Tag: Yadira Correa

Review: 2666 (Goodman Theatre)

Janet Ulrich Brooks and Mark L. Montgomery in 2666 Parv V, Goodman Theatre          
      
   

2666

Adapted by Robert Falls, Seth Bockley
  from novel by Roberto Bolaño 
Goodman Theatre, 170 N. Dearborn (map)
thru Mar 13  |  tix: $20-$45 | more info
       
Check for half-price tickets   
    

March 10, 2016 | 2 Comments More

Review: The Late Henry Moss (The Artistic Home)

Yadira Correa and Julian Hester star in The Artistic Home's "The Late Henry Moss" by Sam Shepard, directed by Kaiser Ahmed. (photo credit: Tim Knight)        
      
The Late Henry Moss

Written by Sam Shepard 
Directed by Kaiser Ahmed
at The Artistic Home, 1376 W. Grand (map)
thru Aug 3  |  tickets: $28-$32   |  more info
       
Check for half-price tickets 
    
        
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July 12, 2014 | 0 Comments More

Review: Water by the Spoonful (Court Theatre)

Daniel Cantor and Charin Alvarez star in Court Theatre's "Water by the Spoonful" by Quiara Alegría Hudes, directed by Henry Godinez. (photo credit: Michael Brosillow)        
      
Water by the Spoonful

Written by Quiara Alegría Hudes 
Directed by Henry Godinez
at Court Theatre, 5535 S. Ellis (map)
thru April 6  |  tickets: $45-$65   |  more info
       
Check for half-price tickets  
     
        
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March 22, 2014 | 0 Comments More

Review: The Ghost Is Here (Vitalist Theatre)

Hank Hilbert, Dwight Sora, Eliza Shin and John B. Leen in Vitalist Theatre’s “The Ghost is Here”. Photo by John W. Sisson, Jr.       
      
The Ghost Is Here 

Written by Kōbō Abe 
Translation by Donald Keene 
Directed by Jaclynn Jutting  
DCA Storefront Theater, 66 E. Randolph (map)
thru Feb 19  |  tickets: $15-$25   |  more info
       
Check for half-price tickets  
         
           Read entire review
     

January 15, 2012 | 0 Comments More

Review: Corazon de Manzana (Mortar Theatre)

     
Corazón de Manzana - Mortar Theatre - Dana Lynn Formby 013
Corazon de Manzana
 

Written by Dana Lynn Formby
Directed by Jason Boat  
at DCA Storefront Theatre, 66 E. Randolph (map)
thru Sept 25   tickets: $15-$20   |  more info

Check for half-price tickets

        Read entire review

     
September 12, 2011 | 1 Comment More

REVIEW: Trickster (Halcyon Theatre)

  
  

Epic tale propelled by audacious scope; uncompromising artistic vision

  
  

Riso Straley and Scott Allen Luke--Photo byTom McGrath

  
Halcyon Theatre presents
  
Trickster
  
Written and Directed by Tony Adams
At
Greenhouse Theater Center, 2257 N. Lincoln (map)
through Jan 30  | 
tickets: $18 – $20 |  more info

Review by Catey Sullivan

With Trickster, Halcyon Theatre takes on a wildly ambitious epic of ancient Native American lore woven into a contemporary story of survival in apocalyptic world. Written and directed by Halcyon Theatre’s Artistic Director Tony Adams, the piece’s challenging, provocative sprawl of interlocking tales doesn’t always form the most coherent narrative. But what it lacks in clarity, it makes up for in sheer audacious scope and an uncompromising artistic vision.

Arch Harmon as Fox--Photo byTom McGrathWithin the animal world, the earth’s four-legged creatures battle a dark fate overseen by a cruel Wolf Master. At the same time, a rag-tag group of humans try to stay alive in a burned out landscape where water and food are scarce and marauding soldiers are everywhere. Think ‘The Road’ merged with a highly sexualized take on Aesop’s Fables merged with the intricate Native American belief system of Spirit Animals and you’ve got a good idea as to the ruling aesthetic that governs Trickster.

