Tag: Tom Stoppard

Review: Arcadia (Writers Theatre)

Elizabeth Stenholt and Greg Matthew Anderson in Arcadia, Writers Theatre Glencoe         

           
Arcadia

Written by Tom Stoppard
Writers Theatre, Glencoe (map)
thru May 1  |  tix: $35-$80  |  more info
       
Check for half-price tickets   
    

April 7, 2016 | 0 Comments More

Chicago’s Best Theater of 2015

 

Carmen Molina, Claudia DiBiccari, Mykele Callicutt, Paula Ramirez, Preston Tate Jr., Deanna Reed-Foster and James McGuire in Cold Basement Dramatics' "Heat Wave".Scott Danielson, Garrett Lutz and George Toles star in Kokandy Productions' "The Full Monty".Laura Osnes as and Steven Pasquale star in Lyric Opera's "Carousel" by Rodgers and Hammerstein.John Mahoney and Audrey Francis in Steppenwolf Theatre's "The Herd".Sarah Lynn Robinson, Anthony Whitaker and Greg Zawada in Porchlight's "A Funny Thing Happened on the Way to the Form" by Steven Sondheim. Monica West, Kasey Foster and Emma Cadd in Lookingglass Theatre's "Moby Dick".Mariann Mayberry and Brittany Uomoleale star in Steppenwolf Theatre's "Grand Concourse".Steve Haggard and Karen Janes Woditsch star in Writers Theatre's "Doubt: A Parable".Charli Williams , Anna Dauzvardis, Katrina D.  Richard, Brandon Greenhouse, and Kevin Patterson star in Raven Theatre's "Direct from Death Row: The Scottsboro Boys".Bernard White and Nisi Sturgis in Goodman Theatre's "Disgraced".Rafael Davila and Bradley Smoak star in Lyric Opera of Chicago's "Bel Canto".Drury Lane Oakbrook presents "Billy Elliot: The Musical," music by Elton John.  Becca Savoy, Michael McKeough and Sandy Elias star in Griffin Theatre's "Pocatello".Larry Yando and Eva Louise Balistreiri star in Chicago Shakespeare's "The Tempest" by William Shakespeare.Matthew Sherbach and Armand Fields star in Northlight Theatre's "Charm".Brendan Connelly, Chris Schroeder and Brenda Scott Wlazlo star in Red Theater and Oracle Productions' "R + J: The Vineyard".Melanie Brezill and Patrick Budde star in Chicago Children’s Theatre’s "The Miraculous Journey of Edward Tulane." Colte Julian as Curly and Allison Sill as Laurey in Paramount Theatre's "Oklahoma!". Mike Nussbaum stars in TimeLine Theatre's "The Price" by Arthur Miller. Eunice Woods stars in American Theater Company's "The Project(s)" by PJ Paparelli and Joshua Jaeger.Luce Metrius and Ashley Neil star in A Red Orchid Theatre's "Red Handed Otter." Kelsey Brennan and Greg Matthew Anderson star in Remy Bumppo's "Travesties" by Tom Stoppard.Johanna McKenzie Miller and Alex Goodrich star in Northlight Theatre's "Shining Lives," directed by Jessica Thebus.Brian Parry and Jacqueline Grandt star in Redtwist Theatre's "Who's Afraid of Virginia Woolf?" by Edward Albee.Eileen Niccolai and Daniela Colucci star in The Shattered Globe's "The Rose Tattoo" by Tennessee Williams. , Shattered Globe Theatre, Brosilow

In a theater community as diverse and talented as Chicago’s, every aspect and genre of stage productions can be found throughout the city on a given week.  2015 was no exception to this fact, as one can see from our reviewers’ picks of the year’s greatest and most memorable works.

See our picks below the fold

December 31, 2015 | 0 Comments More

Review: Rosencrantz and Guildenstern Are Dead (Promethean Theatre Ensemble)

Nick Lake and Tom McGrath star in Promethean Theatre Ensemble's "Rosencrantz and Guildenstern Are Dead" by Tom Stoppard, directed by Beth Wolf.  (photo credit: Johnny Knight)        
      
Rosencrantz and
   Guildenstern Are Dead

Written by Tom Stoppard  
Directed by Beth Wolf
at Athenaeum Theatre, 2936 N. Southport (map)
thru May 24  |  tickets: $12-$22   |  more info
       
Check for half-price tickets 
    
        
                   Read review
     

May 9, 2014 | 0 Comments More

Review: Arcadia (New Leaf Theatre)

A scene from New Leaf Theatre's "Arcadia" by Tom Stoppard, directed by Jessica Hutchinson. (photo credit: Tom McGrath)       
      
Arcadia

Written by Tom Stoppard  
Directed by Jessica Hutchinson  
at Lincoln Park Cultural Center (map)
thru June 16  |  tickets: $15-$25   |  more info
       
