Tag: Marvin Hamlisch

Review: They’re Playing Our Song (Brown Paper Box Co.)

Dan Gold and Carmen Risi star as Vernon and Sonia in They're Playing Our Song, Brown Paper Box Co            
      

   

They’re Playing Our Song
 
Marvin Hamlisch (music), Neil Simon (book)
   and Carole Bayer Sager (lyrics)
at Rivendell Theatre, 5779 N. Ridge (map)
thru Aug 20  |  tix: $27  |  more info
       
Check for half-price tickets    
     

July 26, 2017 | 0 Comments More

Review: Gotta Dance (Broadway in Chicago)

Ande De Shields and Georgia Engel star in the pre-Broadway world premiere of "Gotta Dance", directed and choreographed by Jerry Mitchell. (photo credit: Matthew Murphy)         
      
Gotta Dance

Book by Chad Beguelin, Bob Martin
Music by Matthew Sklar, Marvin Hamlisch
Bank of America Theatre, 18 W. Monroe (map)
thru Jan 17  |  tix: $38-$105  |  more info
       
Check for half-price tickets    
  

December 30, 2015 | 0 Comments More

Review: Sweet Smell of Success (Kokandy Productions)

Brian Rooney as J.J. Hunsecker and Victoria Blade as Susan in        
      
Sweet Smell of Success

Written by Marvin Hamlisch (music), 
   Craig Carnella (lyrics) & John Guare (book)
Directed by John D. Glover
at Theater Wit, 1229 W. Belmont (map)
thru Feb 2  |  tickets: $38   |  more info
       
Check for half-price tickets 
    
        
                   Read review
     

January 16, 2014 | 0 Comments More

Review: A Class Act (Porchlight Music Theatre)

Bill Larkin and Dana Tretta in Porchlight Music Theatre's "A Class Act", directed and choreographed by Stacy Flaster. (photo credit: Jeremy Rill)        
       
A Class Act  

Music and Lyrics by Edward Kleban 
Book by Linda Kline and Lonny Price 
Directed and Choreographed by Stacy Flaster 
at Theater Wit, 1229 W. Belmont (map)
thru Oct 7  |  tickets: $39   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

September 5, 2012 | 0 Comments More

Review: A Chorus Line (Paramount Theatre)

A Chorus Line, Paramount Theatre Aurora, Liz Lauren       
      
A Chorus Line 

Book by James Kirkwood, Nicholas Dante
Marvin Hamlisch (music), Edward Kleban (lyrics)
Directed by Mitzi Hamilton  
at Paramount Theatre, Aurora (map)
thru Feb 5  |  tickets: $35-$47   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

January 31, 2012 | 0 Comments More

REVIEW: A Chorus Line (Marriott Theatre)

Gotta Dance!

 

Chorus Line at Marriott

   
Marriott Theatre presents
   
A Chorus Line
   
Music by Marvin Hamlisch, Lyrics by Edward Kleban
Book by James Kirkwood and Nicholas Dante
Directed by Mark Lococo
at Marriott Theatre, 10 Marriott Drive, Lincolnshire (map)
Through October 31  |  tickets: $35-$48  |  more info

reviewed by Lawrence Bommer

Mara Davi as Cassie - Chorus Line MarriottCelebrating its 35th anniversary in a terrific revival staged by Mark Lococo, A Chorus Line remains the late Michael Bennett‘s breakthrough backstage musical, winner of nine Tony Awards and the Pulitzer Prize. In this "show before a show" the parts–the 17 dancers–outweigh the whole. That greater good is an imaginary musical where, as the hoofers swagger in Nancy Missimi’s gold lamé suits against massive mirrors, their Broadway fantasies come true. But by then we know “what they did for” dance.”