Adams’ wild ride begins with a slam poet cry to a muse, and a violently worded harbinger of what’s to come. From there, the audience lurches to a fever-dream of a sex scene where in two dimly lit bestial creatures are making the beast with two backs. The illicit union of Swan (Christine Lin) and Coyote (Scott Allen Luke) leads to Coyote being chased to river, where he jumps in and assumes the shape of a stone. Flash-forward 500 years: Coyote has emerged from the river and been restored to his regular shape, only to find a world in ruins.

Competing storylines ensue as the animals attempt to redeem a world that’s a burnt-out husk and the humans try to keep from starving or death or being gang-raped by soldiers. The primary trouble with Trickster lies in the editing process: plots and sub-plots branch out from each other like an endless root system continually stretching out, increasingly tiny branches moving ever farther from the primary trunk. The result is that Trickster becomes compartmentalized – defined by many different storylines that don’t always add up to an emotionally resonant, authentically connected whole. The piece would benefit from some judicious pruning. At almost three hours, Trickster sometimes rambles despite the truly streamlined pacing.

As for Adams’ epic-sized cast of 19, it’s a beautiful thing to behold. This is the rare ensemble that truly reflects Chicago. Despite the best of intentions, the vast majority of theater companies simply don’t look like the city they spring from: Color blind casting doesn’t happen with any degree of regularity in Chicago. Halcyon is fiercely committed to it and with ensembles such as the one in Trickster, offers proof that diversity and excellence are hardly mutually-exclusive concepts. Halcyon is leading towards the time when multi-ethnic casting is the norm and doesn’t even warrant a mention.

There are several beguiling performances within Trickster’s ranks – Yadira Correa is delicious as a predatory owl intent on eating children. Riso Straley absolutely gets the combination of vulnerability borne of irrecoverable heartbreak and untouchable toughness borne of surviving in a battle-hardened world.

Scott Allen Luke, Arch Harmon and Rafael Franco--Photo byTom McGrath (R to L) Riso Straley, Derrick York and Rudy Galvan in Trickster--Photo byTom McGrath

Others don’t fare quite so consistently well: It’s difficult to understand much of the dialogue that springs from Fox (Arch Harmon) – his words are muffled, his diction muddy. And despite the cast’s size, there’s some distracting double/triple casting going on: As the final scenes wore on, it felt like the same three or so characters kept getting killed. When an actor gets his throat cut, shows up a few scenes later to have his neck broken, and shows up still later to suffer a fatal gunshot wound, well, the impact of the violence is diminished.

The production benefits greatly from costume designer Izumi Inaba’s work, which is a playful, furry example of creativity triumphing the constraints of a small budget. Her canine creations are the strongest, wild and wooly headpieces that emulate the spirit of the animals the actors are depicting, if not their literal appearance. Adam’ spare, burnt orange scenic design evokes the blistering heat of the great southwest, as well as the ancient art of the cultures who lived there millennia before the white folks showed up.

Halcyon Theatre demands a lot of its audiences. This isn’t the theater of effortless escapism. Instead, Adams takes you down a dark and difficult path, demands that you pay attention and leaves you with a brain overloaded with questions of morality, philosophy and the intricate nature of the human condition.

   
   
Rating: ★★½
  
  

Helen Young and Jennifer Adams in Trickster-- Photo byTom McGrath

Featuring: Jenn Adams, Yadira Correa, Delicia Dunham, Rafael Franco, Rudy Galvan, Johnny Garcia, Kamal Hans, Arch Harmon, Arvin Jalandoon, Christine Lin, Scott Allen Luke, Goli Rahimi, Johanna Middleton, Julie Mitre, Ruth Schilling, Riso Straley, Helen Young and Derrick York. (Cast & Production Team bios after the jump)

 

January 11, 2011 | 0 Comments More