Check for half-price tickets 
    
        
        Read entire review
     

May 19, 2012 | 1 Comment More

The best of Chicago theater in 2011

December’s end brings frantic resolutions, plans for heavy drinking and of course, a barrage of best/worst lists. Being the largest theater review site west of Broadway, Chicago Theater Beat covered over 600 shows in 2011, and the difficulty of choosing the top 25 speaks to the city’s vibrant cultural landscape. In alphabetical order, here are our choices for the year’s best:

Sadieh Rifai - American Theater Company - The Amish Project Mierka Girten, Susan Monts-Bologna - Becky Shaw, Red Orchid Theatre Mortensen, Leahy - The Big Meal, American Theater Company CST_BlackWatch_1 - Copy Jay Torrence, Dean Evans, Leah Urzendowski, Ryan Walters, Molly Plunk
Theatre Mir - Caucasian Chalk Circle - Production 1 Jennifer Lim and James Waterston - Chinglish Goodman Theatre Karen-Aldridge-Cliff-Chamberlain-Ste[3] East of Berlin, Russian Play - Signal Ensemble en-route---Chicago-Shakespeare-One-S[2]
Faust - TheMASSIVE - Chicago Festen_Lev_911 Chicago Shakespeare Theater's "Follies" About Face Theatre's "The Homosexuals" Timothy-Edward-Kane---Court-Theatre-[3]
CCTJackieMe_10 Frank, Fiffer, Bone Harry Groener, Ora Jones, by Peter Bosy Steve-Casillas-Jessie-David-Marvin-Q Andrea Prestinario and Nathan M. Hosner - My Fair Lady Paramount Theatre
Outgoing Tide - Northlight Theatre 011 004_Passing Strange by Bailiwick Chicago Plumpp-and-cast---H1 The Real Thing by Tom Stoppard - Writers Theatre 015 stef-tovar-and-projections-by-john-b[1]

 

                     See entire list

     
December 31, 2011 | 0 Comments More

Review: An Iliad (Court Theatre)

Timothy Edward Kane - Court Theatre An Iliad 003       
      
An Iliad 

Adapted by Denis O’Hare and Lisa Peterson
Directed by Charlie Newell 
at Court Theatre, 5535 S. Ellis (map)
thru Dec 11  |  tickets: $40-$60   |  more info

Check for half-price tickets 
    
        
        Read entire review
     

November 21, 2011 | 3 Comments More

Review: The Real Thing (Writers’ Theatre)

 

Carrie Coon as Annie in Writers' Theatre's "The Real Thing," by Tom Stoppard and directed by Michael Halberstam.
The Real Thing

Written by Tom Stoppard
Directed by Michael Halberstam
at Writers’ Theatre, Glencoe (map)
thru Nov 20 Dec 4 |  tickets: $45-$65  | info

Check for half-price tickets

      

     Read entire review

September 25, 2011 | 1 Comment More

REVIEW: Night and Day (Remy Bumppo Theatre)

 

The Real Story Vanishing in the Dead of Night

 

Ruth (Linda Gillum) unleashes her rage over the death of Milne at Guthrie (Jeff Cummings) in Remy Bumppo Theatre Company's production of Tom Stoppard's Night and Day, Sept. 22 through Oct. 31 at the Greenhouse Theater Center, 2257 N. Lincoln Ave.  Tickets at www.remybumppo.org or 773-404-7336. Photo by Johnny Knight.

   
Remy Bumppo Theatre Company presents
   
Night and Day
   
Written by Tom Stoppard 
Directed by
James Bohnen
at Greenhouse Theater Center, 2257 N. Lincoln (map)
through October 31  |  tickets: $35-$40  |  more info

Reviewed by Paige Listerud

What to make of Remy Bumppo’s latest production Night and Day? On one hand, the whole production is a sexy, easy fit. James Bohnen’s spot-on cast slips casually and effortlessly into Tom Stoppard’s dialogue–just like an old-school lounge lizard would slip into a dry martini or a pair of silk pajamas. On the other hand, what with the United Nations releasing its recent report on atrocities in the Democratic Republic of Wagner (Shawn Douglass) risks an upclose interview with dictator Mageeba (Ernest Perry, Jr.) in Remy Bumppo Theatre Company's production of Tom Stoppard's Night and Day, Sept. 22 through Oct. 31 at the Greenhouse Theater Center, 2257 N. Lincoln Ave.  Tickets at www.remybumppo.org or 773-404-7336. Photo by Johnny Knight. Congo, Stoppard’s cunning 1978 play still looks like a bunch of white people sittin’ ‘round, talkin’ while a country made up of darker-skinned people burns all around them. Set in the fictional African nation of Kambawe, the home of copper-king ex-pat Geoffrey Carson (David Darlow at our showing) is hardly the Court of Versailles. Nevertheless, on the brink of civil war, who has time to talk about fickle fame, sex, Scotch or the role of the media? These characters do.

