Tag: Takeshi Kata

Review: Gloria (Goodman Theatre)

Jennifer Kim, Catherine Combs and Kyle Beltran star as Kendra, Ani and Miles in Gloria, Goodman Theatre           
      
  

Gloria

Written by Branden Jacobs-Jenkins
Goodman Theatre, 170 N. Dearborn (map)
thru Feb 19  |  tix: $25-$85  |  more info
       
Check for half-price tickets   
     

February 6, 2017 | 0 Comments More

Review: Slowgirl (Steppenwolf Theatre)

William Petersen and Rae Gray star in Steppenwolf Theatre's "Slowgirl" by Greg Pierce, directed by Randall Arney. (photo credit: Michael Brosilow)        
      
Slowgirl

Written by Greg Pierce  
Directed by Randall Arney
Steppenwolf Theatre, 1650 N. Halsted (map)
thru Aug 25 Sept 1  |  tix: $20-$78   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

August 1, 2013 | 0 Comments More

Review: God of Carnage (Goodman Theatre)

   
   

‘God of Carnage’, worthy of worship?

  
  

(l to r) Alan (David Pasquesi) tries to comfort his wife Annette (Beth Lacke) as Veronica (Mary Beth Fisher) continues to discuss the argument between their two children. Photo credit Eric Y. Exit

  
Goodman Theatre presents
   
God of Carnage
  
Written by Yasmina Reza
Directed by Rick Snyder
at
Goodman Theatre, 170 N. Dearborn (map)
through April 17  |  tickets: $22-$90  |  more info

Reviewed by Barry Eitel

Yasmina Reza’s God of Carnage must be a producer’s wet dream—four actors, one set, and a run time less than 90 minutes. Plus, it’s hyper-relevant to upper-middle class urban professionals. The overall vibe is very similar to Reza’s Art, especially in skewering yuppie lifestyles. It all worked out very well for the Goodman, which snagged the Midwest premier after the Broadway debut won a bevy of Tonys and Broadway in Chicago dropped it from its season. With all the encapsulating hype, Reza’s tight little play (translated and Veronica (Mary Beth Fisher) is horrified as her civil get together turns into chaotic mayhem. Photo credit: Eric Y. Exittweaked for American audiences by Christopher Hampton) is sure to get some butts in the Goodman’s seats. And the production lives up to the hoopla, even though no one in the cast has the national name recognition as Jeff Daniels or James Gandolfini.

The idea Reza plays around with in her play is whether adults and children are really that different, especially when it comes to scuffling. One child whacks another in the face with a stick, knocking out a couple of teeth. We see the obligatory meeting of parents sans children. From the beginning, there’s the awkward conflict between parenting techniques. Add to that the fact that maybe no party is innocent. Of course, things quickly spiral out of control.

To direct this darkly hilarious piece, the Goodman selected Rick Snyder, the same who directed a terrific production of Art at Steppenwolf a couple of seasons back. His experience with Reza shows—he allows his cast to push the humor just enough before becoming too ridiculous.

In the end, God of Carnage is an actors’ show. The New York folks got that when they brought in Gandolfini, Daniels, Marcia Gay Harden, and Hope Davis. Snyder cast his own set of Chicago stage heavyweights: Mary Beth Fisher, Beth Lacke, David Pasquesi, and Keith Kupferer. The foursome has a great thrust and parry with each other—and this is a play where alliances constantly shift and no one is on any one else’s side for very long (even if they’re married to them).

Pasquesi is Alan, a high-profile corporate lawyer, and is married to Annette (Lacke). She’s bothered by his love affair with his Blackberry. The hosts, Veronica (Fisher) and Michael (Kupferer, in the role originated by Gandolfini), are victim to their own neurosis. Veronica writes books about far-away conflicts and buys books about art; Michael sells doorknobs (among other things) and recently tossed the family hamster out on the street. Things really pick up when the liquor starts flowing, a la Who’s Afraid of Virginia Woolf? Really, you end up feeling sorry for the unseen children most of all.

Unfortunately, it seems like Snyder holds back, which is the show’s biggest shortcoming. There could be more chaos. I was also hoping for more rolling-on-the-floor laughing moments. The Monday night opening came off as a little Monday-ish. Even in the craziest instants, when things are thrown around or thrown up—the play is a bit unsatisfying. The cast needs to be all-in all the time.

God of Carnage succeeds because it nails the savagery that we all understand. Reza posits that there may not be much of a difference between parks infested with roving gangs of kids or Brooklyn living rooms with cups of espresso and imported rum. She digs under the veneer of modern civilization, and even Veronica, modern civilization’s biggest champion, can’t prevent her passions from slipping out. To insult and question how a person raises their kids is asking for strong responses. But Reza, Snyder, and the cast commit fully to this explosive scenario, and we get to enjoy the fireworks.

  
  
Rating: ★★★
  
  

(l to r) Michael (Keith Kupferer) tries to rationalize the situation while speaking to Alan (David Pasquesi) Annette (Beth Lacke) and Veronica (Mary Beth Fisher). Photo credit: Eric Y. Exit

     
     
March 19, 2011 | 1 Comment More