Most musicals are examples of art imitating life. Not so A Chorus Line. It fascinates because its constantly young cast insure that this show is a textbook case of life imitating art imitating life. (Actors in 2010 who could be the children of the 1975 cast are creating the 1975 creation that was itself inspired by the reality of 1975 dancers.) The recessed mirrors in Marriott’s Production perfectly symbolize the backstage, show-before-a-show nature of this unconventional depiction of the creation of a very conventional Broadway musical. (Remember: The finale, “One Singular Sensation,” is really intended as a backup to a star of the Streisand, Verdon or Ann Miller persuasion. “Chorus Line” may be all about dance but the “outside” musical that they’re creating is not.)  

It’s ironic that, after we get to know the "dance gypsies" chosen from the 24 who endure this grueling try-out, the survivors get swallowed up in "One," this massive finale where what counts is the lockstep anonymity of a kick line. The humanity that went into the song-confessionals, where the auditioners testified to the resilience, sexiness, escapism and transience of their trade, yields to the conformity of interchangeable parts. This "one singular sensation" is American individuality feeding American efficiency. Another all-too-American quality, at least at this stage of the recession, is the desperation that surges through “I Need This Job.”

 

Anika Ellis as Shiela - Chorus Line Marriott Bryan Knowlton as Paul - Chorus Line Marriott
Chorus Line - One Singular Sensation Nina Fluke as Val - Chorus Line Marriott
Chorus Line Cast - Marriott

Before that chorus/assembly line closes ranks, we’ve felt the full diversity of the dancers, as preserved from interviews that Bennett did with the original dancers some 35 years ago. It’s ironic that the current dancers may have their own stories but they’re in effect prisoners of the musical’s now-distant past.

In Lococo’s devoted reprise of this not-so-retro musical, a second (or third?) generation solidly replay the life stories of the 1975 originals, slinking and strutting their way through Bennett’s pizzazz-packed choreography (here re-imagined by Rachel Rockwell) and tearing into Marvin Hamlisch‘s sturdy score. This arena staging may be in the round but the mirrors work even better than in a proscenium  production. They may not suggest many more dancers than the cast itself but the recessed effect makes it look like we’re seeing memories as much as moments here.

Adam Estes as Gregory - Chorus Line MarriottFleshing out showbiz stereotypes with true-life immediacy, Alexander Aguilar relishes the effortless bravura of "I Can Do That" and Pilar Millhollen belts out the tough-girl wisdom of "What I Did for Love." As Sheila, the aging but indomitable siren, Anika Ellis purges her past in "At the Ballet," while Nina Fluke reinvents Val’s surgical saga in "Dance: Ten; Looks: Three."

In the one unsung solo, Bryan Knowlton digs heartache from Paul’s tale of a gay dancer unexpectedly accepted by his family. Registering the full joy of moving fast, buffed-up Max Kumangai is a blurry revelation.

As he shapes the audition-rehearsal with God-like omniscience, Chicago favorite Tim Gregory brings easy authority to confessor-choreographer Zach, though his soap-opera showdown with Cassie, his old flame, seems perfunctory. Undeterred, Broadway notable Mara Davi (who appeared in the recent revival) throws herself into "The Music and the Mirror," Cassie’s tour-de-force dance sequence. It should feel as if everyone who ever danced the part were with her but on opening night she seemed to lose her terpsichorean motivations and it fell flat.

First and always, the revival confirms the continuing cause for its docu-tribute: Bennett’s high-strutting, soul-stirring dances are a perfect match for the aspirations this musical will always extol.

   
   
Rating: ★★★★
   
   

Chorus Line - One Singular Sensation2

 

   
   
September 13, 2010 | 0 Comments More

Noble Fool Theatre changes name, announces new season

 

 

Artistic Director John Gawlik shares his thoughts on name change

 

Noble Fool Theatricals, the well-established professional theater in the Fox Valley area, has announced a new direction for their nonprofit organization. Beginning their calendar year season in January 2011, Noble Fool will become Fox Valley Repertory; a name that represents the community they have grown their mission, vision, patron base, and academy students around.

I assure you that you can still count on outstanding productions because we are not a new organization. Our staff is the same, dedicated team,” says Artistic Director John Gawlik. “But after several years of growth, we simply wanted our name to represent the strong bond we have created with our patrons and community. We know this will help our patrons connect with our stories and begin referencing us as ‘our theater’ even more.”

