Tag: Nathan Hosner

Review: Moby Dick (Lookingglass Theatre, 2017)

Anthony Fleming III, Nathan Hosner, Micah Figueroa and  Mattie Hawkinson            
      

Moby Dick
 
Adapted/Directed by David Catlin
  from novel by Herman Melville
Lookingglass Theatre, 821 N. Michigan (map)
thru Sept 3  |  tix: $45-$80  |  more info
       
Check for half-price tickets   
     

July 1, 2017 | 0 Comments More

Review: The Hard Problem (Court Theatre)

Nathan Hosner and Sophie Thatcher star as Jerry and Cathy in The Hard Problem, Court Theatre           
      
  

The Hard Problem

Written by Tom Stoppard
Court Theatre, 5535 S. Ellis (map)
thru April 9  |  tix: $48-$68  |  more info
       
Check for half-price tickets   
     

March 29, 2017 | 0 Comments More

Review: Arcadia (Writers Theatre)

Elizabeth Stenholt and Greg Matthew Anderson in Arcadia, Writers Theatre Glencoe         

           
Arcadia

Written by Tom Stoppard
Writers Theatre, Glencoe (map)
thru May 1  |  tix: $35-$80  |  more info
       
Check for half-price tickets   
    

April 7, 2016 | 0 Comments More

Review: Marjorie Prime (Writers Theatre)

Kate Fry and Mary Ann Thebus star in Writers Theatre's "Marjorie Prime" by Jordan Harrison, directed by Kimberly Senior. (photo credit: Michael Brosilow)         
      
Marjorie Prime 

Written by Jordan Harrison
Books on Vernon, 664 Vernon, Glencoe (map)
thru Mar 13  |  tix: $35-$70  |  more info
       
Check for half-price tickets   
    

November 25, 2015 | 0 Comments More

Review: Peter and the Starcatcher (Broadway in Chicago)

Joey deBettencourt and Megan Stern star in Broadway in Chicago's "Peter and the Starcatcher" by Rick Elice, directed by Roger Rees and Alex Timbers. (photo credit: Jenny Anderson)

       
      
Peter and the Starcatcher

Written by Rick Elice
Directed by Roger Rees and Alex Timbers
Bank of America Theatre, 18 W. Monroe (map)
thru April 13  |  tickets: $18-$85   |  more info
       
Check for half-price tickets 
    
        
                   Read review
     

April 5, 2014 | 0 Comments More

Review: Hesperia (Writers’ Theatre)

Erik Hellman (Trick) and Kelly O'Sullivan (Claudia) in Writers' Theatre's "Hesperia" by Randall Colburn. (photo credit: Michael Brosilow)       
      
Hesperia

Written by Randall Colburn
Directed by Stuart Carden 
Writers’ Theatre, 325 Tudor Ct., Glencoe (map)
thru March 18  |  tickets: $35-$70   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

February 5, 2012 | 0 Comments More

Review: A Christmas Carol (Goodman Theatre)

Tiny Tim (Roni Akurati) proclaims, “God bless us everyone!” on the shoulders of Ebenezer Scrooge (Larry Yando), in the 34th annual production of Goodman Theatre’s A Christmas Carol.       
      
A Christmas Carol 

Written by Charles Dickens 
Adapted by Tom Creamer
Directed by Steve Scott 
Goodman Theatre, 170 N. Dearborn (map)
thru Dec 31  |  tickets: $25-$92   |  more info  
       
Check for half-price tickets  
         
        Read entire review
     

December 4, 2011 | 2 Comments More

Review: The Madness of George III (Chicago Shakespeare)

  
  

The real King Lear

  
  

King George III (Harry Groener) and the royal family greet their subjects in Chicago Shakespeare Theater's The Madness of George III. Photo by Liz Lauren.

  
Chicago Shakespeare Theater presents
   
The Madness of George III
   
Written by Alan Bennett
Directed by Penny Metropulos
at Chicago Shakespeare Theater, Navy Pier (map)
thru June 12  |  tickets: $44-$75  |  more info

Reviewed by Lawrence Bommer

Talk about life imitating art. Like the fictional King Lear of Shakespeare’s harshest imagination, in the late 18th century King George III of the troubled House of Hanover descended into madness, then briefly emerged from it as he realized that a king is mortal and that others have suffered as much as he. He too had vicious offspring: two sons – the fat and foolish Prince of Wales, later George IV, and the foppish Duke of York – were every bit as ungrateful as Goneril and Regan (and he had no Cordelia to redeem the curse). George was temporarily “cured” by a tough-love regimen: A monarch who had never been contradicted in his life was restrained by strait-jackets and strapped to a chair like a thief in a pillory. If not worse, the treatment was as vicious as the malady.

