actors rehearsing a play that turns into an actual performance of the play. The show opens on a rehearsal, with the actors all playing themselves, entering and preparing themselves for work. There is no official start to the show in the traditional sense where lights dim and actors take their places. Instead the action just begins, which is slightly confusing, causing one to question what exactly we are watching. Once it becomes clear that the show has in fact started, the action is (intentionally) a bit stressed and scattered. The actors begin to rehearse a scene with their director (Josh Hambrock), moving the scene forward and then stopping it, causing a disconnect between the actors and their characters.
Eventually the rehearsal format falls away and a steady performance begins. Each actor morphs from performing a role and reciting lines to becoming the character and fully bringing them to life.
The show is split between two stories: the story of Eva and the story of Bashar.
Eva’s (Brenda Barrie) story revolves around her long-lost grandson (Shane Michael Murphy) questioning the validity of a long-standing family legend about the Holocaust. It’s told through flashbacks of Eva’s life with her friends Felix (Patrick De Nicola) and Aron (Tony Bozzuto), who later becomes her husband. Bashar’s (Bilal Dardai) story tells of his experience as a Palastinian fighting against an Israeli soldier (Samuel Buti).
Memory proves to be a true ensemble piece, with each actor working in sync with one another. It’s apparent that this cast has come together and bonded, with each member as strong as the next, growing as the show progresses and developing honest portrayals of the characters. The stage chemistry is genuine and emanates throughout the space.
Barrie plays the role of Eva as both as an older and younger version. Her portrayal of an older Eva is a fascinating one as she embodies the character through her actions, her voice and the emotions that play over her face. Barrie creates a quietly strong persona that seems as though it could snap in an instant, knowing that she’s been carrying around secrets and guilt for years. When it does snap the emotion that’s let loose is so raw and unfiltered that it fills up the entire space.
Murphy’s performance as Peter is lively and full of energy. He’s hungry with a curiosity to know about his family’s past and it drives him to push Eva to open up and reveal the truth.
Eva flashes back to her earlier years where Barrie, Bozzuto and De Nicola are believable as a trio of old friends, discovering who they are and what they’re meant to be. What starts as fun and frivolity quickly turns to fear and anger, causing them to choose sides (or have sides chosen for them) during the Holocaust. All three offer up captivating performances of friendships torn about by lines drawn between the Nazis and the Jews.
The transitions between Eva’s story and Bashar’s story are smooth. Dardai plays Bashar also with a quiet strength as he stands up for not only his home but his family, his beliefs and his life. An unusual relationship is formed between him and Isaac (played by Samuel Buti). Isaac is torn between trying to help and simply carrying out orders. Buti’s performance shows this struggle through the formation of a relationship that could only happen under these specific circumstances. He’s clear in his devotion to the Israeli army but he’s humanized in his attempts at trying to ease some amount of suffering for Bashar.
At certain times throughout the performance, whether it is from the intensity or excitement of the action, the accents slip out of German/Israeli/Palestinian into something less distinguishable. That being said, the performances grow to become so emotionally charged that they grab hold of the audience, captivating them so it’s impossible to look away as the ensemble digs down to the deepest point of authentic emotion.
Memory plays at the Viaduct Theater, 3111 N. Western Ave., through December 18 Thursday through Saturday at 7:00 pm and Sunday at 3:00 pm. Tickets are $25 and $22 for seniors.