As the nonprofit theater company in residence at Pheasant Run Resort for the seventh year, “we are focused on creating an engaging theater experience by producing shows that inspire our community to laugh, reflect and reconnect to moments in one’s life,” says Artistic Director John Gawlik. A major portion of their commitment is through arts education, as they continue their task of inspiring youth to explore their own lives through the performing arts.

For Fox Valley Repertory’s 2011 season, Gawlik has programmed an exciting season with some of the top and emerging directors in Chicago.

To celebrate our new vision and name, we are offering the best subscription rates and benefits in the area,” says Gawlik. “Our 4-show packages are heavily discounted at $65 and $80 per person. We’re hoping the Fox Valley area will join us with this great introductory price. Our number of subscribers has grown tremendously in the last two years, and we hope this continues.”


Fox Valley Repertory’s 2011 Season

 

January 20 – March 13, 2011

Leaving Iowa

The Comedy About Family Vacations

By Tim Clue and Spike Manton
Directed by Rachel Rockwell; named Chicago Magazine’s Director of the Year (2010).

   
  Middle-aged writer Don Browning is searching for the perfect spot to scatter his father’s ashes. As he travels the paths his family took on their annual vacations, images of his father and the shared family tortures surround his memories. This homegrown comedy will have you revisiting your fond (and not-so-fond) memories of your youth.
   
   

March 24 – May 15, 2011

Always, Patsy Cline

‘The Sweetest Musical This Side of Heaven’

Directed by John Gawlik; director of The Gift Theatre’s The Ruby Sunrise, named one of the Top Ten shows of 2009 by TimeOut Chicago Magazine 

   
  More than just a tribute to the late legendary country singer, this Off-Broadway musical recounts Cline’s true friendship with a fan from Houston, whom she befriended at a Texas honky tonk and remained pen pals with until her early death. Complete with down home country humor and true emotion, this 1960s tribute includes many of Patsy’ unforgettable hits such as Crazy, I Fall to Pieces, Sweet Dreams and Waking
After Midnight. Rating: PG
   
   

June 9 – July 31, 2011

Around the World in 80 Days

A Classic Adventure Comedy

Written for the stage by Mark Brown, from the novel by Jules Verne

Directed by John Gawlik 

   
  Based on Jules Verne’s classic novel, join fearless adventurer Phileas Fogg as he sets out to circle the globe in an unheard-of 80 days. It’s a race against the clock as he contends stampeding elephants, raging typhoons, bandits, and a detective who thinks he’s a robber on the run. Danger, romance, and comic surprises abound in this whirlwind of a show as five actors portray 39 characters in seven continents.
   
   

August 18 – October 9, 2011

They’re Playing Our Song

Book by Neil Simon; Music by Marvin Hamlisch; Lyrics by Carole Bayer Sager

Directed by Jonathan Berry, hailed as “one of Chicago’s most talented young directors” by Chicago Tribune. 

   
  When an award-winning, straight-laced composer teams up with a quirky, aspiring lyricist, it’s far from a match made in musical heaven. But when an unexpected romance builds between them, they hilariously struggle to find harmony. Based on the real life love story of Marvin Hamlisch and Carole Bayer Sager, Neil Simon’s romantic musical will leave a smile on your face and a song in your heart. Rating: PG
   
   

July 7 – August 7, 2011

Bad Dates

A Woman’s Quest for Love and the Perfect Pair of Shoes

By Theresa Rebeck

Directed by Kimberly Senior, one of Chicago’s most acclaimed directors. 

   
  If you like “Sex and the City” and Bridget Jones’ Diary, you’ll love this romantic one-woman comedy! Single mom and Texas transplant Haley Walker tries to balance the pressures of her new NYC restaurant career, raising a moody teenage daughter, and the too-close-for-comfort relationship with the Romanian mob, all while trying to find her way back into the dating scene…nothing that a great pair of shoes couldn’t fix! Haley needs your shoulder to cry and laugh on as she shares her dating adventures with you.
   
