Tag: Nathan Lane

Top 10 Chicago Plays of 2012

Taking into account the nearly 700 productions that we reviewed in 2012, here are our picks for the best of the best. Bravo!!  (FYI: We’re honored to have the national website Huffington Post use our choices for their Top 10 Chicago productions here)

Mary Beth Fisher and Rob Lindley star in Court Theatre's "Angels in America" by Tony Kushner, directed by Charles Newell. Molly Regan, Lusia Strus and Mariann Mayberry star in Steppenwolf Theatre's "Good People" by David Lindsay-Abaire, directed by K. Todd Freman. (photo credit: Michael Brosilow) Rania Salem Manganaro stars in The Inconveniences' "Hit The Wall" by Ike Holter, directed by Eric Hoff. (photo credit: Ryan Borque) Brian Dennehy and Nathan Lane star in Goodman Theatre's "The Iceman Cometh" by Eugene O'Neill, directed by Robert Falls. (photo credit: Liz Lauren) Brandon Dahlquist, Shannon Cochran and Jonathan Weir star in Writers' Theatre's "A Little Night Music" by Stephen Sondheim, directed by William Brown. (photo credit: Michael Brosilow)
Adam Poss and Madrid St. Angelo star in star in Victory Gardens' "Oedipus el Rey" by Luis Alfaro, directed by Chay Yew. (photo credit: Michael Brosilow) Chiara Mangiameli and Rick Bayless star in Lookingglass Theatre's "Rick Bayless in Cascabel" by Heidi Stillman and Tony Hernandez and Rick Bayless. (photo credit: Sean Williams) Lyric Opera of Chicago's "Show Boat", conducted by John DeMain, directed by Francesca Zambrello. (photo credit: Robert Kusel) Jason Danieley as George and Carmen Cusack as Dot, in Chicago Shakespeare's "Sunday in the Park with George" by Stephen Sondheim and James Lapine, directed by Gary Griffin. (photo credit: Liz Lauren) Richard Cotovsky and Preston Tate Jr. star in Mary-Arrchie Theatre's "Superior Donuts" by Tracy Letts.  (photo credit: Greg Rothman)

 

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January 6, 2013 | 0 Comments More

Review: The Iceman Cometh (Goodman Theatre)

Harry Hope (Stephen Ouimette) in Eugene O’Neill’s The Iceman Cometh directed by Robert Falls at Goodman Theatre       
      
The Iceman Cometh 

Written by Eugene O’Neill 
Directed by Robert Falls 
at Goodman Theatre, 170 N. Dearborn (map)
thru June 17   |  tickets: $61-$175   |  more info
       
Check for half-price tickets 
    
        
        Read entire review 
     

May 5, 2012 | 0 Comments More

Review: The Addams Family (Broadway in Chicago)

Douglas Sills (Gomez) and Sara Gettelfinger (Morticia) in THE ADDAMS FAMILY.       
      
The Addams Family 

Book by Marshall Brickman, Rick Elice
Music and Lyrics by Andrew Lippa
Directed by Julian Crouch & Phelim McDermott
Cadillac Palace Theatre, 151 W. Randolph (map)
thru Jan 1  |  tickets: $37-$100   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

December 28, 2011 | 0 Comments More

Review: La Cage Aux Folles (Broadway in Chicago)

LES CAGELLES in LA CAGE AUX FOLLES, music and lyrics by Jerry Herman, book by Harvey Fierstein, choreographed by Lynne Page and directed by Terry Johnson.  The production is playing at the Longacre Theatre, 220 West 48th Street.  

©Joan Marcus
      
      
La Cage aux Folles 

Music and Lyrics by Jerry Herman 
Book by Harvey Fierstein
Directed by Terry Johnson
Bank of America Theatre, 18 W Monroe (map)
thru Jan 1  |  tickets: $32-$95   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

December 23, 2011 | 0 Comments More

Addams Family set to go through Revisions

“Revisions” for ‘Addams Family’ before Broadway run

The Addams Family
Ford Center for the Performing Arts, Oriental Theatre

As the musical begins, there are storm clouds gathering over the Addams Family home. Wednesday is falling in love, and guess who's coming to dinner?

Synopsis:
In this original story, the famously macabre Addams Family is put to the test when outsiders come to dinner, hurling Gomez, Morticia, Wednesday, Pugsley, Fester, Grandmama and Lurch headlong into a night that will change the family forever.
Show Advisory:
None
Genre:
Musical
Cast List:
Nathan Lane, Bebe Neuwirth, Terrence Mann, Carolee Carmello, Kevin Chamberlin, Jackie Hoffman, Zachary James, Adam Riegler, Wesley Taylor, and Krysta Rodriguez
Production Credits:
Direction and design by Phelim McDermott and Julian Crouch
Lighting design by Natasha Katz
Sound design by Acme Sound Partners
Puppetry by Basil Twist
Music direction by Mary-Mitchell Campbell
Orchestrations by Larry Hochman
Dance arrangements by August Eriksmoen
Hair design by Tom Watson

Special effects design by Greg Meeh
Fight direction by Rick Sordelet
Heidi Miami Marshall will serve as associate director

Other Credits:
Lyrics by: Andrew Lippa
Music by: Andrew Lippa
Book by: Marshall Brickman & Rick Elice The producers of Addams Family, set for a spring Broadway opening, have hired the Tony Award-winning director Jerry Zaks as a consultant for the $16.5 million production, attempting to revive the musical from its less-than-glowing reviews.

perhaps we were taking a little too much for granted assuming that the audience walks in with the relationship with the Addams family fully intact, and we didn’t appropriately reconnect the audience to the family members,” said producer Stuart Oken.