Into this jaded milieu, Stoppard interjects the question: Does a free press matter? Define what you mean by a free press, etc. It’s this et cetera that Bohnen’s actors handle so well. Dick Wagner (Shawn Douglass), an Australian-born reporter for the Globe, solidly provides most of the sly, tough cynicism through his omnipresent worry over getting scooped. His colleague and comrade, photojournalist George Guthrie (Jeff Cummings), brings battle weariness and much-needed urgency and passion to a very talky show. Greg Matthew Anderson, playing freelance journalist Jacob Milne, achieves likeability and freshness with a character who sees no problem with blurring the line between serious and tabloid news. If Night and Day reveals anything, it’s Stoppard’s gift for prophecy.

These few, these happy few, descend on Carson’s home, much to the chagrin of his wife, Ruth (Linda Gillum), because he possesses an untapped, unsevered line and a Telex machine to get the news out to the West. They are the true seekers of the story,  since the rest of Western press is still hanging out in the lobby of the local Sheraton. Carson also has connections with the rebel leader, Colonel Shimbu, whose Ruth (Linda Gillum) seduces young reporter Milne (Greg Matthew Anderson) in Remy Bumppo Theatre Company's production of Tom Stoppard's Night and Day, Sept. 22 through Oct. 31 at the Greenhouse Theater Center, 2257 N. Lincoln Ave.  Tickets at www.remybumppo.org or 773-404-7336. Photo by Johnny Knight. scheduled late-night meeting with the dictatorial President Mageeba (Ernest Perry, Jr.) leads to devastating consequences.

Politics aside, Stoppard situates blithe and cynical Ruth at the center of his satire, being the only character whose unspoken thoughts are transparent to the audience and being the one whose name–meaning mercy, sympathy and compassion–contrasts starkly with the ruthlessness all around her. Cherchez la femme, right? And what a femme she is. Gillum doesn’t hit a wrong note, negotiating dialogue directly to the audience and exchanges with her fellow actors like a master magician. Hers may be a performance that redefines the word glib. She excoriates the tabloid press for their paparazzi stalking of her divorce and marriage to Carson in one scene, only to fall for the young, idealistic defender of the tabloid press in another. I’m still pondering how she makes it look so easy, believable, and above all, sympathetic.

For the most part, Night and Day flows as smoothly single malt Scotch from a never-ending stream. Bohnen successfully builds tension with Guthrie’s suspicion of Carson, Milne and Guthrie’s departure to meet Colonel Shimbu, and the anticipated, nerve-racking visit from President Mageeba.

Perry’s entrance as Mageeba, certainly does not disappoint. He’s every bit as gracious, intelligent and threatening as a Western-educated, media-conscious despot should be. Regrettably, Mageeba’s ad hoc interview with Wagner drags and the play’s bit of stage violence comes off as unconvincing. It seems strange that Remy Bumppo should stumble here at such a critical moment. My hopeful assumption is that this was an off performance in an otherwise impeccable production.

Wagner (Shawn Douglass) gives Milne (Greg Matthew Anderson) a lesson in the ethics of journalism in Remy Bumppo Theatre Company's production of Tom Stoppard's Night and Day, Sept. 22 through Oct. 31 at the Greenhouse Theater Center, 2257 N. Lincoln Ave.  Tickets at www.remybumppo.org or 773-404-7336. Photo by Johnny Knight.

Does Stoppard ever resolve the question of the necessity of a free press? Tough to say—on the one hand, you don’t want the Mageeba’s of the world in charge of what’s fit to print; on the other, the media is a capitalist enterprise that trivializes critical news and foregrounds trivia, until all information turns into fodder before its gaping maw. Guthrie’s defense of a free press remains the most poetic in the play:

People do awful things to each other. But it’s worse in places where everybody is kept in the dark. Information is light. Information, in itself, about anything, is light.

That is a plea appropriate to 1978, long before the 24-hour news cycle and the digital age. Now we are awash in information, both qualified and unqualified, and we can hardly now call all information light.

We few, we lucky few citizens of open, industrialized nations have, for a long time, used the media as much as a distraction from daily cares as for timely and relevant news. That’s a very human tendency. All the same, I found myself wanting to turn away from the diverting chatter of Stoppard’s principal characters. I grew weary of the same jaded arguments from people still living in a bubble of white and colonial privilege. I longed for Stoppard’s most silent character of the play, Francis (Michael Pogue), the Carson’s servant, to report his truth and have his perspective brought front and center.

   
   
Rating: ★★★½
   
   

Extra Credit

Guthrie (Jeff Cummings) relays to Wagner (Shawn Douglass) and Carson (David Darlow), the tragic end of reporter Milne's life, in Remy Bumppo Theatre Company's production of Tom Stoppard's Night and Day, Sept. 22 through Oct. 31 at the Greenhouse Theater Center, 2257 N. Lincoln Ave. Tickets at www.remybumppo.org or 773-404-7336.   Photo by Johnny Knight.

Important Event on October 11th:

 

October 11: "Is the Truth Front Page News?" Journalist Panel

A free journalist panel hosted by WBEZ’s Richard Steele

Performance excerpts from Night and Day, highlighting the risks and responsibilities of foreign correspondents, will springboard a charged panel conversation, hosted by WBEZ’s Richard Steele, on where readers now turn to get the truth.

 

October 2, 2010 | 4 Comments More