   

Collider 2011: New Play Project

A new play program partnering local scientists and Fox Valley Repertory in developing new works that help us better understand the universe and who we are, while illuminating and celebrating the worlds of art, science and technology.

Big Bang Ten Minute Plays

World premier ten minute plays will be performed during the Fox Valley Rep Summer Arts Fest.

Other Fox Valley Repertory Productions

 

October 14 – 30, 2011

The Woman in Black

A Spine-Chilling Tale

Special Halloween Eve Performance on Sunday, October 30 @ 7pm!

By Stephen Malatratt.  Based on the novel by Susan Hill

   
  A London lawyer hires an actor to help recount a story to family and friends that has long troubled him since he attended the funeral of an elderly recluse. During the reenactment, you’ll be gripping your seats with a chill down your spine as you experience the horror and terror of this haunting tale. We just hope you’ll live to retell the tale of one of the longest-running suspense thrillers in history. Rating: PG-13
   
   

November 10 – December 24, 2011

It’s a Wonderful Life

A Live Radio Play 

   
  Inspired by Frank Capra’s beloved American holiday classic, you’ll become a part of a 1940s live broadcast as actors bring the fateful story of George Bailey to life. As a studio audience member, you’ll relive the beloved tale of regret and redemption complete with classic holiday songs, a six member Children’s choir, instruments, man-made sound effects, and live commercials.
   
   

Other Performances

In addition to these performances, Fox Valley Repertory will be producing five youth ensemble musical performances, four holiday productions, and presenting six live music events and four national comedy touring acts – together, totaling to 251 performances during the 2011 season.

Ticket Information

Pheasant Run Resort is located at 4051 E. Main St., St. Charles, IL. Season subscriptions start at $65 for show only tickets (discounted dinner-show subscriptions also available) and are currently available by calling call the Box Office at 630-584-6342. Full priced single tickets for each production will go on sale at a later date.

Additional information on the 2011 Season and Noble Fool Theatricals soon-to-be Fox Valley Repertory are available at www.noblefool.org or www.foxvalleyrep.org.

      
     
September 6, 2010 | 0 Comments More

Broadway royalty pay their respects to Gerald Schoenfeld, head of Schubert Organization.

shoenfend

Gereld Schoenfeld

 

helenmirren Theater royalty from Angela Lansbury to Helen Mirren to Andrew Lloyd Webber turned out Monday to remember Gerald Schoenfeld, head of the powerful Shubert Organization, Broadway’s biggest landlord.

“We called him ‘chairman,” simply ‘chairman,'” Hugh Jackman said in welcoming the celebrity-packed crowd that included Henry Kissinger and Barbara Walters to the memorial service at the Majestic Theatre, home of “The Phantom of the Opera,” one of Schoenfeld’s biggest hits.

alwebber Schoenfeld’s mantra was that if you really believed in something, then nothing and nobody should get in the way of you realizing and achieving your dream.  This theme was echoed throughout the nearly two-hour service, which interspersed speeches with musical numbers from shows — both hits and misses — the Shubert Organization helped bring to Broadway.

Performances included Betty Buckley singing “Memory” from “Cats” and Priscilla Lopez warbling “What I Did for Love” from “A Chorus Line

bettybuckleywhoopi hughjackman

Speakers honoring Schoenfeld were Jeremy Irons, Whoopi Goldberg, Marvin Hamlisch, Tim Rice, Bjorn Ulvaeus and New York mayor Michael Bloomberg.

And Schoenfeld got the last word. The afternoon event ended with a video of the producer singing “Jerry’s Turn,” a spoof of “Rose’s Turn,” the climactic number in “Gypsy” and considered one of musical theater’s great show stoppers. It stopped the show again at the Majestic.

barbarawalters priscillalopez angela

(excerpts courtesy of Michael Kuchwara of the AP)

February 10, 2009 | 0 Comments More