Harry Groener as the ailing King George III and Ora Jones as his devoted Queen Charlotte in Alan Bennett's The Madness of George III. Photo by Peter Bosy.If Lear’s story is tragic, George’s is pathetic, so great is the gulf between his real illness (porphiria, a medical and not a mental degenerative disease) and the neo-medieval physicians who think the solution is just a question of bloodletting, poultices, and a daily inspection of the chamberpot. It’s too easy to say that George was unhinged by the ingratitude of his American subjects in daring to revolt—or that his peace of mind was subverted by parliamentary plots hatched by his enemies the Whigs (under the unscrupulous Charles Fox). (The government’s Tories, under William Pitt, were not above exploiting the addlepated king as he forfeited control over almost all his functions and functionaries.) His was a classic case of hubris: The body’s conditional state betrayed the monarch’s absolute power.

Alan Bennett’s much-praised 1991 dramatization of this unpleasantness (made into Nicholas Hytner’s superb 1994 film with Nigel Hawthorne as the humbled king) recalls Thomas Hogarth’s most vicious caricatures: It conjures up a dysfunctional dynasty as fraught with friction as any family and a political circus in which Whigs and Tories behave just as badly as our bad boys do in 2011, not 1785.

Penny Metropulos’ all-engrossing staging is a marvel of perpetual motion. Its energy is coiled and concentrated in Tony-nominee Harry Groener’s piledriving performance in the dual title role (the madness as much as the king). In this awesome fall from grace we watch the symbol of the then-world’s greatest empire lose authority as he does his bowels, brain and locomotion. The well-named Groener makes us feel his pain in each particular (and Bennett is nothing if not graphic in his depiction of a body breaking down).

The king’s sole help comes from Ora Jones’ magnificent Queen Charlotte, George’s fearlessly loyal, unjustly neglected wife, his faithful equerries (Kevin Gudahl and Erik Hellman), and his principled and frustrated prime minister (Nathan Hosner). All do legion work above and beyond every theatrical expectation.

     
King George III (Harry Groener) celebrates his recovery with his devoted Queen Charlotte (Ora Jones) in Chicago Shakespeare Theater's The Madness of George III. Photo by Liz Lauren. King George III (Harry Groener, center) handles government affairs with Prime Minister William Pitt (Nathan Hosner, far left) as Fortnum (Mark D. Hines) awaits orders, in Chicago Shakespeare Theater's The Madness of George III. Photo by Liz Lauren.
King George III (Harry Groener) embraces his straitjacket as he struggles to regain control of his mind in Chicago Shakespeare Theater's The Madness of George III. Photo by Liz Lauren. Queen Charlotte (Ora Jones) warns her ailing husband, King George III (Harry Groener), of his government's impending plan to revoke his political powers, as Captain Fitzroy (Kevin Gudahl, center) and Captain Greville (Erik Hellman, left) look on, in Chicago Shakespeare Theater's The Madness of George III. Photo by Liz Lauren.

As devious as the disease that wracks the king, Richard Baird plays his heir with odious opportunism, matched by Alex Weisman as his corrupt and corpulent younger brother. David Lively’s Lord Chancellor is amusingly caught in the crossfire between both factions, while the four doctors (Brad Armacost, Patrick Clear, William Dick and James Newcomb) display a cornucopia of ignorance that Moliere would envy.

The near-three hours fly by as pell-mell conflicts ebb and seethe under William Bloodgood’s immense Palladian portico. Its most telling moment is when a recovering George experiences the only good treatment he received: He plays a dying King Lear, suddenly realizing that another man wrote about and an imaginary one felt his plight. That, of course, was to know how powerless you are when fate toys with you and your own body turns on you worse than any enemies could imagine. You feel like a voyeur as you watch this scatological and scandalous story unfold, but you can’t take your eyes away for an instant.

  
  
Rating: ★★★★
  
  

Suspecting a plot to dethrone him, King George III (Harry Groener) attacks his son, the Prince of Wales (Richard Baird), attended by Dr. Richard Warren (Patrick Clear, left), as Queen Charlotte (Ora Jones, right) rushes to quell him and the Duke of York (Alex Weisman) tumbles to escape the fray, in Chicago Shakespeare Theater's The Madness of George III. Photo by Liz Lauren.

All photos by Liz Lauren and Peter Bosy.

     

 

April 21, 2011 | 1 Comment More