No one on the creative team has left the show or been fired, Mr. Oken said, with Phelim McDermott and Julian Crouch still listed as the directors and production designers, and Mr. Zaks billed as creative consultant.

Mr. Zaks is close to Mr. Lane, having directed him in the long-running Broadway musical revivals of Guys and Dolls in 1992 and A Funny Thing Happened on the Way to the Forum in 1996, for which Mr. Lane won the Tony Award for best actor in a musical.

The musical’s lead producers, Stuart Oken and Roy Furman have admitted that the plot needed to focus more tightly on the Addams family members and that all roles, starting with Gomez (Nathan Lane) and Morticia (Bebe Neuwirth), needed their eccentric and subversive personalities clearly established in dialogue and song before the main action of the plot begins.

 

Bebe Neuwirth and Nathan Lane 1

January 29, 2010 | 0 Comments More

Sunday Night Sondheim: *Frogs* Opening Fanfare

Frogs – “Opening Fanfare" featuring Nathan Lane

January 17, 2010 | 0 Comments More

Addams Family: An Interview with Wednesday and Lucas

An Interview with Wednesday and Lucas

(From Addams Family – the Musical)

By Timothy McGuire

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From left to right – Wesley Taylor (playing ‘Lucas’ in Addams Family) and Krysta Rodriguez (playing ‘Wednesday’)


It was fun as a fan as well as a reviewer to see how excited both Krysta Rodriguez and Wesley Taylor are to be a part of the new Addams Family Musical. The two played off each other like old friends with inside looks and slight teasing to go along with their praise of one another. Relaxed and enjoying the moment, both Krysta and Wesley expressed how much of a thrill it has been to be a part of creating an original Broadway production.

Krysta is playing The Addams Family character ‘Wednesday’, but this is not the Wednesday Addams that TV-viewers are familiar with: Wednesday is all grown up now. She is at the difficult age of eighteen where childhood and adulthood tear at you from opposite directions. As Krysta puts it, “Wednesday is torn between her bizarre family’s norms that she grew up with and her new feelings that are more in line with regular people outside of the Addams family.” She is getting softer, not mushy, and she expresses this in the beginning of the show through her song “Pulled (in the wrong direction). “

After Wednesday’s song we meet Lucas Beineke (Wesley Taylor), the boy from school that Wednesday is dating, and this introduces the storyline of the musical. When Lucas Beineke’s parents (your average American Mom and Dad) meet the spooky outrageous Addams family when they get together for dinner at the Addams’ mansion, madness ensues.

Wesley Taylor will be originating a brand new character in his role as Lucas. Wesley auditioned multiple times for the original role of Lucas, without being cast. So when he was not asked to be a part of the first public reading, he assumed that he did not get the part. Something changed after his performance in the successful Broadway production of Rock of Ages. He was again asked to audition and this time he got the part. Telling that story, Wesley admits that he was rather frustrated, and did not understand why he had to read again when they were going to go another way – but in the end it just made his getting the part that much sweeter. With a smile stretching across his face, Wesley acknowledges how lucky he is to encounter the challenges and rollercoaster processes of creating a brand new role within a brand new musical.

Both Wesley and Krysta tell a story, literally interchanging sentences and checking with each other for confirmation, about a day in rehearsal when the show’s composer and lyricist, Andrew Lippa, called Wesley over to his piano and played a song he was currently working on. They started playing a duet together, and Wesley tells me that he was so excited and knew this show was going to be a big original hit. “They were both totally freaking out” interjects Wednesday.

Krysta and Wesley have said that they have had no choice but to become good friends, which is understandable when you work with someone all day everyday. They have been enjoying their free time together in Chicago, eating a lot as both of them will admit. Actually the topic of food brought some big smiles and elbow pokes from both Krysta and Wesley which made me ask where they have been dining out. It appears our good old Chicago style hotdogs are on top of their list.

Go see The Addams Family. (★★★ – our review here)

addamsfamily6Left to right: Krysta Rodriguez, playing Wednesday, and Bebe Neuwirth (Mortisha)

 

addamsfamily3Left to right: Wesley Taylor (Lucas Beineke), Carolee Carmello (Mrs. Beineke) and Nathan Lane (Gomez Addams).

December 22, 2009 | 0 Comments More

REVIEW: “The Addams Family – The Musical”

Sizzling Cast – Lukewarm Story

(l-r) Adam Riegler, Jackie Hoffman, Krysta Rodriguez, Nathan Lane, Bebe Neuwirth, Zachary James and Kevin Chamberlin. Photo: Joan Marcus

The Addams Family

Book by Marshall Brickman & Rick Elice
Music & Lyrics by Andrew Lippa
Directed by Phelim McDermott & Julian Crouch
thru January 10th (ticket information)

Reviewed by Catey Sullivan

Fair to snappy score, piffling to predictable story and characters of cartoon depth. That about sums up the much-anticipated new musical based on the mordantly brilliant cartoons of Charles Addams. And oh yes, multi-million dollar whiz bang production values and a cast comprised of some of the biggest stars known to the biz of show. Minus Nathan Lane and Bebe Neuwirth – talents as brilliant in their fields as Addams Bebe Neuwirth and Nathan Lane.  Photo by Joan Marcuswas in his – would The Addams Family musical be worthy of its pre-Broadway hype? We’d argue ‘no,’ but that argument’s probably beside the point.

With Lane and Neuwirth as Gomez and Morticia Addams, the score and the book could be a creation of cringing mediocrity and nobody’d much notice. Lane can – and here, does – wrest belly laughs from jokes that would fall flatter than a week-old, lead-lined pancake if delivered by lesser lights. Neuwirth is his match as the slinky, femme-fatale mistress of the ooky-spooky mansion. With legs and hair that go from here ‘til eternity and a whiskey-and-velvet alto voice that screams “come hither” even when it says something completely different, she simply kills it as Morticia.

As for the story that contains these luminaries, think “You Can’t Take It With You” with ghosts and monsters. Marshall Brickman and Rick Elice’s book focuses on Wednesday Addams (Krysta Rodriguez, instilling Wednesday with a definite S & M flair) and her romance with the comparatively normal Lucas Beineke (Wesley Taylor, the clean-cut ‘M’ to Rodriguez’ domineering ‘S’). As in Kaufman and Hart’s depression-era classic, the romance is complicated by clashing parents. Lucas’s folks are prim, proper and repressed. The Addamses? Not so much.

Wackiness ensues when the buttoned-up Beinekes are confronted with the questionably alive Lurch (Zachary James, a literally towering presence whose basso profundo steals the show in the finale) upon entering the Addams’ Central Park manse. It ensues further as the Beinekes contend with lovesick sea-monsters, chairs that double as castration devices, saber-rattling ghosts and hosts and the shamelessly demonstrative lustful affection between Morticia and Gomez.

"The Addams Family" continues through Jan. 10 at the Oriental Theatre, 24 W. Randolph St. Tickets are $28 - $105. For more information, go to www.broadwayinchicago.comAndrew Lippa’s score is colored throughout by Gomez’ Spanish ancestry. Its flamenco/tango stylings are serviceable, but in all, the music is more flash than depth. Curiously, the best songs don’t go to Lane or Neuwirth. The latter’s big number comes with “Second Banana”, an utterly forgettable lament about aging. Lane gets “Happy/Sad,” a second act crooner that is sweet but generic. It is Mrs. Bieneke (Carolee Carmello, a belter of deceptively mousy demeanor) who gets the Act I showstopper (“Waiting”) and Mr. Bieneke (Terrence Mann, in fine voice) who raises the roof and brings down the house in Act II with “In the Arms,” a hilarious ode to cephalopod love.

As for the big 11 O’Clock penultimate finale, that has more to do with swashbuckling spectacle and an all-hands-on-deck sword fight than with musical virtuosity. (Choreographer Sergio Trujillo draws a page from “Thriller” for much of the rest of the show, as a chorus of the dead engages in lively dances with gravestones. ) If you’re waiting for a star turn (a la The Producers “Betrayed”) that puts Lane’s incandescent leading man capabilities in the white-hot light they deserve, it never arrives. As far as the score is concerned, Lane’s role is oddly underwritten.

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Director/designers Phelim McDermott and Julian Crouch have crafted a show that looks thrilling and moves at a spirited clip. That’s all well and good – but hardly the stuff of a deserving Broadway blockbuster.

Fans of the 1960s “Addams Family” television series will find all the show’s deliciously macabre eccentricities in place. Cousin Itt makes an appearance. “Thing” is featured prominently. Fester (an infectiously gleeful Kevin Chamberlin) serves as both narrator and odd-man Greek chorus of sorts. Ukulele in hand, he gets some of the evening’s most creative special effects (and amusing choreography) in a free-floating love song to the moon. And as Grandma, Jackie Hoffman makes the mighty most of a small part, delivering the show’s best lines with a pitch-perfect irreverence that stops the show with every punchline.

For boomers who loved the finger-snapping show, The Addams Family is a must. Ditto for those who treasure any chance to see Lane and Neuwirth perform live. For the rest, there’s just not much there.

Rating: ★★★

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The Addams Family” continues through Jan. 10 at the Oriental Theatre, 24 W. Randolph Street. Tickets are $28 – $105. For more information, go to www.broadwayinchicago.com

View Addams Family - the Musical
December 10, 2009 | 6 Comments More